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Walpurgisnacht
NoBusiness Records presents Walpurgisnacht by Total Music Association. Transferred and remastered from the original tape. Tape transfer by Wolfgang Obrecht at Tonstudio RichArt, Munich. Original Cover Design by Manfred Vogel. Design by Oskaras Anosovas. Remastered by Arūnas Zujus at MAMAstudios. Photography of the musicians by Konstanze Vollmer. Produced by Danas Mikailionis and Ernst Nebhuth. Co-producer - Valerij Anosov. Liner Notes by Hans-Jörg Hussong / Liner Notes (translation) - Ernst Nebh…
Where Future Unfolds
Where Future Unfolds is a new work spirited by Chicago-based sound & visual artist Damon Locks. Starting as a solo sound collage piece (where Locks pulled samples from Civil Rights era speeches and recordings to create an improvisational pallet for performance on his drum machine), over 4 years the project has blossomed into his 15-piece Black Monument Ensemble – featuring musicians (including Angel Bat Dawid on clarinets and Dana Hall on drums), singers (alumni of the Chicago Children's Choir),…
Journal Four
*In process of stocking* No Business Records presents Journal Four by Keith Tippett and Howard Riley.
Recorded on the 9th March 2016 at ‘The Steinway Spirio Two-Piano Festival’ at the PizzaExpress Jazz Club, Soho, London Audio recording supervision by Cath Longbottom Liner notes by Richard Williams Photos by Cath Longbottom Design by Oskaras Anosovas Howard Riley - piano Keith Tippett - piano
Sonoris Causa
*In process of stocking* NoBusiness Records presents Sonoris Causa. Recorded on the 31st May, 2003 at Festival Musique Action in Vandoeuvre, France by François Dietz Design by Oskaras Anosovas Daunik Lazro - baritone saxophone Jouk Minor - contrabass sarrusophone Thierry Madiot - bass trombone, telescopic tubes David Chiésa - 5 strings double bass (left channel) Louis-Michel Marion - 5 strings double bass (right channel)
Fertile Garden
*In process of stocking* No Business Records presents Fertile Garden by Rob Brown (Selfpropelled Music BMI) and Juan Pablo Carletti (BigMateSongs BMI)Recorded on the 25th August, 2020 at Park West Studios (Brooklyn) by Jim ClousePhotos by by Peter Gannushkin Design by Oskaras Anosovas
Rob Brown - alto saxophoneJuan Pablo Carletti - drums, cymbals
The Quietly Clouds And A Wild Crane
This latest instalment from NoBusiness Records collaboration with the Japanese Chap Chap label under the name of Yuji Takahashi with Sabu Toyozumi constitutes a real find. A wonderfully mystic vernal episode of free improv music recorded in Tokyo, 1998. Piano and percussion album of the highest beauty, interactive on a telepathic level and execution. Yuji Takahashi is a Japanese avant-garde composer and pianist. In Japan he was by then already well established as leading practitioner of experime…
Triangle - Live at OHM, 1987
Stunning performance by tenor sax titan Peter Brotzmann and incredible drummer Sabu Toyozumi. Recorded live on December 4th, 1987 at OHM, Koiwa, Tokyo, Japan by Ohm Hirosh
Krautrock Encyclopedia Expanded and Revised Edition
The definitive German rock disc guide is back! Covers major works from 70's Krautrock to 80's Neue Deutsche Welle.
Live at IUCC 2/25/79
Volume 2 out of 11. Edition of 333 copies, one-time pressing. This is the last recording with Jesse Sharps as the Bandleader before he left for the Army. An incredible afternoon of music and a fitting “Departure” for a Jesse, a true pillar of the 70’s Arkestra. Macrame was originally released in 1979 on the IUCC 2LP, it is presented here, in a raw transfer of the master reel. Mykowski’s 1st Fifth is nothing but pure fire with those blistering solos by Sharps, Session, and a very special reading …
A Message From A Tribe Boxset
Super Tip! *Cover design A* Tribe’s inaugural release in 1972 would see three editions released in as many years. 1972’s first edition featured a photo of the ocean on the front, the following year’s second edition had a drawing of the Earth, while 1974’s third edition had a colorful illustration of Tribe founders Wendell Harrison and Phil Ranelin’s faces. Each version is unique.
A Message From The Tribe 1st version (LP + 7")
The inaugural release from Tribe is getting its first ever analog reis…
Einige Schadstoffe
In "Einige Schadstoffe", we have quite the potent homage to the classic era of industrial noise. Think Throbbing Gristle’s Second Annual Report, Come’s I’m Jack, MB’s Symphony For A Genocide, and even Nord’s Ego Trip. The sentimentlinking all of these records is a clinical detachment in the production and broadcast of scalding tone, sickly rhythm,and unclean readymades, emerging through the spectacle of the human conditions of alienation, paranoia, and cruelty. Ultimately, such works are intende…
The Glare of the Nave
**Edition of 125** Hauras returns to the helen scarsdale agency for a second missive of blurred and broken song. the name translates from finnish as 'fragile,' and that remains an apt psychological space for the construction and composition of the glare of the nave. Howard Ryan, the san francisco citizen behind the hauras moniker, composed this album in seclusion during the second year of the pandemic. it's a crumpled album from a crumpled time. ryan conjures his fragments of guitar, keys, scan…
Sleep Patterns of The Discontent
* 2020 Stock * One can be a discontent – that is, an insurgent or a revolutionary – but there is also that more literal, personal meaning of the word which may be in most cases equally applicable to those to which we refer here and, in either case, there is a sort of disruption implicit, as in a hypnopompic state.» A non–linear mix by Michael Anderson / Drekka, with portrait interludes by Mark Trecka. Performed and mixed live 21 October 2015 at The Artifex Guild, Bloomington, Indiana by Michael …
Examinations: 2016-2018
* 2020 Stock * For over twenty years, Mkl Anderson has curated a vast archive of recorded material for his cinematic ambient industrial soundscapes. Working for as many years under the name Drekka, he has sculpted these soundscapes using self-made field recordings of everything from insects in the mountains outside Kathmandu to a washing machine in Reykjavik, from countless sketches and abandoned projects donated by friends, from hundreds of hours of multi-track live recordings of Drekka capture…
There Is No Silence Left
* 2020 Stock * 'There is no silence left' is a collection of remixes and reworkings by Mkl Anderson of Drekka, released under various monikers between 1996 and 2012. Contains 13 previously unreleased or rarely heard tracks, including mixes for Aube, lovesliescrushing, Racebannon, Soul-Junk, and many more.
Beings of ImberIndus
"Beings of ImberIndus" was commissioned as a hexaphonic sound installation to accompany the "Beings of ImberIndus" solo soft sculpture show by Carrie Weaver; presented at the I Fell Gallery, Bloomington, IN throughout December 2018 and culminating in a winter solstice ritual of cleansing. The piece began an intensive six month period of heavy deep listening and drone work for Mkl Anderson's ritual ambient industrial project, Drekka (Dais Records, Auris Apothecary, Bluesanct).
The initial session…
Filters
*Limited edition of 200 copies.* A beautifully meditative and architectural set of loops for solo piano, Filters is the solo debut of pianist and composer Phillip Golub (b. 1993). Approaching the concept of endless repetition through the prism of his radiant pianism, Golub’s loops unite the austerity of the systems-based with the infinite variety & imagination of live performance.
What does it mean to physically perform something that repeats endlessly? To press down the keys on a piano in the s…
Atalaya
*Limited edition of 555 copies.* Atalaya is new work by bassist Dezron Douglas, and it is alive. That is, ‘alive’ in all the ways that jazz is at its best – as a pure and personal expression of Black Music channeled through time-honored traditions by a group of musicians who practice sonic coherence through musical unity. As Dezron puts it in the opening statement of his liner notes for the album: “Mysticism, Magic, Faith, Love, Power, Discernment! These are words that embody the creative proces…
Negoum
The music on this album was recorded in the studio the day after Frances-Marie Uitti and Ayman Fanous spent ten minutes improvising together in concert, in a first meeting. It represents bidirectional ideas in music often and erroneously thought to be opposites: western vs. eastern, improvised vs. through-composed. In this recording they are stood on their head, examined, dissected, tortured, and ultimately reconciled. Fanous says: “Musically, Frances and I came from two distinct sets of emphase…
Dispersion
"Working with forces unknown to me has always been an exciting challenge,” says Elliott Sharp, “especially when those forces are in the form of younger musicians, highly skilled and enthusiastic.” For his work with the musicians of the Veni Academy, he chose three previously composed works that would be easily adaptable to a large ensemble whose instrumentation was not the result of prior design plus one newly composed for the occasion. The chosen pieces were based on well-defined processes that…