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Andrew Cyrille’s title Lebroba is a contraction of Leland, Brooklyn and Baltimore, birthplaces of the protagonists of an album bringing together three of creative music’s independent thinkers. Each of them made his first ECM appearance long ago: drummer Andrew Cyrille on Marion Brown’s Afternoon of a Georgia Faun (1970), trumpeter Wadada Leo Smith on his own classic Divine Love (1978), and guitarist Bill Frisell on Eberhard Weber’s Fluid Rustle (1979); these are, of course, players of enduring …
Bordeaux Concert is a special document from Keith Jarrett’s last European tour. Each of Jarrett’s 2016 solo piano concerts had its own strikingly distinct character, and in Bordeaux the lyrical impulse is to the fore. In the course of this improvised suite, many quiet discoveries are made, and there is a touching freshness to the music as a whole, a feeling of intimate communication. Reviewing the July 2016 performance, the French press spoke of hints of the Köln Concert and Bremen-Lausanne in t…
*2023 stock* "This album marks the beginning of an ongoing and fruitful relationship between Tunisian oud master/composer Anouar Brahem and the ECM label. From the exhilarating solo “Raf Raf,” we know we are in the presence of someone whose sense of touch, rhythm, melody, and atmosphere speaks straight to the heart from the mind of a visionary. This first track puts us into a time and place where only melody speaks, and the sands of time flow like blood in an infinitely chambered heart. The titl…
On the top of the list of Kraut uderground artifacts, a definite oddity plenty of abstract execution of psychedelic soundscapes, dark Classical textures and Jazz/Fusion, as cohesion is completely absent, however there is a certain charm coming out of this. There are more in the vein of Egg and Amos Key, creating atmospheric soundscapes complemented with powerful jams, featuring organ and clavinet in evidence and swirling around jazzy workouts, light improvisations and mellow Kraut Rock experimen…
Siloah were a German progressive psych / folk band in the vein of Kalacakra, Langsyne and others "curiosities". Siloah are one of the best kept secrets of the krautrock production. Siloah had a hard core including Thom Argauer, Manuela von Perfall, Heinrich 'Tiny' Stricker and Wolfgang Görner, plus a host of guests coming and going, everybody was free to join and play at any time, guest members often joining from the Baumstassen commune around which the band was living before they eventually mov…
Instrumental jazz-rock, recorded perfectly in the Stuttgart sound studio Zuckerfabrik in April 1978. Its style resembles that of its predecessor, 'Dr. Aftershave And The Mixed Pickles', but with distinctive jazz-rock/Embryo alike touch. 'Space Guerilla' (originally out on Schneeball) was the fourth and last LP by Missus Beastly. All of the eight tracks were written by the band members themselves. The 24-page booklet in LP size contains a detailed band history in German and in English language, a…
This album contains three instrumental jazz rock jams recorded by Radio Bremen in September 1974 shortly after the band had produced the second LP. Keyboarder Dieter Miekautsch had left the band towards Embryo and Eddy Maron, also known from contributions for Vita Nova and Dzyan, brings new aspects to the music - it's quite a new impression of the band. The sound quality leaves nothing to be desired by the way. A very good show documenting a new facet of the Missus Beastly band and a highlight f…
1994 release ** "Ivo Janssen recorded these works more than 30 years ago. The album presents music by Dutch composers written between 1964 and 1991. Janssen plays these pieces with great authority. "Men Go Their Ways", by Ton de Leeuw,consists of 5 movements and is inspired by a Haiku poem. It is dedicated to Xenakis. I think the piece would be best heard in a resonant, small concert hall in which the delicate reverberated effects could come alive more effectively than over speakers. The movemen…
August & November are two albums by Mike Majkowski. One acoustic and one electronic, both with their own distinctive atmosphere. Each album contains pieces which are closely linked in terms of approach and structure. Listeners are invited to delve into the pieces and explore the details and subtleties. The titles of the two albums refer to the cover art, by Łukasz Rychlicki. Two photos taken from the same place at different times. One in August, and one in November.
Mike Majkowski is a double ba…
Alain Goraguer's all-time classic psychedelic funk soundtrack to René Laloux's 1973 animated masterpiece 'La Planète Sauvage' here on an expanded Digipack CD
* 400 copies, White Vinyl * Shortwave Encounters is Walter Maioli’s research on extraterrestrial sounds and radio communications started in Amsterdam during the orbital passage of the Comet Halley in 1986. This record is an imaginary interaction between a sender and a receiver, an attempt to create a logged communication between earth and space, combining radio eavesdropping and field-recordings as well as acoustic and electronic instruments, spanning from shells to bat calls, and from the ney f…
Sun Ra's Angels & Demons at Play is a diptych created by merging two recording sessions. The first is a laid-back introspective affair ("angels?") recorded in 1960. Even frolicsome, these bouncy melodies follow the percolating rhythms with a gently leading reed, as Marshall Allen exemplifies on flute in "Tiny Pyramids." Also dating from before the truly experimental Sun Ra period, the last three tracks were recorded at RCA Studios in Chicago in 1956. Still very accessible, here several horns, am…
Psychicemotus was released in 1965 and features Yusef Lateef on various flutes and tenor saxophone, Georges Arvanitas on piano, bassist Reggie Workman, and drummer James Black. And while the Coltrane era of modal and free jazz was in full swing, Lateef always followed his own muse, and continued looking forward while looking back to ancient musics. His use of bamboo and Chinese wood flutes on the title track and "Bamboo Flute Blues" added not only dimension and texture, but rhythmic invention to…
2010 release ** "Jim Campbell (aka the preterite) is a turntapelist, for lack of a better term. Inspired by proponents of experimental work with vinyl, early tape and concrete music, Cagean chance practices and both cosmic and free music, the Berlin-based American artist built a one-of-a-kind instrument out of relics of the tape age, his “cassette scratch orchestra”, composed of cast-off phrase trainers, original effects, a re-purposed and prepared analog cassette multitracker and piles of found…
2012 release ** Packaged in fabric sleeve. "Behind Me And The White Lash are Stefano De Ponti of Passo Uno and Eleonora Pellegrini. The project accentuates on one hand the ambient/soundtrack vocation of Passo Uno, on the other it merges it with more traditional forms, giving life to gentle and dry “songs”, almost folk one might write, during which you can appreciate Eleonora’s voice: the contemplative “The Island”, for example, not to mention a sorrowful “La Morte Del Tocco”. Part of this materi…
2019 release ** Zachary Paul's debut album for Touch, A Meditation On Discord, compiles two live recordings from 2018 and a short film score, showcasing his expressive range and unique playing style. Both live recordings -- "Premonition" and "Slow Ascent" -- were fully improvised on his violin ("The Duke," 1878), with a minimal assortment of pedals (Earthquaker Afterneath, Diamond Memory Lane Jr, and Boss RC-30) and looped vocals. Artwork and photography by Jon Wozencroft. Edition of 500.
2010 release ** "This is a repressing of orchestramaxfieldparrish's 'Crossing Of Shadows' album. Originally released in 2007 it's been treated to a makeover (remaster) and reissued with a bonus reconstructed version of 'Thirst' (originally in the soundtrack for the film 'Caligari: An Exquisite Corpse') added as a cheeky bonus. orchestramaxfieldparrish's music is the height of ambient bleakness. Constructed from treated and non-treated field recordings with occasional appearances from guitar, pia…
2006 release ** "A collaborative one-track mini-cd from US Tidal (aka David Brownstead, ex-666 Volt Battery Noise, and currently involved in the militan zionist project Barzel) and Dutch Peter Duimelinks (known for his activity in THU20, Kapotte Muziek and Goem), clothed in two splendid photos by Alluvial's own Kevin Wienke. The work is inspired by the Jewish purification ritual, but as the cd gives no further information about that I will stick to the music - which by the way is excellent. "Abl…