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Dutch sax/drums duo Dead Neanderthals aims directly for the jugular with their new album Polaris, an all-acoustic tour de force mastered by the king of noise: Lasse Marhaug. This abrasive duo ventures into more abstract territory, where they firmly uncouple their music from structure, leaving behind any restrictions that the seemingly reasonable combination of sound and rhythm might bring and which results in an unhealthy dose of acoustic noise
Last copies, sold out at source: guest contributions include David Sylvian, Daniel O'Sullivan (Miracle and Ulver), Duke Garwood and many others with the two creators, Daniel Lea and Matthew Waters, both taking a directorial role. The album was sculpted in Reykjavik by Ben Frost, enhanced by his signature aural physicality and visceral sub bass. The album is a vast collision of sound, from free brass and woodwind to "geometric" bowed cymbals and metallic percussion.But more than simply music, the…
Another curveball from the Not Not Fun camp, 'Human Fly' pits Wolf Eyes noisenik Nate Young against veteran garage punk drummer Dave Shettler and while their collaborative moniker might be a little zany, their brand of dancefloor-ready industrial/techno variations is tough to ignore. Veering from hazy EBM-flecked speed garage (we're not kidding, take a listen) on the title track to Chicago bleep on the zonked 'Cyber Rebels' there's a sense that Young and Shettler are not only well studied…
Faking Gold and Murder is the third Earth-shattering full-length by Vincent De Roguin (Shora), Stephen O'Malley (Sunn0))), KTL) and Daniel O'Sullivan (Guapo). This time, the core trio is joined by percussionists Nicolas Field and Alex Babel, as well as renowned guitarist Alexander Tucker and the inimitable David Tibet. AEthenor's heaviest outing yes is driven by a weighty low-end and the full fury of Babel and Field's free-wheeling drums. The band's electronics, guitar, Rhodes, and organ ride wa…
Keeping a Record of It is the follow-up to Lonnie Holley's debut album, Just Before Music. It features recordings made in 2006, 2010 and 2011. Guest performers include Cole Alexander from the Black Lips, Bradford Cox from Deerhunter, and visual artist Lillian Blades.
'Last year, at 62, after decades of singing while he worked, Holley released his jarring debut album, Just Before Music, a marriage of improvised keys and the rambling, hollow bellow of his voice, as well as the first original rec…
LP version. Avant-hillbilly master fiddler Henry Flynt scuffles through a most peculiar set of electrified and acoustic bumpkin fiddle howls and screeches circa early to mid 1960s. From the enviable opening 'echo rock', in which Flynt does his best to compete with the electro-echo buzz of a Jorgen Ingmann or Link Wray to the beauteous instrumental glow of the extended modal country jam of 'Jamboree', Flynt proves once again that his is not a music simply rooted in the taut belt of New York isms,…
LAST COPIES, already out of print: Préludes à la vie (Preludes to Life) combines pieces from 1972 to 1991 in two electronic operas. In Le prisonnier du son (The Prisoner of Sound) a single human voice tells the story of a lone character trapped in a world of manipulated sounds. The title piece is a series of technical exercises in the possibilities of musique concrète.
This second album on empreintes DIGITALes, as with the first one, consists of very different works which are quite separated in …
This is the debut full-length from Julian Lynch, who to date is probably best known for a split 7" with Matthew Mondanile of Real Estate, Ducktails and Predator Vision fame. The two are childhood pals and frequent collaborators, but here Lynch steps out of the shadows and into the lo-fi limelight. The album stitches together fourtrack recordings and various fragmentary, cross-cultural elements into a fluid tapestry of psychedelic doodles and hazy songs driven by keyboards and guitar. L…
Japanese turntable project probably best known for their work with Otomo Yoshihide and Hijokaidan, in their final LP, 2 compositions and 99 locked gooves. Side 1 = two elegant contemporary avant garde compositions -- kinda reminds me of AMM if they were DJs. Side 2 = 99 lock grooves."the debut lp, simultaneously the last issued recording by the duo of takahiro yamamoto & katsura mouri’s busratch, a decade-long-running & quite prolific turntable duo with a series high-profile collaboratio…
This is the first proper vinyl release for Tim Hecker's breakthrough 2006 album. At the time of original issue, there was a small run of a few hundred vinyl copies done by a small German label, but this was pressed on an inferior sounding single LP which was much too short for the length of the album, not to mention the wide dynamic range of the recording. This new version is mastered at 45rpm over four sides for maximum sound quality. Full color gatefold sleeve.
restocked, last copies - geoff mullen presents a new side of his ever-changing and open language, dealing here with his rawest material to date, and in many ways finding himself in a homecoming to the guitar. on Ôaccidental guitars' geoff expands his instrumental language with his unique variety of invented, accident-prone technique. re-contextualized live performances are filtered through an intuitive sense of form and pretexts, leaving us with an intense, jarring, pointed, and textural c…
Pan Sonic space explorer Mika Vainio and Sunn 0))) strongarm Stephen O'Malley rock our world to the foundations with this anticipated union of electronics and guitars recorded as ÄÄNIPÄÄ, featuring vocals by Alan Dubin (Khanate) and string arrangements from Eyvind Kang. In gestation for some years now, the results are little short of a modern doom masterpiece; a bracing exposition of cold, condensed, rage and stoic passion delivered like a slow, internally bruising hate-f**k to the head, …
In January 2011 Mark was invited by Erik Wiegand (aka Errorsmith) to make some presets for his new software synthesizer which he was building for Native Instruments. After developing about 40 sounds*, Mark decided to rework his UL8 project by extending the pattern generating systems used in its construction, which he then connected to the sounds produced in Erik's synthesizer. The result is this double 12" single, featuring 9 tracks and a remix from Mark's friend and colleague Mat Steel. …
RESTOCKED, very last copies...Awesome new arrival, two side-long excursions into monolithic drone-rock in Tony Conrad + Faust vein. David Maranha’s recordings stretch back over 20 years with the Portuguese avant trio Osso Exótico, as well as collaborations with Z’ev and Minit. A followup to Marches Of The New World (2007), Antarctica is made up of two side-long excursions into monolithic drone-rock. In the vein of Tony Conrad & Faust, “Venus In Furs,” La Monte Young and Terry Riley, Maranh…
Suberb Synth- and Wave-tunes of Fockewulf 190 incl. the two Italo-Disco-Classic 12“ Body Heat and Gitano plus more demos and so far unreleased treasures like Orient „Express“ collected from the archive of Victor Life
Victor once stated: The Fockewulf 190 project was created as a shape equal to a substance, experimental analogyc electronic music connected to the theatrical and mimic power of rock and the romantic and esthetic force of the electronic dance of thr 80s.We translated thos…
Latest work by swiss artist Marc Zeier presents 9 musique concrete compositions based on ice, wind, plankton, a whip, a bow, a suitcase, and other recordings made in the last few years, reminiscent of his 90's albums 'Seismogramm' on Schimpfluch and 'Yack Park' and 'Geopod' on Zabriskie Point.
Lovely first volume of the “seven inch series”, a series of limited and coloured 7″, in which the italian band Luminance Ratio collaborates with different artists and musicians from the electro-acoustic and ambient scene all over the world. This first chapter features a track by the American musician, artist and performer Steve Roden, here with “Marvelous Is Flairs”: arch drones, vocal loops and field recordings driven by a melancholic pulsation. Luminance Ratio present the track “Reoccuring Dr…
RESTOCKED: Golden Trees is a minimalist psych-folk masterpiece. A supergroup of sorts, Helen Rush, Pat Gubler and Samara Lubelski have created seven songs characterized as much by quiet and restraint than by their acclaimed musicianship. The lyrical lines in these songs appear suspended between pregnant pauses of silence and subtle instrumental flourishes. On one side of the gap, Samara Lubelski's violin invokes the Velvets and other avant string-players. On the other side, P.G. Six layers effec…
In the year since Luke Roberts recorded his debut Big Bells and Dime Songs a lot has changed. Luke now owns a guitar (a Collings 000 2H model) that his sophomore album was written on, he has moved from Brooklyn to Montana to Nashville, his childhood home, and the songs were written over a long period of time in his Brooklyn apartment (as opposed to largely on the bus down to the studio on the debut). The combination of changes made a significant and noticeable impact on the songwriting an…
Apart from the fact that “MV & EE” is slang for zero gravity and that they’ve been doing it consistently “better” with good vibes/jams they still WANT to give you more of the best of them. This is their “space homestead” and for good reason this wall of sound applied thru DIY sensibilities was recorded over the course of a year in 9 different studios, presenting as clearly as circumstances can permit, a living idea right here in the now of what it is all about. These are sonics in motion,…