Reinhold Friedl
Equal parts composer, performer and curator, Berlin's Reinhold Friedl is a veritable renaissance man. In conjunction with his highly regarded orchestra zeitkratzer ("time scratcher" in German) as well as in collaboration with such artists as Lou Reed, Lee Renaldo and Merzbow, Friedl has helped set new standards for Europe's new music scene, crossing every conceivable line that separates chamber from computer music, and piano from studio composition.
www.reinhold-friedl.de/
Equal parts composer, performer and curator, Berlin's Reinhold Friedl is a veritable renaissance man. In conjunction with his highly regarded orchestra zeitkratzer ("time scratcher" in German) as well as in collaboration with such artists as Lou Reed, Lee Renaldo and Merzbow, Friedl has helped set new standards for Europe's new music scene, crossing every conceivable line that separates chamber from computer music, and piano from studio composition.
www.reinhold-friedl.de/
Alloy
In 2015, Lemur started a collaboration with German pianist Reinhold Friedl. Friedl is the leader of the international ensemble Zeitkratzer, working at the intersection of improvisation and composition. In this respect, Friedl's experience and working method have much in common with the ideas and working methods Lemur uses. Not least through an interchange between work with large and small ensembles.In collaboration with Reinhold Friedl, we focus on the use of extended playing techniques, form ex…
Lichtung
With over a dozen releases on Karlrecords, and a total output of more than 100 albums in general, Reinhold Friedl doesn't need much of an introduction to anyone interested in contemporary music / avantgarde: his ensemble zeitkratzer is as respected as it is feared for its radical approach on music, and it seems redundant to mention all collaborators and projects.
Friedl is known for his unique piano sound, his advanced techniques, and his musical intensity paired with precise exuberant sound con…
Scarlatti
zeitkratzer director Reinhold and his ensemble present new compositions, grounded on Domenico Scarlatti's piano sonata F-minor K.466. Commissioned by the dance company Rubato and dedicated to Mario Bertoncini (1932-2019).
Pita / Friedl
Electronic music legend and head of Editions Mego, Peter Rehberg, teams up with zeitkratzer mastermind Reinhold Friedl. 3 side-long pieces melting electronic / contemporary avantgarde. Uncompromising.
String Quartets
String Quartet 1, 2 et 3 composed by Reinhold Friedl (Zeitkratzer) and performed by Quatuor Diotima.Reinhold Friedl’s string quartets do not pretend to be string quartets, they are anti-Goethe. There is no sophisticated conversation of four elder gentlemen, sitting in armchairs. The music is physical work for the performers and intended to be physical pleasure for the listeners. All three quartets are based on the same idea: smooth transformations from a given texture into another one. The rando…
Tobel
Reinhold Friedl, inside piano. Franck Vigroux, electronics. 'An encounter between two worlds. Reinhold Friedl and Franck Vigroux are two musicians, both addicted to a real contemporary approach, getting to the core of sound but by very different means. Reinhold Friedl with his purely acoustic instrument and his highly developed and refined inside-piano techniques meets Franck Vigroux with his electronics including all kind of devices from tape recorders to analog synthesizers. Their sole …
Kore
'Kore' is a natural advancement of Reinhold Friedl's earlier composition 'Xenakis [a]live!' (released 2007 on Asphodel) - a homage to the French-Greek composer Iannis Xenakis. The piece is conceived for nine amplified instruments demonstrating Zeitkratzer well established tradition of instrumental amplification (e.g. the early collaborations with Zbigniew Karkowski or Merzbow and more recently with William Bennett of Whitehouse) where playing amplified does not only mean making things louder, it…
Mutanza
This CD presents compositions for piano using the instrument in an unorthodox way. The strings are bowed with nylon strings, stimulated by E-Bows, rubbed with metal, the keys' sound is examined as a corrugated surface and staccato rhythms are repeated in a narrow register. On the one hand, the pieces introduced here explore new ways of playing the piano. In this sense they are enlarged playing techniques, as they have been developed for most instruments in the second half of the twentieth …
Pech
Pech is the latest duo recording from inside pianist Reinhold Friedl and avant- percussionist Michael Vorfeld. Over the past five years, this pair of German musicians have created some of the most engaging and imaginative electro-acoustic music, exploring the potentials of subtle performance techniques and refined compositional approaches. On Pech, the duo seek to uncover the hidden and masked character of their instruments - the piano is altered via various preparations and unconventional ways …