J.P.A. Falzone
Ascending Music
The pieces brought together here were assembled as the fruit of collaboration undertaken by Falzone and Evans-Weiler. Instrumentation is the strongly unifying element. The reed organ, once ubiquitous in the private music setting of the home as well as a default practice instrument for organists, is now regarded as something of a relic of the past. However, the instrument continues to afford certain distinct advantages, particularly with regard to dynamic variation by virtue of the player’s direc…
Penumbra
Four beautifully reduced duets, jointly developed by violinist Morgan Evans-Weiler and pianist J.P.A. Falzone. Music which is as delicate as a feather, but also as tough as nails.
A Curving Abacus
In 1968, Steve Reich coined the term Process Music to describe compositional designs that resemble “pulling back a swing, releasing it, and observing it gradually come to rest,” explaining that “once the musical process is set up and loaded it runs by itself.” In the mid-1970s, Brian Eno began using the expression Ambient Music to refer to atmospheric compositions that “must be able to accommodate many levels of listening attention without enforcing one in particular,” music that “must be as ign…
Chordioid
A double CD of works for violin, piano and vibraphone. One disc is a long piece by J.P.A. Falzone, the other a long piece by Morgan Evans-Weiler. Both are beautiful, delicate chamber works for violin + piano / vibraphone / fortepiano, recorded at Wesleyan College in Connecticut.