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2007 release ** "In Very Slow Disco Suite (2006), De Bièvre slows down a disco song from 120 bpm to 20 bpm. Against this languid harmonic background, three musicians play material that is dictated at random by a microcontroller. In this way, De Bièvre tried to guarantee the spontaneity of the performance."
2005 release ** "Bending the Tonic (2004), a work for ensemble that November Music commissioned De Bièvre to compose. In this work, a computer records all the audio signals of the musicians (except for those of the contrabass and percussion) and plays these signals back according to a fixed temporal system. The harmonic basis is formed by a stereotypical blues progression, that De Bièvre stretches over 144 measures. The title refers to the importance of the tonic in blues music."
2004 release (light storage wear) ** "Guy De Bièvre, a Belgian composer and guitarist, worked in the urban environment of New York until he focused on a particular sound frequency (60 Hz), then isolated it and assembled it in the various sequences that make up this portrait of Manhattan. The various compositions go to `simulate` different auditory approaches: linear - simulation of a walk on Broadway, approximately from 123rd Street to Battery Park; circular - simulation of listening from the to…