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2011 release ** "Five decades on, Our Roedelius finally releases a film soundtrack. Well worth the wait. As a godfather of electronica, Roedelius could have easily made a parallel career as a film soundtrack auteur, only he's always lacked the killer instinct of a Vangelis or Edgar Froese to compromise his intuitive muse for mass audiences. Which made him something of a wild card for Frederick Baker's BBC TV documentary Imagine Imagine - about the countercultural forces that gestated John Lennon…
In the early-to-mid aughts, in the Williamsburg neighborhood of Brooklyn, Zebulon Café Concert was the epicenter of creative music of all stripes and flavors. Proprietors Guillaume Blestel and brothers Jef and Joce Soubiran passionately created and curated a space where musicians and the music could fully blossom unfettered by norms and conventions. Zebulon was also the preferred haunt of legendary artist, poet and filmmaker Jonas Mekas who had recently moved back into the neighborhood after lea…
Imagined by Zebulon and made possible by the artists who answered our call for support during the extended period when our doors were shut due to Covid, this compilation captures just a handful of the many magic moments that have occurred on our stage over the years.
All of the tracks featured on this album were recorded live at Zebulon LA between 2018 and 2020 – with the exception of the title track by Jonas Mekas, which was recorded at Zebulon Brooklyn in 2009. Jonas is posthumously with us in…
Composer/poet Hans-Joachim Roedelius (Kluster, Cluster, Harmonia) is one of the most prolific musicians of the German avant-garde and a key figure in the birth of Krautrock, synthesizer pop and ambient music. Jardin Au Fou is his second solo album, originally issued in 1979 on France's Egg label, and produced by former Tangerine Dream member Peter Baumann. This record was all the more noteworthy as it bore no resemblance whatsoever to what was expected of avant-garde electronica and displayed no…
*2023 stock* "...Offene Türen shows a more avant-garde side. The pieces in their brevity are often sketchy, acting as sound miniatures. The instrumentation is minimal with origins in the Selbstportrait series, with sound effects backing the Farfisa organ. There are also songs like 'Allemande,' which sounds a bit like a burlesque folk dance, or 'Abenteuerliche Begegnung' and 'Besucher im Traum' which resemble in their romantic mood more typical Roedelius music." - Jochen Rindfrey
180 gram LP version. The third studio album by Hans-Joachim Roedelius, originally released by Sky Records in 1981, fulfilled a dream he had long cherished. A series of chamber music pieces, with grand piano solos taking center stage in some places, archaised percussion patterns in others. Lustwandel represents a logical progression, following on from Jardin Au Fou (re-released on Bureau B in 2009). Both albums were recorded at Paragon Studios in 1979 and produced by Peter Baumann (Tangerine Drea…