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The Hand That Holds The Bread
Songs of Progress and Protest in the Gilded Age 1865-1893
The Hand That Holds The Bread provides a window onto a particularly turbulent time (1865-1893) in this nation's history-a period of great economic disparity, surging immigration, and rampant government corruption. The accompanying 40-page booklet includes an essay situating the songs in their historical context, complete lyrics and a selected bibliography and discography.
Oh My Little Darling: Folk Song Types
This superb anthology of old ballads and other folk-song types comprises pre-war commercial and field recordings made in the rural Southeast, the part of the United States that most closely met the textbook definition of a "folk culture," in which culture was relatively homogeneous and customs were shared across class and ethnic lines. For this reason, this album focuses on the rural Southeast as a rich source of American folk life, ranging roughly from Virginia and Kentucky south to Alabama and…
Loxodonta Africana
From 1977, seven tunes, five of them by Ricky Ford, the then 23-year-old tenor saxophonist and member of the Charles Mingus band and leader of the session. Accompanied by bassist extraordinaire Richard Davis and the great Dannie Richmond, Ford leads the band through mostly hard-swinging, straight-ahead compositions steeped in the jazz tradition but speaking a contemporary language -- a result of the distinctly audible influence of Mingus. Great compositions and strong improvising from the solois…
Nineteen Sixty-Six
Until now, the earliest recordings anyone has heard by Joe McPhee come from the period around his 1968 debut album, Underground Railroad. McPhee had just started playing tenor saxophone at that point. A couple of years earlier, the bassist featured on all of McPhee's early recordings, Tyrone Crabb, led a band of his own, the Jazzmen, in which McPhee was featured on his first instrument: trumpet. Indeed, McPhee was a trumpet legacy – his father was a trumpeter. In the mid-'60s, Joe was a serious …
Angular Apron
It's unreleased Oxley & Stabbins & Sirone & Thomas & Schoof!
Babi
Corbett Vs. Dempsey presents a reissue of Milford Graves's Bäbi, originally issued in 1977 on Graves's own IPS label. This is the first reissue of one of the most legendary albums in the history of free music. Recorded live in concert in 1976, when Graves' trio with saxophonists Arthur Doyle and Hugh Glover was at the height of its powers, Bäbi is a testament to the absolutely unique approach the drummer had established for himself. He had reconfigured the drum kit, removing the second heads on …
Ghost
Ghost is the ninth studio album by New York-based Black Swan, who employs an arsenal of analog recording devices and methods to blur the line between reality and memory. Inspired by musique concrète, ambient, and dark drone traditions, the twenty pieces in this continuous suite capture the experiences of a spirit navigating the physical world it left behind.
The dimensions of each movement come from careful consideration of the overall narrative: some are brief vignettes, while others are given …
Canticles Of B-Sides
2025 stock "Initial recordings for 'Canticles Of Bliss' started in October of 2019 at my home studio located just south of Indianapolis. At the start of 2020 I continued recording songs off and on up until late April where I then took a break and then picked up the guitar again in July. I used an electric guitar for the recordings while utilizing very little effects and a loop station. Quite a lot of the tracks I made ended up not making it on 'Canticles of Bliss'. As such, these eight selected …
The Gowanus Recordings
*2025 stock* This eclectic group features the legendary multi instrumentalist Daniel Carter as well as the scientist/pianist Matthew Putman, drum wizard and 577 Records co-founder Federico Ughi, together with the brilliant up-and-coming member of the New York downtown scene, Texas-born clarinet player Patrick Holmes plus veteran bassist Hilliard Greene, a mainstay of the avant-garde for the last 20 years.
Shine Hear (Vol. 1)
Collaborations are unique to their combinations, producing totally original and innovative ideas with the addition of a single factor. In this case, legendary musicians and 577 mainstays join together in this unique arrangement for the first time, allowing for yet another reinvention. Saxophonist and multi-instrumentalist Daniel Carter, pianist Leo Genovese, bassist William Parker (also playing Gralla and Shakuhachi on this album), and drummer and vocalist Francisco Mela, unite for another impro…
The Dream
2024 stock. That’s right, Carter plays piano on this date! It’s the first thing heard as this disc kicks immediately into definite but mature overdrive. It’s a blast to hear William Parker, bassist for Cecil Taylor’s much-lauded Feel Trio, free-walking under Carter’s percussive attacks, certainly indebted to Taylor but even more pointalistic. The case is made on “Zero Softly”, a spare minimalist musing where notes hang in the air like galaxies only to fade beneath Federico Ughi’s carpet of brush…
Sense Sound / Sound Sense. Fluxus Music, Scores & Records in the Luigi Bonotto Collection
Truly necessary catalogue accompanying an extensive exhibition dedicated to art works and musical scores and their relationship with Fluxus, an interdisciplinary movement of international artists, poets, composers and designers who experimented with fusing art and music in the 1960s and 1970s. The catalogue, published on the occasion of an exhibition curated by Patrizio Peterlini and Walter Rovere, delves deeply into this aspect of the Fluxus network. Rife with illustrations, the materials of th…
Fluxus Again! A History of a Radical Experience 1952-1962-2022
Fluxus was a cultural, visual, and social adventure that began in 1962. Far from wanting to be a nostalgic celebration, 1962 is not offered here as a starting year, but as the first landing on a journey that began a decade before, in 1952, thanks to John Cage at Black Mountain College.During the Sixties, linguistic and formal experiments emerge in a teeming fervor, poised between Europe, the United States and Japan, in an innovative paradigm, extraneous to the aesthetic conventions experienced u…
Fluxus Arte per Tutti
158 p, ills colour & bw, 17 x 24 cm, pb, English/Italian edition. This book offers an in-depth analysis of the prominent role Italy came to play in the Fluxus movement, which emerged in the late 1950s. It explores the editorial experience of Fluxus, the creation of “editions” – objects, graphics, artists’ books – and the important role this had in the movement’s spread. Inexpensive to produce and easy to distribute, these works were accessible to the wider public and in turn contributed to the F…
Golden Pear
Moon Glyph Records head Steve Rosborough returns as Omni Gardens with a brand new album entitled “Golden Pear”. The fuzzy, warm and buoyant moog timbres of “Moss King” return but “Golden Pear” is a dreamier and more lush affair; incorporating a wider palette including mellotron flutes, vibraphones, marimbas and self-captured field recordings. A tranquil, pop atmosphere permeates the album as the songs flutter between bleary, unhurried tunes, warbly soundscapes and odes to lazy afternoons. Create…
Keep Your Soul Young
On her debut album for Past Inside The Present, Lela Amparo reaches beyond her accomplished ambient guitar work to create a sonic environment that incorporates a vast array of elements, including IDM and Trip-hop rhythms, sweeping orchestral arrangements, and understated, poetic vocals. Keep Your Soul Young is built on a confident rawness and worldliness, influenced by Amparo’s upbringing in the American Southwest, subsequent years of international travel, and a life-changing love that led to he…
From The End Of Time
Across the entirety of From the End of Time, the new album by Black Swan, an eerily desolate wind forms the base layer for swells of disembodied choirs, haunting piano, mangled tapes, and scores of other unplaceable, vividly textured sounds. According to the artist, its environment “is meant to evoke the aftermath of a collapsed society,” but does so while pulling every possible vestige of beauty from the ruins, with the reverent melancholy of a classical requiem.
Like previous album Ghost (2024…
Fleur De Chagrin
*300 copies limited edition* Pauline Marx, formerly of the fantastic duo La Fureur de Vouivre, seems like a being from another time and place; namely, an escaped marauder lurking in the forests of a Bruegel painting and integrating the surreal flora and fauna of a Boschian creation into the scenery and lore of deep Brittany. Her invented mythology is loaded with murky rituals and contorted mantras, backed by the surprising sounds and textures of terrains so earthly and so unreal. Where do you th…
Sulle corde di Aries
1973’s Sulle Corde Di Aries was Franco Battiato's third release and showed his fascination for electronic, minimalist and systemic musics, as well as his third chapter in Battiato’s foray into esoteric pop. While the artist would venture further out into avant-garde terrain on subsequent releases, his early records enjoy a lyrical and playful spirit—eschewing traditional, song-based composition in favor of kosmische voyages. On Sulle Corde Di Aries, Battiato guides the labyrinthine structural ch…
Requiem Per Barbara La Marr
*40 copies limited edition* Uncodified composed his Requiem for the silent film actress and Hollywood star who died of an overdose in the early 1930s. Industrial music with a sad and refined touch
Mini CDr art edition. The package, completely handmade, is made up of a shaped and folded cardboard. The folded and closed package forms a completely ivory white envelope, when opened it forms a mourning memorial that resembles a tombstone. The closed envelope is wrapped in a black satin ribbon holding…