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Sheer Hellish Miasma II
Nearly sold out at source - Kevin Drumm - electronics, tapes, microphone, computer assistance and Greg Kelley - trumpet
recorded 2023-2025 at Full and Empty in Chicagomastered by Taku Unamidesign by Yuko Zamaproduced by Jon Abbey
Transference
In the ever-expanding constellation of transnational electroacoustic collaboration, Marja Ahti and Manja Ristić present Transference, a profound investigation into the movement and transformation of energy between distant practices and places, arriving August 8, 2025 via Erstwhile Records. Transference emerges as what the artists describe as "a dialogue of sonic gestures and traces of visits to places and the spirit that occupies them." This collaboration transcends geographical boundaries to cr…
L'âme Est Sans Retenue I
Swiss composer Jürg Frey's six hour long electronic tape piece L'àme Est Sans Retenue I was recorded and assembled in 1997/98 and is now being released for the first time. It is the longest piece Frey has ever composed in his over 40 year career.In this piece, Frey utilized the sounds of field recordings he made in Berlin in 1997 as the source materials, alternately inserted between long stretches of silence. Frey was particularly focusing around that time on how the dynamic relation between sou…
Gondolas
Erstwhile Records announces ’Gondolas‘ by Graham Lambkin and James Rushford. Two very unique voices, two hours of sonic magic.
Pictures Of The Warm South
Erstwhile presents Pictures Of The Warm South, Vanessa Rossetto's the seventh Erstwhile release, her second ErstSolo. Mastered by Giuseppe Ielasi, designed by Matthew Revert. Double CD, six-panel digipak. Primarily focused on composing works that draw on a diverse pallet of chamber instrumentation, field recordings, electronics and a wide array of different objects, with a practice that explores each through a combination of extended and traditional techniques, Vanessa Rossetto has been working …
Sakata Akira x Triple Edge
A live recording by Akira Sakata (alto sax, clarinet, voice), Masayasu Tsuboguchi (piano, synthesizer), Takeharu Hayakawa (bass), and Masataka Fujikake (drums). An improvisational giant, Akira Sakata, is a direct hit to the brain.
Hardを何十乗させたら光の粒が降り注ぐのか？
2023 Stock. The second live recording of the duo by Keiji Haino and Masataka Fujikake released just five years after the previous work "Tomorrow, the alphabet will disappear." While retaining the steel-like strength of the previous album, this is a rock album that pursues his core expression only with guitar, vocals and drums . Keiji Haino – guitar, vocals Masataka Fujikake – drums. If HARD is raised to the power of several tens, will the grains of light pour down? Recorded at Stormy Monday Yoko…
Hokuriku
*2026 stock* The third album of the quartet "Akira Sakata x Triple Edge," in which Masayasu Tsuboguchi, Takeharu Hayakawa, and Masataka Fujikake gather to create a rare improvised world with dynamism as if diverse organisms were wriggling under Akira Sakata, a giant tree several thousand years old.
Honnomajika~Naharu × Keiji Haino
*2026 stock* This is the first album by the trio "Honno Majikanaharu" consisting of Lapis (guitar & vocals), Hiroshi Higo (bass & vocals), and Masataka Fujikake (drums) in their activities over 10 years since their formation. This is a live album with Keiji Haino in their more than 10 years of activity since the formation of "No-Maji-Kanaharu".
Yama To Nashi
Andrew Chalk and Daisuke Suzuki have known each other for many years now, as Suzuki runs the Siren label out of Japan and had released Sumac, Chalk's masterful collaboration with Jonathan Coleclough. Suzuki is also responsible for one of the very few published interviews with the somewhat reclusive Chalk. Their friendship certainly runs deep, and out of this friendship came the impetus to collaborate once again (both Suzuki and Chalk had contributed to the now defunct Ora project well ove…
The Kármán Line
The Kármán Line is the threshold - the precise altitude at which the Earth's atmosphere ends and open space begins. Outer Worlds Jazz Ensemble understood the metaphor immediately. This is music made at that exact boundary: grounded in groove and breath, but pulling steadily toward something without ceiling.
The story begins in Tokyo. Neil Innes - bassist, producer, the animating force behind ATA Records and its consistently remarkable Leeds-centred roster - and woodwind voice Chip Wickham were n…
Thought, Action, Reaction, Interaction
Taking a short sabbatical from their journey into the spiritual stratosphere and beyond, Work Money Death landed on terra firma just long enough to record a follow up to the critically acclaimed “The Space In Which The Uncontrollable Unknown Resides Can Be The Place From Which Creation Arises”. The new album “Thought, Action, Reaction, Interaction” explores many of the meditative motifs that mould this unique group in their quest for the perfect sound and space. Those who are familiar with Work …
The Return Of
Every ATA project is marked by collaboration - some over a few weeks and some over decades. When drummer Sam Hobbs and bassist Neil Innes decided to make The Return of the Flying Hats they were building on twenty years of playing together; Innes’s years of nightclub residencies and love of Afro-American dance music, and Hobbs’s intensive exploration of the links between American soul and R&B, Jamaican rocksteady and roots, and the music of the wider Caribbean from Cuba to Trinidad and Brazil. Or…
Spiritual Noise ___ Ritual Of Spiritual Rebirth
Lucky restock! After a 4-year hiatus, Antigravitational Records celebrates its return with a stunning new chapter in the ongoing series dedicated to My Cat Is An Alien's "Spiritual Noise" music and multimedia art experience in the 25th anniversary year of the Opalio brothers' project. Following the distinctive trademark of Antigravitational's serial jackets concept and design, this Red Marble Colored vinyl LP comes with a proper 24-page Art Book mounted on front cover. Made up of full-color imme…
Oeuvres Sonores
Edition of 120 copies. The missing chapter, at last. Two of the most elusive records in the Alga Marghen catalog - one-sided LPs pressed in editions of 80 and 29 copies, available only inside long since vanished boxsets - are finally united on a single LP. Oeuvres sonores completes the series of records issued in relation to alga marghen's presentation of the work of Charlotte Moorman at the Centre Pompidou between 2008 and 2013, and appears in a final edition of 120 copies only. Moorman remains…
Sonata for Prepared Piano (Book)
*Rare original arist' book - Music scores and instruction for performance* Sonata for Prepared Piano (1982) is a short work which, again, uses photoderivations as parts of the notation—this time nature with incomplete figure photographs, mostly obscured by the natural objects around them. (Dick Higgins, "The Strategy of Each of My Books" from Horizons, 1984)
"Four movements make up this thirteen minute work. Each uses a very different method of interpreting its materials, a set of four phot…
Variations on a Natural Theme for Orchestra (Book)
* Rare original artist' book - Music scores and instructions for performance * Variations on a Natural Theme (1982), as in Dick Higgins words, is a large orchestral work, in some ways a companion to the Ten Ways, since this time it uses gamuts (in this case selected by the individual musicians) and photo derivations made from a female model; she was insistent that she not be recognizable, since she was a teacher and was afraid that it would be damaging to her professionally if it were known that…
Piano Sonata #2 (Book)
* Rare original artist' book - Music scores and instructions for performance * After folding Something Else Press in 1974 due to financial difficulties, founder Dick Higgins would move on to other publishing projects for the remainder of his life and career, mostly under the imprint of Unpublished Editions and later Printed Editions. From 1980-1983, Higgins produced a remarkable series of publications using the format of common sheet music books. Within are experimental musical scores and instru…
Ten Ways of Looking at a Bird for Violin and Harpsichord (Book)
Rare original artist' book - Music scores and instructions for performance Ten Ways of Looking at a Bird (1981)...is a playful variation on the name of a poem by Wallace Stevens whose work I have always admired, though, goodness knows, there is no modern poet more different from myself. This is a piece for violin and harpsichord; the harpsichord part is developed in “live time” (that is, during the performance) from what the violinist is doing, according to a set of rules. The violinist uses mu…
Song for Any Voice(s) and Instrument(s) (Book)
* Rare original artist' book - Music scores and instructions for performance * This score by Dick Higgins consists of letters and arrows arrayed across one sheet of musical notation paper. A cover sheet provides the instructions for the four-minute, fifty-two second performance, stating that any number of people may interpret the score simultaneously if they do so independently of one another. Guidelines for interpretation are fairly specific, but the piece is different every time it is perform…