Conrad Schnitzler
Conrad Schnitzler has been an institution in the German electronic music scene for thirty years. He studied with Joseph Beuys in the mid 1960’s, and in the late sixties joined the then fledgling German rock band Tangerine Dream. He added a bizarre, conceptual approach to Tangerine Dream that catapulted the band to legendary status; Schitzler left after that first album, forming with his friends Moebius and Roedelius the band Kluster. Since the demise of Kluster, Schnitzler has released dozens of albums, cassettes and CDs, both on his own and on various labels around the world.
Conrad Schnitzler has been an institution in the German electronic music scene for thirty years. He studied with Joseph Beuys in the mid 1960’s, and in the late sixties joined the then fledgling German rock band Tangerine Dream. He added a bizarre, conceptual approach to Tangerine Dream that catapulted the band to legendary status; Schitzler left after that first album, forming with his friends Moebius and Roedelius the band Kluster. Since the demise of Kluster, Schnitzler has released dozens of albums, cassettes and CDs, both on his own and on various labels around the world.
Rot
** 500 copies. Limited 50th Anniversary Edition: embossed, reverse board, hand numbered, limited edition red vinyl ** There was a particular type of artist who could only have emerged in the legendary early 1970s. Few musicians fit the bill better than Conrad Schnitzler. Revolution, pop art and Fluxus created a climate which engendered unbridled artistic and social development. Radical utopias, excessive experimentation with drugs, and ruthless (in a positive way) transgression of aesthetic fron…
Silberland Vol 2 - The Driving Side Of Kosmische Musik 1974-1984
Welcome to Silberland – where the streets are paved with strobes. Home to neon lights, straight lines and open roads, this futurist fantasy was ï¬rst founded in the mid-seventies, when Germany's creative class chose musical therapy in order to indulge their shared hallucination of a new Europe. Fuelled by the catalytic fusion of globalisation and new technology, the world was turning ever faster and the kosmische generation were ready to keep the pace. With synthesisers, rhythm computers and hu…
Cas-Con II
As part of our series "Experimental Electronic Underground GDR", we are very pleased to be able to make a very special recording available again. On the evening of 3.9.1986, the privately announced and illegal concert took place in the Erlöserkirche in East Berlin/GDR. Montgomery mixed Schnitzler's music live from the tapes. Jörg Thomasius recorded the performance and released the recording in 1987 on his own underground cassette label Krötenkassetten. The elaborately restored original recording…
Con '84
LP version. Composer and conceptual artist Conrad Schnitzler (1937-2011) was one of the most influential figures of the electronic avant-garde in Germany. In 1967/68, the Joseph Beuys student founded the Zodiak Free Arts Lab, which became a playground for Berlin subculture. In addition to many other musical stations, bustling Schnitzler was a member of the kraut-electronic formations Tangerine Dream and Kluster. Numerous solo releases complete his extensive oeuvre. One of them is Con 84, probabl…
Consequenz II
LP version. Composer and conceptual artist Conrad Schnitzler (1937-2011) was one of the most influential figures of the electronic avant-garde in Germany. In 1967/68, the Joseph Beuys student founded the Zodiak Free Arts Lab, which became a playground for Berlin subculture. In addition to numerous solo releases Schnitzler was also involved in various band formations not least Tangerine Dream and Kluster. Representing another of his musical landmarks are the Consequenz releases. Consequenz II eme…
Eins und Zwei und Drei und Vier: Deutsche Experimentelle Pop-Musik 1980-86
Spunky wave kraut from early ‘80s Germany, portraying the sound of the country’s first proper youth movement, with Conrad Schnitzler, Der Plan, Palais Schaumburg, Asmus Tietchens, Holger Hiller, Populäre Mechanik and many more
Schubkraft
“Kontraktion” and “Extruder” are the results of various tape-sessions by Conrad Schnitzler and Siegmar Fricke in Con’s former studio Leberstrasse in Berlin.The soundscapes on both records (produced in November 1986 and July 1987 with EMS-Synthi A, Korg MS 10 + MS 20 + delays) contain all the machinistic energy and infernal industrial sound-eruptions similar to Conrad’s first three albums “Schwarz”, “Rot” and “Blau” and to the rumbling train wheel rhythms of “Zug” (from the “Red Cassette” 1974).
…
Con-struct
LP version. About the Con-Struct series: Conrad Schnitzler liked to embark on daily excursions through the sonic diversity of his synthesizers. Finding exceptional sounds with great regularity, he preserved them for use in combination with each other in subsequent live performances. He thus amassed a vast sound archive of his discoveries over time. When the m=minimal label in Berlin reissued two Conrad Schnitzler albums at the outset of the 2010s, label honcho Jens Strüver was granted access to…
Music is not language. Neither is it painting. Just music.
A posthumous duo LP featuring text and music by Conrad Schnitzler, music by Wolfgang Seidel, and artwork by Matt Howarth! Conrad Schnitzler and Wolfgang Seidel have been musical collaborators since the early 1970s when Seidel performed in Schnitzler's free-form group Eruption that had been founded as a successor to Kluster and featured a revolving cast of members. In the 1980s, they produced the duo albums Consequenz, Consequenz II and Con 3 where Seidel performed under his alias Wolf Sequenza.
Paracon - The Paragon Session Outtakes 1978-1979
"Conrad Schnitzler is incredible. I would dearly have loved to meet him, to have been present when he, Seidel and Baumann were working their magic at Paragon Studio. Fortuitously, Wolfgang Seidel, co-author of these pieces, has opened up his archive of recordings to the Bureau B label. He and Conrad Schnitzler spent many years together experimenting with sound, capturing the results on the two Consequenz albums, amongst others. I had the honor of meeting Wolfgang Seidel at the Golden Pudel Club …
Conditions of the Gas Giant
Bureau B present a reissue of Conrad Schnitzler's Conditions of the Gas Giant, originally released on cassette in 1988. The Berlin artist first released these recordings on a small American cassette label. Admirers of the seminal artist Conrad Schnitzler can be found all over the planet, including the USA, of course. Matt Howarth, illustrator and independent comic artist, is one of them. He has been following Schnitzler's music since the early 1970s whilst drawing offbeat science fiction stories…
Extruder
Extruder is the second unreleased album from the 1987 collaboration between Conrad Schnitzler and Siegmar Fricke who composed and made several tapes of session-material during their musical meetings in Berlin. All recordings produced, arranged and mastered by Siegmar Fricke at Pharmakustik studio. The album contains high doses of hydraulically driven energy generated by the complex analogue equipment. Microformed soundpools of cold extrusion collide with voltage-controlled pulsations, tape-echoe…
Filmmusik 1
LP version. Bureau B present Filmmusik 1, a selection from Conrad Schnitzler's archive. In Conrad Schnitzler's sprawling archive, there are two tapes marked Filmmusik 1975 A and Filmmusik 1980 B. It is hard to say which videos this music belongs to, particularly as the pieces have been left untitled. Perhaps there isn't really any film material at all. The dates are of no great help either, since the tapes feature the same tracks, albeit in varying degrees of quality. Filmmusik 1 presents an ini…
Kontraktion
The album “Kontraktion” is the result of two long sessions that have been recorded on tapes by Conrad Schnitzler and Siegmar Fricke in Con’s former studio Leberstrasse in Berlin. The five soundscapes (produced in November 1986 and July 1987 with EMS-Synthi A, KORG MS 10+20, delays) contain all the machinistic energy and infernal industrial sound-eruptions similar to Conrad’s first three albums “Schwarz”, “Rot” and “Blau” and to the rumbling train-wheel-rhythms of “Zug” (from the CON-album 1978).…
Gruen
Conrad Schnitzler's green album (aka Grün), originally released in 1981 on Edition Block. "Schnitzler's tracks in the 1970s were lengthy and shared a musical pattern which varied only minimally. Hence the green album has just one track on each side and any changes in melodic structure are subtle in nature. Both pieces are very much typical of Schnitzler in style, but less so tonally. An analog rhythm machine ploughs almost brutally through the astoundingly delicate electronic veil of 'Der…
Gelb
LP version on 180 gram vinyl. Conrad Schnitzler's yellow album (aka Gelb), originally released in 1981 on Edition Block. "The chronology of Schnitzler's solo releases in the 1970s -- and even more so in the '80s -- resembles a book with seven seals. Schnitzler regularly issued his music on analogue cassette or LP, often on his own as 'private releases', without any help from a label or professional distributor. The yellow album, for example, was issued on vinyl in 1981 by René Block in Ber…
Silber
A collection from Conrad Schnitzler's archive, recorded between 1974 and 1975, originally released on LP only in 2009. Contains the complete original material (three more tracks than the 2009 release) on CD for the first time (with original running order). Just when you think you have grasped Conrad Schnitzler's master plan, every time you kid yourself into predicting what you are about to hear, the next record comes along to prove you wrong. Motorik is writ large throughout. Even the less rhyth…
Gold
Bureau B presents a song collection from Conrad Schnitzler's archive, recorded between 1976 and 1978, originally released by the small German label Marginal Talent in 2003. In the comprehensive canon of Schnitzler releases, the music on the Gold album stands out a mile in every respect. Judged on the sound alone, there is little to suggest that the material was recorded as long ago as the 1976 to 1978 period. There is more at play here than two tape recorders, analog synthesizers and sequencers.…
Congratulacion
LP version on 180 gram vinyl." Conrad Schnitzler is as unpredictable as he is true to himself. If this sounds paradoxical, he reconfirmed the assertion in 1987 with an album which posed many questions and offered few answers -- his music more extraordinary than ever. The indefatigable Schnitzler still leaves anyone listening to Congratulacion today rather baffled. Those well-acquainted with his music might search in vain for familiar landmarks. Instead, new and unexpected features can be heard, …
Conrad & Sohn
"Conrad Schnitzler is undoubtedly one of the founding fathers of German electronica. And his son, Gregor Schnitzler, matched the father's extraordinary level of creative output. They appear to have settled any musical differences amicably. After all, how else could they have 'shared' an LP released by Conrad Schnitzler himself? One half of Conrad & Sohn features music by Conrad Schnitzler, the other, his son Gregor. Two mini-albums on one disc, so to speak. An ideal opportunity to compare them. …