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Kluster

Kluster were a short lived "band" that existed in the early 1970's, formed by Conrad Schnitzler after he left Tangerine Dream, and at the height of what we now refer to as "Kraut Rock". Comprising Roedelius, Moebius and Conrad Schnitzler, they were together long enough to record and release three albums, all in editions of between a few hundred and five hundred, and all of which are today extremely hard to find collectors items that, when found, usually go for hundreds of dollars each. Conrad left Kluster after their third album "Eruption". Roedelius and Moebius have continued under the name Cluster, with dozens of releases already out under this name.

Kluster were a short lived "band" that existed in the early 1970's, formed by Conrad Schnitzler after he left Tangerine Dream, and at the height of what we now refer to as "Kraut Rock". Comprising Roedelius, Moebius and Conrad Schnitzler, they were together long enough to record and release three albums, all in editions of between a few hundred and five hundred, and all of which are today extremely hard to find collectors items that, when found, usually go for hundreds of dollars each. Conrad left Kluster after their third album "Eruption". Roedelius and Moebius have continued under the name Cluster, with dozens of releases already out under this name.

Offene Türen
*2023 stock* "...Offene Türen shows a more avant-garde side. The pieces in their brevity are often sketchy, acting as sound miniatures. The instrumentation is minimal with origins in the Selbstportrait series, with sound effects backing the Farfisa organ. There are also songs like 'Allemande,' which sounds a bit like a burlesque folk dance, or 'Abenteuerliche Begegnung' and 'Besucher im Traum' which resemble in their romantic mood more typical Roedelius music." - Jochen Rindfrey
Mind Cinema
"...I'm looking forward to playing live together with you Linda, Christian and Michael wherever on the globe, as soon as the Covid restrictions are abrogated. This would be a great pleasure for me. Stay healthy, yours" - Joachim "It has been a privilege to have the opportunity of recording with you Joachim. Thank you for opening the doors to the sonic cinema and ushering in our minds. Lights, Camera, Action - or as you once told us - Do it!" - Dallas Acid Hans-Joachim Roedelius: Piano, Organ, Ke…
Schwarz (Eruption)
LP version. Comes on 180 gram vinyl and includes download card for the album. The official Konrad Schnitzler discography lists Eruption, released in 1971, under the title Schwarz, as the first Schnitzler album. In actual fact, Eruption is the third and final LP by the group Kluster, following Klopfzeichen (BB 110CD/LP) and Zwei Osterei (BB 111CD/LP). The line-up printed on the labels leaves no room for doubt. Unlike the two previous albums, Eruption was not issued by the Schwann Verlag, but by t…
Klopfzeichen
180 gram vinyl version. Imagine finding a message in a bottle, forty years after it was dispatched. That is what it feels like when you listen to Kluster's Klopfzeichen for the first time, mysterious, hard to decipher, a relic of a time long since passed. The handwriting is archaic, barely legible, the complex contents only falling into place when examined through the light of historical context. Klopfzeichen is an incredibly important release for the time in which it appeared (1971), an …
Zwei-Osterei
180 gram vinyl version. Zwei Osterei is the second half of a recording session which took place on a single day in November 1970. Klopfzeichen is the first part. Yet the uncompromising Zwei Osterei surpasses the earlier Klopfzeichen album by some distance in terms of its harsh noisiness and near brutal sonic attacks. Everything that was left of the revolutionary verve of the late 1960s seems to have been distilled into this music with a burning glass: aesthetic destruction to liberate the mind a…
Selbstportrait
LP version on 180 gram vinyl. This is the third solo album by German keyboardist Hans-Joachim Roedelius, originally released in 1979 on Sky Records. Alongside his ongoing work with Cluster and Harmonia, Roedelius amassed an almost incalculable number of musical notations during his time in the idyllic Weser Uplands. Fleeting sketches, spontaneous improvisations, implied miniatures, rough compositions -- Roedelius recorded virtually every idea he came up with outside the studio sessions on h…
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