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1996 release ** "The recording debut of Affinity finds the quartet (Joe Rosenberg on soprano, tenor saxophonist Rob Sudduth, bassist Michael Silverman and drummer Bobby Lurie) exploring nine Rosenberg originals and Eric Dolphy's "Hat & Beard." The music is essentially free bop, with strong solos from the two saxophonists, alert interplay from Silverman and Lurie, and an attractive group sound. This music rewards repeated listenings and acts as a strong beginning to this important if underrated b…
** Jeanne Lee's-Conspiracy in CD, housed in reverse board printed gatefold card sleeve. Initial copies come with complimentery poster designed by Shabaka Hutchings ** Jeanne Lee (1939-2000) was an African-American vocalist, poet, composer, improvisor, activist and educator. In her 40 year career she performed with Archie Shep, Marion Brown, Gunter Hampel, Frank Lowe, William Parker, Andrew Cyrille, Anthony Braxton, Ran Blake, Billy Bang, Cecil Taylor, John Cage, Rashsaan Roland Kirk, Pauline Oli…
CD digipack ‘Reet’ is a lost treasure of late 1960s folk/psych-folk. The only album she ever put to tape, with clear pure voice and guitar. luckily recorded by Andres Raudsepp in 1969. Reet will be loved in the same breath as Sibylle Baier, Vashti Bunyan, Molly Drake & Bridget st John. Reet Hendrikson deserves wider listening and we hope this reissue will help .
Reet Hendrikson was born in Estonia only months before the “great escape” into exile in 1944. Brought up and educated in Sweden, she w…
Huge Tip! Original released in 1971 by the Black Artist Group group's own label “Universal Justice Records” this album has for years been an impossible to find/listen to album, and this is its first reissue ever. Ofamfa by The Children Of The Sun, a band led by poet/musicien Ajule/aka Bruce Rutlin is a heady mix of poetry/jazz/political songs/ and a document of a comunity avent. The BAG group being about all the arts theater and dance. The original liner notes by Ajule are great Insight in to th…
1995 release ** The “Hardcore Chambermusic” album is a music publishing phenomena that has taken Switzerland by storm, in which Koch-Schütz-Studer sampled and compressed hundreds of pieces of music from sources as diverse as Bela Bartok and Luciano Berio to Public Enemy and Bob Marley to create something revolutionary and altogether new."
2003 release ** "A lesser-known set from the Art Ensemble Of Chicago – a CD originally packaged with an Italian magazine, now presented here on its own! The performance is from 1997 – and the group features Lester Bowie on trumpet, Roscoe Mitchell on reeds, Malachi Favors on bass and percussion, and Don Moye on assorted percussion – all in a style that shows all the relaxed, confident modes of the group in their mature years. The ensemble's almost more compelling here than on some of their bette…
1993 release (RARE) ** "Three stunning tunes featuring some of the best improvisers in the world today, all of them written -- yes, written -- by trombonist Albert Mangelsdorf. Interestingly, with a band this diverse and dimensionally articulate, the composer has come up with a program addressing each of the band's particular strengths. The title track, clocking in at over 21 minutes, is a study in the spatial relationship of tonalities. Even so, with its slow unwinding passages -- and interesti…
1991 release (VERY RARE) ** Rarely performed Italian contemporary compositions for guitar by Bruno Maderna, Goffredo Petrassi, Franco Margola, Carlo Mosso, Lorenzo Ferrero, Gilberto Bosco, Heitor Villa Lobos, Giulio Castagnoli, Fabio Vacchi, Daniele Bertotto, Davide Ficco.
1995 release ** "Years ago there was a concert with the Zug percussionist Beat Föllmi in a factory in Cham that was supposed to be demolished, which was recorded on a CD with the title “unorthodox approach”. It was all about free improvisation and an extensive and unusual set of sound instruments: the most powerful piece was a gong over two meters in diameter. Today – 1996 – the same percussionist titles his latest recording “orthodox approach”. The change from “unorthodox” to “orthodox” is not …
Long before he carved his dual legend as both popular jazz-funkster and the ultimate peripatetic guest soloist, beloved by fusion and straight-ahead fans alike, tenor saxophonist Dick Morrissey had been one of the UK’s brightest and best modern jazzmen. During the 1960s his regular quartet explored very nearly every aspect of the jazz genre, from down home blues to the fringes of the avant-garde, as is displayed in these previously unreleased radio recordings from 1967. Over two fascinating sets…
"The second installment in Atavistic's Out Trios series features three highly regarded Chicago-based artists: guitarist Jeff Parker (Tortoise / Isotope), electronics savant Kevin Drumm (drag city solo / vandermark territory band) and Chicago free jazz titan Michael Zerang (solistice w/hamid drake). Check." (Boomkat)
*2023 Stock. 180gr LP deluxe heavy paste-on cover * In his liner notes to this release, John Fahey mentions his desire to have an entire world orchestra in his guitar, Western to Eastern, bagpipes to gamelan. Perhaps it's this mental approach that sets his music so deliciously far apart from other so-called folk guitarists. Requia is essentially in two sections. One is a series of blues-based pieces in line with music he had previously recorded. These include the lovely "Requiem for John Hurt" a…
Electronic Jugoton part 1 is officially opened by the band Laboratorija with the song Devica 69, which opens a window to a completely new and experimental world in former Yugoslavia. Laboš and Luketić have boldly chosen the material without reservations, suggesting that for the first time in one place we have a section of forgotten, unique underground bands like Beograd, Data, Brazil, The Master Scratch band, DU DU A and beyond. Besides the excellent underground bands, we find popular performers…
2025 stock ** "Intolleranza 1960 was Luigi Nono's first work for the opera stage and is a flaming protest against intolerance and oppression and the violation of human dignity. The year in the title refers to the time of the work's origin. Nono himself said of this work that it "did mark a beginning for me, but in no sense did it constitute a tabula rasa or in response to 'divine inspiration'". It was commissioned for the 1961 Venice Biennale by its director Mario Labroca. The first performance …