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Eduardo Polonio

Born in Madrid in 1941. He dropped out of the Engineering and Telecommunications School to attend the Royal Conservatory of Music in Madrid, where he studied the piano, harmonics, counterpoint and composition. In 1968, he obtained a diploma for teaching composition. Between 1966 and 1970, he studied instrumentation with Günther Becker during the Darmstadt Summer Courses. In 1969, thanks to a scholarship from the Juan March Foundation, he trained at the Psychoacoustics and Electronic Music Institute at the University of Ghent. In 1969, he started to work with the Alea laboratory in Madrid. Between 1970 and 1972, he was part of the Alea Música Electrónica Libre group, the first Spanish group playing electroacoustic music live

Born in Madrid in 1941. He dropped out of the Engineering and Telecommunications School to attend the Royal Conservatory of Music in Madrid, where he studied the piano, harmonics, counterpoint and composition. In 1968, he obtained a diploma for teaching composition. Between 1966 and 1970, he studied instrumentation with Günther Becker during the Darmstadt Summer Courses. In 1969, thanks to a scholarship from the Juan March Foundation, he trained at the Psychoacoustics and Electronic Music Institute at the University of Ghent. In 1969, he started to work with the Alea laboratory in Madrid. Between 1970 and 1972, he was part of the Alea Música Electrónica Libre group, the first Spanish group playing electroacoustic music live

Member of: It
Del serialismo al Multimedia
A tribute to Eduardo Polonio for his eightieth birthday and his nearly sixty years of compositional work. Eduardo Polonio is one of the pioneers of electroacoustic music in Spain.  The book, beautifully edited and profusely illustrated, shows in its 196 pages a panoramic view of his work, from the first instrumental works of the sixties, in conventional or non-conventional notation, through the chapter on composition processes, installations and multimedia actions, electroacoustic operas, discog…
Proprio Motu
* 2021 Stock * The disc summarises a major part of Eduardo Polonio’s work over the last decade and in some way is a complement to his 1969 - 1998 anthology. There is a deep line, indecipherable for me, that runs through the work of Eduardo Polonio. It is a spectral base that we can track to his early works. ... In his latest work, Sudoku-mix, he buries it even deeper. We should not opt for the easy programmatic interpretation of the phenomena he points to in his work. The harmonic plays and even…
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