We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Massive discount on a large selection of items from the God Records catalogue. 🔥

Egisto Macchi

Committed musician, eclectic and generous, essentially self-taught, he has gone with vigor and emotion through all the  seasons of Italian music after World War II. The variety of experiences lived from M° E. Macchi (next to the composition, the musical organization, improvisation, electronic  music) reveals on the one hand, the extent and the extroversion of his musical interests, on the other hand, the very limits of its  production of art, that in fact remained on the margins of the history of the Italian avant-garde music.

Committed musician, eclectic and generous, essentially self-taught, he has gone with vigor and emotion through all the  seasons of Italian music after World War II. The variety of experiences lived from M° E. Macchi (next to the composition, the musical organization, improvisation, electronic  music) reveals on the one hand, the extent and the extroversion of his musical interests, on the other hand, the very limits of its  production of art, that in fact remained on the margins of the history of the Italian avant-garde music.

Gli Occhi Freddi Della Paura
New remastered reissue, the only credited soundtrack appearance of Gruppo di Improvvisazione Nuova Consonanza, makes you wish Ennio Morricone had used his free improv unit for that purpose more often. Gli Occhi Fredda Della Paura, or Cold Eyes of Fear, is an Italian slasher (giallo) from 1971. The score has Il Gruppo augmented by a rhythm section and a fuzz-wah guitarist (most likely Alessandro Alessandroni). The results sound like a creepy take on 70s Miles Davis, with driving jazz beats a la C…
Controfase
Composed by Ennio Morricone alongside friend and frequent collaborator Bruno Nicolai, "Controfase" is one of the most overlooked and lesser known chapters in the maestro's extensive catalog. Various experimental elements perfectly intertwine in these skilful compositions, VCS3 blend with hair-raising violin notes on a pattern of ominous percussions by Egisto Macchi. With the precious help of Gruppo di Improvvisazione Nuova Consonanza as well as Edda Dell'Orso angelic voice, the two masterminds h…
1