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After The Requiem
Original 1991 LP edition! Stepping into the territory of Gavin Bryars is like coming home, so familiar are the morphemes with which he composes his musical language. One of the most significant recordings in the Bryars catalogue, this disc offers a fine condensation of his spirited and nostalgic sensibilities.
After the Requiem dates from 1990 and follows his Cadman Requiem of the previous year. After completing the latter, which was written for the Hilliard Ensemble in memory of Bryars’s friend…
Circle - Paris Concert
When Circle took the stage in Paris in 1971, they weren't just performing - they were igniting a musical revolution. This extraordinary quartet, featuring Chick Corea (piano), Dave Holland (bass), Anthony Braxton (reeds), and Barry Altschul (drums), represented the cutting edge of jazz experimentation at its most vital.
Fresh from their tenure with Miles Davis, Corea and Holland were eager to push boundaries in an entirely improvised context. They found the perfect collaborators in Braxton - who…
Afric Pepperbird
Recorded in Oslo in September 1970, Afric Pepperbird was released on New Year’s Day in 1971. Half a century later, it still conveys the freshness and excitement of discoveries being made. The album signalled the arrival of four Norwegian improvisers – Jan Garbarek, Terje Rypdal, Arild Andersen and Jon Christensen – at the fledgling ECM label. It was the start of a lifelong association with each of the musicians, whose influence was soon to reach far beyond the borders of their homeland. In exten…
Das Orgien Mysterien Theater. 25. Aktion - Wiederaufgeführt
Hermann Nitsch - Orgien Mysterien Theater - 25. Aktion. Re-performance of 25. Action, March 1982 in the gallery Pakesch, Vienna. The premiere was in New York, in 1968. Hermann Nitsch, an Austrian painter, performance-artist and composer, was a crucial founding artist of "Viennese Actionism". He has held exhibitions and performed all over the world since the '60s. The idea of the very sensual and archaic Orgien Mysterien Theater was developed in the late '50s and has been performed in variations …
Outspan No 2
Tip! Recorded a month after Outspan No 1, this album offers up four more sonic delights from the core trio of Brötzmann, Van Hove, and Bennink. Rarely has free jazz/Euro improv/circus music/[your identifier here] sounded so unfettered and delightful -- adventurous without seeming self-serious, silly yet not without gravity. A must for any fan of these three maestros.
Outspan No 1
Tip! It's hard to imagine how this record -- and it's mate, Outspan No 2 -- managed to remain more or less out of circulation from the CD era onward. Outspan No 1 is nothing less than an ideal distillation of the broad approach to sound creation utilized by the three-ring circus that is Brötzmann, Van Hove, and Bennink, here with the added bonus of Mangelsdorff. Two short numbers, two long, too perfect.
3 Points And A Mountain
"A real cause for celebration. A performance distinguished by gleeful energy and audacious dada wit. It possesses a vigor of discovery and invention that makes it sound timeless." - Cadence "A great and enjoyable session from three of the most creative and unique musicians in European avant-garde music." - All Music Guide"Wonderful, intoxicating stuff. Together theses three troubadours tiptoe exaggeratedly through pastiches of bop, cabaret, baroque, and lounge, and work through dozens of mood ch…
14 Love Poems
A monument of post-free solo reeds playing and a stunning album in Peter Brötzmann's discography
Machine Gun
Cien Fuegos present a reissue of the Peter Brötzmann Octet's Machine Gun, originally released in 1968. One of the most important albums of European free jazz, finally in the Cien Fuegos series. Recorded May 1968 at "Lila Eule", Bremen. Recorded with a whiff of revolution in the air back in May '68, this landmark Brotzmann LP taps into the spirit of its time with a robust garage rock sensibility, lending a considerable urgency to the session, with the highest volume passages taking up far more ai…
Schizophrenic Blues
Trost Records proudly announces the latest release in its ongoing cooperation with Berlin’s legendary FMP label, with the long overdue reissue of two classic live albums by the singular alto saxophonist Noah Howard, a key figure in New York’s free jazz revolution during the 1960s. Berlin Concert was recorded live in the titular city in January of 1975 with a quartet featuring pianist Takashi Kako, bassist Kent Carter, drummer Oliver Johnson, and percussionist Lamont Hampton, while Schizophrenic …
Berlin Concert
Trost Records proudly announces the latest release in its ongoing cooperation with Berlin’s legendary FMP label, with the long overdue reissue of two classic live albums by the singular alto saxophonist Noah Howard, a key figure in New York’s free jazz revolution during the 1960s. Berlin Concert was recorded live in the titular city in January of 1975 with a quartet featuring pianist Takashi Kako, bassist Kent Carter, drummer Oliver Johnson, and percussionist Lamont Hampton, while Schizophrenic …
Die Like a Dog (Fragments of Music, Life and Death of Albert Ayler)
Comes in a heavy gatedold sleeve and with printed innersleeves. Peter Brotzmann reflected: "The idea of expressing my love of and admiration for Albert Ayler - both man and music - in a musical statement is not new. We both tried to do similar or almost identical things at the same point in time, each independently and without knowing anything about each other - each of us within his own culture." This album was recorded in August 1993 during the Free Concerts series at Townhall Charlottenburg i…
Peter Kowald Quintet
A legendary moment in European free jazz, but which stand as some of the most powerful music of the time! Cien Fuegos present a reissue of Peter Kowald Quintet's self-titled album, originally released by FMP in 1972. Personnel: Günter Christmann - trombone; Peter Kowald - tuba, bass, alphorn; Peter van der Locht - alto saxophone; Paul Lovens - drums; Paul Rutherford - trombone. Composed and produced by Peter Kowald. Recorded by Eberhard Sengpiel at Akademie der Künste, Berlin, on January 19th, 1…
Anticlockwise
"The edges of Schlippenbach’s trio/quartet music have gradually feathered over the past dozen years, a process benchmarked by “Anticlockwise”. Evan Parker’s careening tenor prompts a dramatic sweep from the group that echoes Coltrane’s last period, as on Ore; his multiphonic-oriented soprano style elicits a more spiky rapport. The exceptional American bassist Alan Silva makes an intriguing debut with the quartet, his incisive phrasing and nuance-filled arco technique serving as a lynchpin betwee…
Live At The Hungry Brain
A cross-generational summit between the legendary pianist Marilyn Crispell (member of the Anthony Braxton Quartet and Reggie Workman Ensemble) and Midwest improvising trio of bass clarinetist Jason Stein, bassist Damon Smith, and drummer Adam Shead delivers all the range and expressivity one would expect from such seasoned players. The concert captured on Live at the Hungry Brain moves organically from searing free jazz to contemplative, lyrical balladry, all of conceived in the urgency of the…
Three Nails Left
Cien Fuegos present a reissue of Schlippenbach Quartet's Three Nails Left, a classic mid-1970s originally released on FMP in 1975 and showing Schlippenbach is in sublime form. It features a stellar line-up, with Evan Parker - soprano and tenor saxophone; Peter Kowald - double bass and Paul Lovens - percussion. Side A was recorded live at 3rd Jazz Festival Moers June 2nd, 1974 by Michael Krause. Side B was recorded live at the Quartier Latin Berlin, February 2nd, 1975 by Jost Gebers with the FMP…
The Rhythm of Design
Sound fragments unfold across Zurich, making loss, memory, and cultural change physically and acoustically perceptible. In The Rhythm of Design, Zurich-based fine arts duo Michael Meier & Christoph Franz explore urban displacement and its impact on the local music scene.Focusing on six venues that have disappeared or are under threat, the artists collected materials on site—wood, metal, and other architectural elements—and, with the support of professional instrument builders, transformed them i…
Kranetude
Recorded live at the world premiere of Kran Etüde at the Leisure & Pleasure Festival, on the 29th of June 2023 at Müggelsee, Berlin.
Katharina Ernst: musical concept, prepared drumkit, cymbals, snareStefan „Schne“ Schneider: electronics, synthesizers, live processingStina Fors: gongs, stones, cymbals, tamtam, snareShiau-Shiuan Hung: gran cassa, snare, marimbaJudith Schwarz: prepared drumkit, cymbals, snareNettie Nüganen: thunder sheetSybille Fischer: conductorFlorentina Holzinger: choreography, …
Shlimazl
In the new work ''Shlimazl'' by the Swiss composer Michael Wertmüller, symphony orchestra and big band merge into a virtuoso, polymetric organism that not only transcends styles, but also a perceived linearity of time. In doing so, he explicitly takes up the rich tradition of the big band, and revitalises it within the symphonic context under new auspices and allows it to take off. All the soloists act like a picture within a picture within the big band, which oscillates between musical nucleus,…
Butterfly Mushroom
2nd Volume of the perfect pairing Brötzmann & Nilssen-Love! Recorded at Zuiderpershuis in Antwerp, August 2015. Liner notes-transcription of an interview with Peter Brötzmann.