We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Sébastien Roux imagines new listening situations. He uses algorithms, games, movement, spatialisation, and diagrams to articulate two complementary notions: the perception of form and the forms of perception.
Musiques d'ordinateur (Computer music) gathers pieces written between 2011 and 2020. The tracks on this CD are the more or less predictable results of more or less complex programs. The sounds and their organization (the score) are calculated. There is no editing nor mixing. The algorithm …
Issues results from the invitation made to Sébastien Roux to compose from the six issues' collection of the contemporary art magazine about sound Volume, released between 2010 and 2013, using the textual corpus as a generator of scores to write and eventually have performed.'And so, as a follow-up to some of the projects that periodically interacted with the printed version of the review, you will now be able to listen to Volume through this record, the six sound pieces of which respectively 'tr…