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Years in the making, the first full length album by Piercing follows releases on notable labels such as No Rent and Detachment Programs.
Output by this project has been somewhat limited and selective due to it's time consuming nature and nitpicky process of preparing loops derived from specific source sounds, which are then painstakingly shaped into melancholy and melodic tape degraded noise compositions that strive to put the listener in a palpably surreal or transcendent atmosphere. All of the…
An inevitable and sensible split release between two of today's most unconventional projects, both consistently pushing the boundaries of contemporary Harsh Noise by fearlessly incorporating limitless experimentation drawn from tried-and-true tape music techniques, as well as aspects of electroacoustic and free improv.Both artists have a tendency to collect seemingly random and bizarre sources that are then crammed together into an elaborate found sound collage akin to a sonic puzzle. Each part …
*In process of stocking* "Piercing is my tape noise project and MOT is Paul van Trigt's. Paul is also a visual artist and colleague who has been responsible for making many AAD releases look good. We are a dream team and it was only a matter of time before we did something together showcasing our solo sound work.
Piercing's track is loosely based on traditional Egyptian funerary rituals..."Forbidden Wailing" is a reference to Egyptian women verbally expressing their grief and sadness during mour…