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Recorded at the festival Neposlusno (Sound Disobedience) in Ljubljana, Slovenia in 2012, the AMM duo of Eddie Prevost on percussion and John Tilbury on piano perform an extend improvisation of tension and dynamic, delicately balancing sound in a rich dialog. Incidentally, the title of the album is the name of the venue (Spanski Borci in which the concert was recorded. Both artists felt a certain respect playing in a place with references to the Spanish Civil War and the fascism that prevailed in…
"Free-improv CDs sometimes turn up in the record-business equivalent of fish-and-chip paper, but this handsome book-form package encloses three audio CDs, a DVD, a raft of colour photography, and a thoughtful essay from Richard Williams. It documents a 2013 Cafe Oto season for the UK trio of drummer Eddie Prévost, bassist John Edwards and saxophonist Evan Parker, plus German musicians Christof Thewes (trombone) and the doyen of European free-jazz pianists, Alex von Schlippenbach – the Brit…
Active since the mid-1960s, England's AMM have become an icon of the free improvisational movement. In the spring of 2004, due to personal and philosophical disagreements, Keith Rowe suspended his involvement with AMM, an association that went back to his role as founding member in 1965 (albeit with an almost decade-long disenfranchisement through the '70s). The remaining members, percussionist Eddie Prévost and pianist John Tilbury, elected to continue on as AMM, and this their latest effort. T…
Restocked, reduced price. Two live recordings by master improvisers John Tilbury (piano) and Eddie Prevost (percussion) playing two emotional sets that are quiet at just the right times and allow for a balanced amount of white space, creating beautiful music. "A new AMM album then, always a welcome arrival, capturing two relatively recent London performances from the duo of Eddie Prévost and John Tilbury. one of which I attended, and the other I could not. Both capture really rather wonderful se…
The second volume of Eddie Prevost's 2011 series of concerts at Network Theatre, Waterloo, London meeting with remarkable saxophonists, here with John Butcher on tenor & soprano, with Guillaume Viltard on double bass. The concerts are also notable as Eddie Prevost returns to the drum kit to extend the function of the basic jazz element into AMM-style improvisation.
Meetings with Remarkable Saxophonists - Volume 1. John Edwards, double bass. Evan Parker, tenor saxophone. Eddie Prévost, drums. First of a series of recordings made at The Network Theatre, London on 30th May 2011.
Recorded at the concert hall of the Jasielski Dom Kultury (Jaslo Cultural Centre) in southern Poland on the 15th of May 2010."It is given to very few artists to have created a language entirely their own, but that is what AMM has done over the years, in various line-ups and configurations, with Eddie Prévost on drums as the only unifying element since 1965, and with John Tilbury on piano for the last two decades, here with just the two of them. You may like them or not, but they have made histor…
AMM's performance at the 2009 Freedom of the City Festival with AMM regular members Eddie Prevost and John Tilbury extended with John Butcher, Chritian Wolff and Ute Kanngiesser. "[...] Certainly in places this sounds like AMM through and through. When Prévost and Tilbury are working together it really cannot be anything else. I find myself hearing the connections between these two musicians through everything else, no matter what other sounds are there to be heard. There are the little climaxes…
The amorphous unit that is AMM has been refining—and indeed redefining—a sound for as long as it's been in existence, and there's no reason to believe that the process this implies is likely to ever stop evolving. This does of course render John Butcher's presence here as perhaps anomalous, but there are no musical reasons to believe that this was the case in reality. The resulting trio—indeed the Trinity—of Butcher on tenor and soprano saxophones, pianist John Tilbury and percussionist
Eddie P…
Matchless Recordings presents a live concert by Eddie Prévost recorded at Gateway Studio, Kingston, England on September 10th, 1996. The album includes six tracks performed by Eddie Prévost - Percussion.
"After a life-long study of percussion, Eddie Prévost has discovered ways of making the instruments reveal hidden aspects of thei voices. These, his first solo recordings, comprise and anthology of this long study but at the same time there is a freshness here that suggests the research is far f…
"A three CD set marking thirty years in the making of AMMmusic. Three concert performances: Aarhus, Denmark, 1969. London, 1982. New York, 1994. Featuring variously: Cornelius Cardew, Lou Gare, Christopher Hobbs, Eddie Prévost, Keith Rowe and John Tilbury. Includes an illustrated booklet with commentaries by Jim O'Rourke, Victor Schonfield, Malcolm LeGrice and John Tilbury." Tremendous historical document of all exclusive material to this box, perfectly packaged, desperately awaited. "AMM moves …
** Restocked, reduced price** This double CD version of The Crypt - 12th June 1968 is the third edition of this recording and contains all the material that was recorded at the session in question. The fades are at places where the tapes ran out. So there was some music that escaped into the ether. The earlier vinyl pressings limited the amount of material that could be published. And to be honest, after such a long time, we had forgotten about the material excluded hitherto.Despite being (argua…
‘Piano Music 1959-70’ is a reissue of an album that enjoys cult status
among Cardew aficionados. The standout piece remains Volo solo (1965),
conceived originally for Tilbury as an attempt to coin a new type of
virtuosity. Cornelius Cardew expected it to be taken at a reckless tempo so that,
as he wrote, ‘the piano should seem to be breaking apart’. But the
material he gives the pianist – 60 inchoate fragments interlinked by
pauses – trips impetus up, the structure left with a hiccuping
s…
"Aside from working with the influential avant-garde ensemble AMM, percussionist Eddie Prévost led some highly challenging British free jazz groups in the '70s. These sessions from 1977 showcase a project featuring Geoff Hawkins on saxophone, Gerry Gold on trumpet, and the phenomenal talents of Marcio Mattos on bass.With Prevost's always inventive and high-energy drumming holding it all together, the quartet explores the tradition of free jazz with the astute wit of classical musicians. The exce…
A collection of recent tracks, recorded by the Organum core of David Jackman, Michael Prime, Dinah Jane Rowe and Jim O'Rourke; further mastering of sound cluster presentation and development.
Restocked, reduced price. "Since its inception in 1966, the cooperative group AMM has been uncompromising in its commitment to freely improvised music. Often, especially early in its existence, this resulted in a harsh, aggressive sound field, one that even the most inquisitive newcomer might have difficulty approaching. By the mid-'80s, perhaps due to the mellowing that comes with age or the addition of pianist John Tilbury, AMM's music took a turn toward the quieter, more contemplative music e…
Recorded at a concert in London, September 1984, this supersession brings AMM stalwarts Keith Rowe and Eddie Prevost together with saxophonist Evan Parker and bassist Barry Guy for an amazingly diverse and cohesive long improvisation.
"Eddie Prévost is not only a highly articulate percussionist but also a stimulating writer, writing for example his occasional contributions to The Write Place or his examnation and critical reactions to The Ganelin Trio in Wire 7. This CD release from Prévos…
Recorded live in London's beautiful Union Chapel in 1987. The organic control of sound on this is spectacular - pretty much a must for serious listeners worldwide.. Free imrovisation in the hands of Amm valorises the unknown, combining unpredictabiity with contexual coherence and the implicit drama of emotion and meaning in play. By opening out the moment it reveals the inherent wilderness of living processes that we lose sight of in an environment of over-determination, where the planned and th…
"This recording from 1985 of the trio consisting of AMM percussionist Eddie Prevost, bassist Tony Moore, and soprano sax player Peter McPhail is an outstanding recording of avant-garde jazz which documents a trio of improvisers maximizing their focus on interplay and invention.This album will appeal to fans of avant-garde jazz and European improvisation, as well as listeners of bebop. The energy and interplay are most striking aspects of this recording, and, while it is very distinctively footed…
Matchless Recordings presents a live concert by Eddie Prévost quartet. This album is composed of two parts. Part 1 was recorded at the Bracknell Jazz Festival on the 3rd of July, 1983. Part 2 was recorded at Porcupine Studios London. The album includes five tracks performed by Larry Stabbins - Tenor and Soprano Saxophones, Veryan Weston - Piano, Marcio Mattos - Double Bass, and Eddie Prévost - Drums.
"The music you hear on this DL has a distinct urgency and excitement. It moves forward in a comp…