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Cosmic Jokers

In 1972, Rolf Ulrich Kaiser founded "Die Kosmischen Kuriere" where will be signed all the Cosmic jokers albums. The Cosmic Jokers was not really a band but a reunion of several German musicians and personalities from the 70s psychedelic and esoteric philosophies. The interest of this side project was to create a cosmic music with a virtual musical tribe to develop the world consciousness thanks to LSD.  The music is for a large part improvised with proto-electronic gadgets combined to bluesy & spacey musical sentences built around the talented Manuel Gottsching’s electric guitar style.

In 1972, Rolf Ulrich Kaiser founded "Die Kosmischen Kuriere" where will be signed all the Cosmic jokers albums. The Cosmic Jokers was not really a band but a reunion of several German musicians and personalities from the 70s psychedelic and esoteric philosophies. The interest of this side project was to create a cosmic music with a virtual musical tribe to develop the world consciousness thanks to LSD.  The music is for a large part improvised with proto-electronic gadgets combined to bluesy & spacey musical sentences built around the talented Manuel Gottsching’s electric guitar style.

Members: Klaus Schulze
The Dark Side Of The Moog Vol. 4
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
The Dark Side of the Moog Vol. 3
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
The Dark Side of the Moog Vol. 2
In 1994, Klaus Schulze was able to look back on a long, successful and highly influential career, but he was also able to embrace the new.He was in the midst of his 'digital phase', fascinated by sampling technology, and had a clear idea of where he could go with the technology, which resulted in albums like Beyond Recall; the Royal Festival Hall recordings; The Dome Event and even to an extent his opera Totentag.By contrast Peter Kuhlman a.k.a Pete Namlook had just started. In 1992 he had found…
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