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Massive discount on a large selection of items from the God Records catalogue. 🔥

Lee Ranaldo

Lee Ranaldo/Rob Menard
Lee Ranaldo and Rob Menard have been friends and collaborators for years and this split cassette release on Important Records' Cassauna label amplifies their unique musical personalities and sonic compatibility. Both artists contributed over 30 minutes of music making this a pair of mini-albums on one tape. Ranaldo plays Farfisa, electric guitar, tres, marimba, bass and bells, taking the listener on a lyrical, hazy, ride full of life, time and echoing riff shimmer. Massive vibes from author, art…
Un Pranzo Favoloso / A Fabulous Lunch
2006 release ** “Un Pranzo Favoloso" has been recorded live on 26th May 2005 at Auditorium Concordia in Pordenone (Italy) during the "Schermo Sonoro - Cinemazero" festival. In this incredible concert Lee Ranaldo, Alan Licht, Tim Barnes and Ulrich Krieger played on Stan Brakhage experimental movies; the band explores the concept of soundtrack and creates something new out of it, a "sonic continuum" between music and the movies, in which Stan Brackage's images become sounds. The result is amazing.…
Churning of the Ocean (LP)
*  CD version includes one additional track * Extended instrumental tracks from the nocturnal studio session of director and musician Jim Jarmusch, Sonic Youth's Lee Ranaldo, Balázs Pándi (Keiji Haino, Venetian Snares, Merzbow) and producer Marc Urselli (John Zorn, Mike Patton, Laurie Anderson, a.o). All was recorded live and analog, and in the moment. Mixed, mastered, recorded and produced by Marc Urselli at EastSide Sound Studios, NYC, 2019. Artwork by Italian artist Sara D'Uva. Press quotes f…
Ambient Loop for Vancouver
"Ambient Loop for Vancouver (2004) is a single, full length track (53'43"), with contributions from Alan Licht on guitar, Christian Marclay on turntables, and William Hooker on drums. It was originally assembled as the 'tape bed' for a performance in Vancouver, Canada of DRIFT, my collaborative film and music presentation with partner Leah Singer, in April 2004. This slowly changing, low volume ambience has since been used in various performance, reading and installation situations over the y…
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