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Ingram Marshall

Ingram Marshall (born May 10, 1942 in Mount Vernon, New York) is an American composer and a former student of Vladimir Ussachevsky and Morton Subotnick. Marshall’s early work is primarily electronic, but by 1971 he had taken a substantial interest in Indonesian music and began to study the gamelan traditions of Bali and Java.
In the mid-1970s, Marshall worked to combine his eclectic interests into a unique and memorable sound, sometimes layering electronic tones with the sounds of the Balinese flute, other times incorporating “text sound” in the form of the manipulated human voice. Since 1985, his main focus has been ensemble music that sometimes incorporates electronic sounds and sometimes does not.

Ingram Marshall (born May 10, 1942 in Mount Vernon, New York) is an American composer and a former student of Vladimir Ussachevsky and Morton Subotnick. Marshall’s early work is primarily electronic, but by 1971 he had taken a substantial interest in Indonesian music and began to study the gamelan traditions of Bali and Java.
In the mid-1970s, Marshall worked to combine his eclectic interests into a unique and memorable sound, sometimes layering electronic tones with the sounds of the Balinese flute, other times incorporating “text sound” in the form of the manipulated human voice. Since 1985, his main focus has been ensemble music that sometimes incorporates electronic sounds and sometimes does not.

Ikon and other Early Works
This CD comprises the text-sound works (1974-1980) on which Ingram Marshall concentrated throughout the seventies and falls into two parts: the works from the Fragility Cycles period (Cries Upon the Mountains, SUNG, Sibelius in His Radio Corner, and IKON) and the earlier works (Cortez, Weather Report, and The Emperor’s Birthday). “Cortez, Weather Report, and The Emperor’s Birthday form a kind of trilogy representing my work with “text-sound” in the early seventies. The techniques used to gener…
One Line Two Views
One Line, Two Views features seven compositions for nine-piece ensemble by Muhal Richard Abrams. Works range from the subtle textural and tonal explorations of “Textures,” “Hydepth,” and the title track to the hard bop revisitations of “11 over 4” and “The Prism 3.” The disc is rounded out by an ebullient, joyous, and celebratory “Tribute to Julius Hemphill and Don Pullen” and the blues-tinged “Ensemble Song.” Abrams opts for unique instrumentation including violin, harp, and accordion.  …
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