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Fabio Perletta

Nessun Legame con la Polvere
"This release borrows its title ‘Nessun Legame con la Polvere’ (No Attachment To Dust) from a Zen story as well as from a small wooden box, namely one of ten sculptures of my project ‘I Fiori Non Vedono Mai I Propri Semi’ (Flowers Don't Ever See Their Own Seeds). This artwork was exhibited in 2020 at Pollinaria’s forest, Italy as part of Aequusol Autumnus MMXX. The exhibition had no sound. It is now clear that life, the matter we are made of, and the objects we use every day cannot be considered…
Interstitial Spaces
Interstitial Spaces (F90111) is the follow-up to Fabio Perletta’s 2013 CD Field: Atom(s) Entropy. With this new work Perletta investigates the physical phenomenon of the “Interstitial Space” which is the point in a crystal lattice where the perfection of the atomic structure is broken or suspended resulting in open spaces for unexpected resonances. After his investigations of entropy with Field: Atom(s) Entropy, here the underlying inspiration is anomalies within atomic structure such as vacuums…
Cell​-​Fate
*In process of stocking. Edition of 80 copies.* "Microbiology plays such an essential role in my life. Recently, I’ve been reflecting a lot about cells’ lifespan, and how they originate, evolve, transform and eventually die. One of my best friends was diagnosed with metastatic lung cancer months ago. From our perspective, cancer is such a bad thing but life, for sure, is not anthropocentric. It seems to follow its own path, mostly out of our control. Today, thanks to recent studies of epigenetic…
Un Fiocco di Neve
“Un Fiocco Di Neve” (Italian word for snowflake) is one of the possible crystallisations of an ongoing project called Nucleazione (Nucleation), started in 2017 and consisting of the accumulation of over 200 sound files and silences pulled together and randomly overlapped with no control. The five compositions of this album originate from a series of auto-generative methods, which I found brought me to new listening experiences in the process of composing. I trace my steps back to a decentered, l…
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