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Massive discount on a large selection of items from the God Records catalogue. 🔥

Rhodri Davies

Feathered Swing Of The Raven
2012 release ** "Laura Cannell and Rhodri Davies create a rich and minimalist sound, combining chords and drones on recorders and harps oscillating with different tones and harmonics. It is inspired by fragments of English renaissance music and Laura…
Telyn Wrach​ï​od
Cildraeth Sienco is an improvisation based on an amalgamation of the notation and structure of Angharad Jenkins’ Brandy Cove with the alternative string tuning of ‘Cywair yn Nghywair y Wrach’ from Robert ap Huw’s manuscript."Ceimion wrachïod cymwysYn…
Dyslexic Harp (Deciphered In The Dark)
Amgen presents Jean-Luc Guionnet's Dyslexic Harp (Deciphered In The Dark). Concert for pedal harp solo. Recorded, edited, mixed and mastered by Jean-Luc Guionnet. Recorded 17th and 18th of January 2010 at q-02, Brussels
Trem
Amgen presents Rhodri Davies's Trem. Live at All Angels, St Michael and All Angels Church, West London.
For Simon H. Fell
Amgen presents Rhodri Davies's For Simon H. Fell. Concert harp. Recorded 26th of June 2020.Mastered by Sam Grant.
An Air Swept Clean Of All Distance
Making up 1 part of 4 to his ‘Pedlar’ boxset, ‘An Air Swept Clean of All Distance’ was recorded in 2014 at Blank Studios, Newcastle, and exec produced by folk chief Richard Dawson, and adorned by a continuing series of artwork by Anna Peaker. It skip…
Wound Response
Another piece of the puzzle to his 4-part ‘Pedlar’ boxset, this one was thrown down in 2011 at Newcastle’s legendary Morden Tower, a C.13th, grade-listed turret on the West Walls of the city’s ancient defences against curious Mackems and Durham scunn…
Telyn Rawn
Dating back to the 13th century in Wales, the Telyn Rawn is a nearly forgotten horsehair harp; UK improvising harpist Rhodri Davies researched the instrument and its unique sound, commissioning the construction of a harp on which he performs 18 impro…
Still Point
Assumed Possibilities comprises of four musicians who understand the meaning and use of understatement and close listening. This quartets non-idiomatic music attains a minutely focused intensity, where the subtlest shifts in pitch, timbre and texture…
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