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In 2018, Glonti started collecting LPs of Soviet-era Georgian composers at Tbilisi’s “Dry Bridge” flea market. The records mostly consisted of classical and chamber music released on Melodiya, the singular, state owned record label of the USSR. It was through this process that the idea of Recollection was born, as Glonti aimed to create an album that would utilize samples from his growing collection. Recollection III-IV marks the second in a planned series of 7” releases, each built from Glonti’…
This composition is a kind of false diary of the year 2015, or rather a real concentration of that year’s memories with very little rationality in its hierarchies, its ordering, or in the connections it makes. The narrative, if one wants to hear any, comes from the meeting between chronologies, the shape of the snippets, the fortuitous accidents and such, yet all in the absence of any sequential logic. The idea of building a form of sound by gambling with memories had been turning and returning …
2025 stock A new interpretation of the explosive frog breeding phenomenon. Recorded, composed and mixed between 2016 and 2020 in French Guiana and France by Thomas Tilly, this pieces are part of a both scientific and artistic collaborative project conducted with herpetologist Antoine Fouquet, research associate at French National Center for Scienctific Research Cnrs. These compositions follow Codex amphibia (an interpretation of the explosive breeding), released in 2018 on Glistening Examples.
2025 stock French artist / activist Yvan Etienne, is engaged in research in the field of sound art (specific site installations, concerts). As a musician, he composes and plays pieces using electronic, phonography, analog synthesizers and the hurdy-gurdy. His sound art research questions the perception and physicality of sound spaces.He has collaborated with Phill Niblock, Yann Gourdon, Richard Glover, Brice Jeannin, Patrice Grente, Robert Poss, Paul Panhuysen, Marie Verry, Perinne Bourel... He …
**500 copies, 2019 stock** "Approaching the forest as if it were a city, a construct, an ensemble of strata and vertical heights where signals answer, contrast and ignore each other. Variations occur, fullness and emptiness are created according to the weather and the peak and off-preak hours. This density that language can't define presents a challenge for the ear, and from this density surfaces, from time to time, certain analogies to a modern sound environment. Cultural leads fraw our experie…
**300 copies** Tarab explores re-contextualised collected sounds and tactile gestures formed into dynamic, psycho-geographical compositions inspired by discarded things, found things, crawling around in the dirt, junk, the ground, rocks, dust, wind, walking aimlessly, scratchy things, decay and most if not all the things he hears and sees. More than simply documenting a given site, tarab is interested in a direct engagement with our surrounds, teasing out half narratives, visceral sensation, fal…
*2024 stock* Odd Jazz is a collaborative creation of Finnish musicians recorded at the all analog studio in Southern Finland, Hämeenlinna. On this album you find compositions performed by various music collectives in different formations with the unified goal to enrich their compound and give us listeners the delight of sharing their experience of the vast unknown. A feeling of unity is transmitted through the spiritual and mostly improvised idiom. The core members of Odd Jazz are Tuure Tammi (t…
Temporary offer! For 1971’s Black Unity, Pharaoh Sanders added groove to foundation of spiritual and free jazz he had explored on his previous Impulse! albums. The result is a piercing and emotive 37-minute rhythm-driven title track exploration of African, Latin, aborigine and Native American sounds. "By 1971, Pharoah Sanders had taken the free thing as far as he could and still live with himself. He was investigating new ways to use rhythm -- always his primary concern -- inside his music and m…
August 10, 1964. Van Gelder Studio, Englewood Cliffs, New Jersey. A young saxophonist from Philadelphia enters the studio to record his first album as a leader for Impulse! Records. At his side, as co-producer, stands the man to whom he owes everything: John Coltrane. Archie Shepp was twenty-seven years old when Four For Trane was recorded - an age that in 1964 jazz still meant being an emerging voice. Born in Fort Lauderdale but raised in Philadelphia - the same Philadelphia as Coltrane, eleven…
After releasing two astonishing albums of original material with his remarkable debut Fuchsia Swing Song (1964) and the follow-up Contours (1965), multi-instrumentalist Sam Rivers went another direction on his third Blue Note album A New Conception (1966) by presenting a set of standards that were given riveting interpretations with a quartet featuring Hal Galper on piano, Herbert Lewis on bass, and Steve Ellington on drums. Despite the well-worn repertoire—including the chestnuts “When I Fall I…
August 1961. Van Gelder Studio, Englewood Cliffs, New Jersey. Max Roach - the man who reinvented jazz drumming alongside Charlie Parker and Dizzy Gillespie in the 1940s, the co-leader with Clifford Brown of the definitive hard bop quintet until tragedy struck in 1956 - enters the studio with something to say. Something that cannot wait. Something that demands a new language.
The year before, Roach had recorded We Insist! Freedom Now Suite for Candid Records, a searing response to the Civil Right…
Langlais is a composer and trained piano tuner, and this is reflected in the close attention to acoustics and tone has fed into the creation of these exquisite pieces for two prepared and alternately tuned pianos, with the results then treated to further edits and digital processing.Beautiful spectrums of sound, presented in silk-screened art sleeve by artist Damien Tran.
"The soundtrack to the Residents' long awaited new feature film Triple Trouble. Seven collaged suites of brand-new Residents music, film dialogue and one or two familiar themes. Triple Trouble the movie will be appearing at film festivals and art house cinemas near you throughout 2022. 'From priesthood to plumber: In the wake of his mother's death, an idealistic but emotionally isolated man replaces his belief in God with a faith in fungus...' The Residents present Triple Trouble, the soundtrack…
Tyler Keen takes an unexpected and exciting turn. Thank You sees him demolish the unrelenting harsh noise he's known for in real time, knocking down walls and cutting wires one by one, rendering it a way more treacherous, perilous and above all open structure than before; imagine a harsh take on the sonic trapdoors of Joe Colley. Helping him out melting things down on two tracks are Kyle Flanagan and Michael Foster.
Reissue of the 1994 b/b tapes release. Arising from the same sessions that produced the legendary cassettes “Grind” and “White Music”, Macronympha’s highly sought-after “Crack” is a tour de force of psychedelic harsh noise and deranged, in-studio manipulations. Master tape transferred by Grant Richardson, and restored faithfully in line with the original issue.
Born in 1974, Giuseppe Ielasi grew up in the south of Italy and now resides in the outskirts of Milano with his family. He has been making music and touring since the late nineties (he tours much less nowadays). He mostly plays solo, but also in Bellows (with Nicola Ratti), Rain Text (with Giovanni Civitenga) and in duos with Enrico Malatesta, Kassel Jaeger, Andrew Pekler and collaborates regularly with film-maker and photographer Armin Linke (also editing his films). He has released (short) rec…
***80 copies*** Granny Records presents Élégie du temps présent by Bruno Duplant. Composition for organ & voices. Composed, performed & recorded by Bruno Duplant. Mastered by Bruno Duplant. Design & Artwork by Yorgos Vourlidas.
***100 copies*** In the electroacoustic composition The Probability of an Encounter d'incise attempts to give physicality to electronic sounds, to capture their materiality as piece of cardboard moving - moving back and forth on itself, and moving relatively to microphones in a room. The loudspeaker as concrete manifestation is pushed to its functionning limits to reveal it as it breaths, vibrates, saturates, rattles in contact of other objects. The raw material made of electronic sounds created…