Toshimaru Nakamura
Toshimaru Nakamura is a Japanese musician, active in free improvisation and Japanese onkyo. He began his career playing rock and roll guitar, but gradually explored other types of music, even abandoning guitar. He uses a mixing console as a live, interactive musical instrument: "Nakamura plays the 'no-input mixing board', connecting the input of the board to the output, then manipulating the resultant audio feedback." Nakamura's music has been described as "sounds ranging from piercing high tones and shimmering whistles to galumphing, crackle-spattered bass patterns." Nakamura has recorded solo albums, and has collaborated with Yoshihide Otomo, Keith Rowe, and Nicholas Bussmann among others.
Toshimaru Nakamura is a Japanese musician, active in free improvisation and Japanese onkyo. He began his career playing rock and roll guitar, but gradually explored other types of music, even abandoning guitar. He uses a mixing console as a live, interactive musical instrument: "Nakamura plays the 'no-input mixing board', connecting the input of the board to the output, then manipulating the resultant audio feedback." Nakamura's music has been described as "sounds ranging from piercing high tones and shimmering whistles to galumphing, crackle-spattered bass patterns." Nakamura has recorded solo albums, and has collaborated with Yoshihide Otomo, Keith Rowe, and Nicholas Bussmann among others.
Elements
Tip! Surface World is pleased to share David Lee Myers (aka Arcane Device) and Toshimaru Nakamura’s Elements, a remote collection written and assembled in tandem at the suggestion of the label. Sharing an idiosyncratic approach to feedback-based sound generation and a commitment to their signature instruments (respectively, the Feedback Machine and the No-Input Mixing Board), the pairing lands during an especially fruitful period in their individual discographies. Harmonically dense, energetic a…
No Input Mixing Board 11 - Live In Tokyo
Tip! Introducing the 11th volume in the No-Input Mixing Board' series from Toshimaru Nakamura. Utilising a unique instrument and free improvisation approach, Toshimaru masterly controls waves of feedback to create structured layers of crackling pulses, drones and bass patterns. Featuring four live sets recorded in 2021 and 2022, and demonstrating a harsher side to more recent output, he continues to successfully explore and discover new avenues from his equipment. 'As most of you will know, it w…
A Floor, Walls, and a Ceiling
Tokyo's experimental musicians Toshimaru Nakamura and Suzueri collaborated on a CD released in April 2023 on the Italian experimental label Superpang. Includes two improvisational songs using piano, mixer, and self-made instruments.
Oh My God, And Yours
*Edition of 200. Mirror cover, transparent vynil* "Beautiful release on Yan Jun’s Sub Jam label. Toshimaru Nakamura was the first one that I ever saw using a no-input mixer, already in the 1990s. What exactly Yan Jun’s open-input feedback means, I am not sure, but I love the noise coming from both! Some sounds are as if they come from distorted guitar, I hear earth hums and glitches, there are a lot of different dynamics and small events in the pieces, but all in all it’s enervating music that a…
The First Album
Noisy duo improvisation by Toshimaru Nakamura (no-input mixing board) and Jun Numata (guitar, oscilator, radio, etc.). This CD shows a difference posture to a sound (noise) frankly between Nakamura and Numata. So it is very interesting duo improvisation ! You can continue to listen 30 minutes without getting tired of it. Recorded, mixed and mastered by Toshimaru Nakamura. Recorded on 10 March, 2017 at Shichoshitsu Jinbo-cho, Tokyo.
""An improvisation for about 30 minutes" performed by Jun Numata…
Listening to the Footsteps of Living Ones Who Are Still on the G
This is a duo album by Toshimaru Nakamura, a mixer player based in Tokyo, and Martin Taxt, a tuba player living in Oslo. Instead of a conventional tuba, Taxt plays a custom-made “microtonal tuba” capable of producing microtones. In this album, Nakamura incorporates Taxt’s tuba sounds in his mixer through a microphone instead of playing his usual instrument, the no-input mixing board, which does not take in external sounds. The project started with the concept of Nakamura processing the tub…
Maruto
Using his no-input mixing board Toshimaru Nakamura, perhaps the ultimate Onkyo artist, spent two years creating this work, which is also the second release in the Erstsolo series. Nakamura constructs this 46 minute piece from recordings of his mixer, which generates a combination of hum, glitch, buzz and subliminally disruptive sound. He develops the results into gentle and non-violent textural and impressionistic music that unfolds in a meditative and absorbing manner. That Nakamura c…
Crepuscular Rays
“The young Norwegian guitarist Håvard Volden uses the table-top approach, but his guitar is an acoustic 12-string that he rescued from a skip, so many of the sounds he works with have clear acoustic origins and contrast interestingly with the no-holds-barred electronics of Toshi Nakamura's famous no-input mixing board. The disc contains two powerful extended improvisations that were recorded at concerts in November 2008 during the duo's tour of Norway.” label info
Side guitar
Toshimaru Nakamura's main instrument of late has been what he calls the 'no-input mixing board.' Rather than input external sound sources into the mixer, he treats it as a self-contained instrument by controlling its internal feedback -- the result being a truly original performance style. Over the past four years, Nakamura has released the solo NIMB CDs No-Input Mixing Board (on the Zero Gravity label), No-Input Mixing Board 2 (a bruit secret), Vehicle (cubic music), and No-Input Mixing Board […
Aluk
Vienna artist Klaus Filip plays music using nothing but sine waves produced with 'lloopp,' an improvisation software program he invented and continues to refine. Toshimaru Nakamura makes music simply by controlling a mixing board's internal feedback, inputting no external sounds. Two artists with highly individual playing methods, they came together to create this album of improvisational works. Two of the three tracks were recorded in a Tokyo studio in May of 2005, when Filip came to Japan alon…