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Graham Lambkin and Jason Lescalleet are editors of the best variety, so recording sound was only half the story. Through tape manipulation and various editing techniques, The Breadwinner falls even closer in line with The Anti-Naturals theory by appropriating the mundane (for aesthetic reasons, of course). The result sounds like an inadvertent exploration of dislocation and displacement, much differently than musique conrète and minimalist compositions or the real-time experiments of, say, nmper…
Swiss-based German vocalist/composer Marianne Schuppe and Berlin-based Italian cellist Deborah Walker present two duo works: Aus dem Zeltbuch, co-composed by Schuppe and Walker; and Occam River XXIX, a piece by French composer Éliane Radigue.
Aus dem Zeltbuch (2022/23), based on a text-collage by Marianne Schuppe, reveals a surface of a word-sound texture on the edge of acoustic intelligibility. Aus dem Zeltbuch questions our perception of language in a musical context by creating bilingual area…
Shira Legmann is an Israeli concert pianist, with a wide repertoire from Baroque to contemporary and experimental music. This album contains three piano works by Italian composer Giacinto Scelsi: Suite No.9 "Ttai" (1953), Quattro Illustrazioni (1953), and Un Adieu (1978/1988). This is Legmann's second CD on Elsewhere Music, following the 2019 album "Barricades" in which she was the pianist for Michael Pisaro's composition for piano/electronics.Legmann's clean, supple yet solid piano sounds, whic…
"Wovenland became a band. But we never do live shows. Our band activities are mainly editing in a studio. Our goal is to focus on acoustic experiments. No more and no less. We have been active for a total of about 10 days, including meetings, in 7 years. We are now disbanding." - Toshiya Tsunoda & Taku Unami
"The Siwnin Sails" is a solo album consisting of eight songs written and composed by Shoko Numao, an emerging Japanese singer-songwriter. Numao studied vocal and composition focusing on jazz at Dublin City University in Dublin, Ireland, where she trained to use her voice as an instrument, exploring the expressive possibilities of the voice and laying the foundation for her current approach. Since returning to Japan in 2021, she has been based in Tokyo, performing her own songs, both in collabora…
"I've long been interested in exploring the elongation of the piano's decay. The shō's clean harmonics offered an enticing texture to incorporate into my experiments with slow-moving piano works." - Samuel Reinhard
First meeting of experimental musicians Keith Rowe & Radu Malfatti in a 3 disc set: one disc of compositions by Jurg Frey and Cornelius Cardew; one disc of their own compositions; and one disc of improvisation. Keith Rowe and Radu Malfatti are two of the most influential experimental musicians in recent decades, each with extensive bodies of highly distinctive work and a combined 80+ years at the forefront of their respective areas of exploration. On Φ, their first meeting ever is documented via…
'Slow Roads' is an album of eight pieces written by Hague-based Serbian composer Ivan Vukosavljević between 2019 and 2022, for solo 1/4 comma meantone organ. All eight pieces were recorded in 2022 on five different historic organs, dating from the early 16th to mid-17th centuries, located in medieval churches scattered throughout the countryside of the northern Netherlands. Each piece was adapted for a specific organ, as they vary considerably in their disposition. All eight pieces are written i…
'Les signes passagers' is an album of seven pieces for solo fortepiano written by Jürg Frey in 2021, commissioned by the Amsterdam-based pianist Keiko Shichijo. It was premiered by Shichijo on February 5, 2022 at the Concertgebouw Brugge during the Slow Festival. In the same year, Shichijo performed the piece again at the November Music 2022 and later recorded it for this album in April 2023 at the Concertgebouw Brugge in the presence of the composer.
“As a listener, I have experienced with musi…
A stunning construction and a fantastic recording, seemingly endless layers of depth and ways to listen. A composition using field recordings by Toshiya Tsunoda and Manfred Werder, recorded in Japan in 2013. A bit past the 40-minute mark, there's a clear fade-out of the activity above and a shift into a different zone--perhaps it's simply going from the Miura Peninsula into Tokyo (the detour?). A strong, somewhat harsh electrical buzz is the main element, sounding like an exposed wire-box on…
Jürg Frey’s unique compositional approach places him at the cutting edge of contemporary classical music. Since the late 90's, Frey started to work with 'lists' as a basis of his compositions, sometimes words, sometimes chords, from which he developed and organized musical materials. In recent years, Frey's focus on 'lists' has extended more toward the connections of items with each other, forming melodies.Frey wrote two compositions for two pianos in 2017-2019: Entre les deux l'instant (2017/20…
The Abyss is an epic, dynamic statement that shows the wide range of sound these two esteemed artists are capable of creating. The lengthy list of instruments used, plus the year it took to assemble, gives an indication that there is a grander modus operandi at play here than the linear works that Kevin Drumm and Jason Lescalleet are known for. CD-1 is made up of seven pieces that run the gamut, with electronic crackle, digital shards of noise, piano mangle, and even dissonant brass clust…
This album is a meditation on the inner mental environments that one encounters and endures during times of work-related travel. The music contained herein should be well suited for headphone distraction in airports, bus stations, train stations, subway terminals, and in the confines of the seats related to these methods of mass transportation.Recorded, edited and mixed by Kevin Drumm and Jason Lescalleet in 2015.
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"Busman's Holiday opens with audio taken from an iconic scene in John Boorman's…
The classic account of ambient music, with a new foreword by Michel Faber. David Toop's extraordinary work of sonic history travels from the rainforests of Amazonas to the megalopolis of Tokyo via the work of artists as diverse as Brian Eno, Sun Ra, Erik Satie, Kate Bush, Kraftwerk and Brian Wilson.
Beginning in 1889 at the Paris exposition when Debussy first heard Javanese music performed, Ocean of Sound channels the competing instincts of 20th century music into an exhilarating, path-breaking…
Not Fire is the first album from Berlin-based songwriter Dean Roberts in 12 years, and his comeback arrives during apocalyptic times. It’s not an album about someone who’s found hope or love despite everything; Roberts sounds exhausted, and his album is as ugly and as bleak as life often is. For those who’ve been in the pits and succumbed to self-destructive nihilism, Not Fire is a reminder of how hellish it all can be.
Sonically, Not Fire is murky and battered and melancholy. Guitars clang ince…
Swiss composer Jürg Frey and Dutch pianist/composer Reinier van Houdt are reunited on this triple CD, 'lieues d'ombres', after their successful collaboration on 'l'air, l'instant - deux pianos' (elsewhere 014), during which the two built a close rapport.
'lieues d'ombres' contains seven of Frey’s solo piano works, written from 1984 – 2018, including one previously unreleased work, ‘Three Piano Pieces’. All seven pieces were recorded by Micha de Kanter at The Muziekcentrum van de Omroep (MCO) in …
Still going after thirty years, The Fall are one of the most distinctive British bands, their music - odd,spare, cranky and repetitious - an acknowledged influence on The Smiths, The Happy Mondays, Nirvana and Franz Ferdinand. And Mark E. Smith IS The Fall - 47 members have come and gone over the years yet he remains its charismatic leader, a professional outsider and all-round enemy of compromise, a true enigma. There have been a number of biographies of the legendary Smith, but this is the fir…
Keith Rowe and Michael Pisaro: 13 Thirteen | On this two-and-a-half hour, semi-improvised opus, the two guitarists and composers approach finely wrought detail and vast empty space in ways that can warp one’s perception of time itself. On this two-and-a-half hour, semi-improvised opus, the two guitarists and composers approach finely wrought detail and vast empty space in ways that can warp one’s perception of time itself."On this two-and-a-half hour, semi-improvised opus, the two guitarists and…
restocked: The four gentlemen of the guitar are: Keith Rowe guitar, electronics. Oren Ambarchi guitar, electronics. Christian Fennesz guitar, computer. Toshimaru Nakamura no-input mixing board. 'Keith Rowe, Oren Ambarchi, Christian Fennesz and Toshimaru Nakamura are four of the most prominent and influential musicians in experimental music today, each with extensive discographies and distinctive styles. In mid-2004, they formed the Four Gentlemen of the Guitar (4g), and played a series of shows …
As wonderful is his duo with compatriot Cor Fuhler, who, like Prins, has gradually progressed from Bimhuis improv into electronic experimentation. This is a quite befuddling duo (as on Live, Prins utilises electronics, FM modulations and radio; Fuhler employs EMS Synthi AKS, turntables and mbiras), whose interaction is in a constant state of flux, and one whose ideas flow so liberally and create music which is at times so disorientating that it feels as though one is listening to it through some…