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Images
Tip! *200 copies limited edition* Colin Andrew Sheffield's "Images" was entirely constructed from heavily edited and manipulated samples from jazz records. These eight electroacoustic mosaics range in style from lush ambient loops to jarring tones like the wails of the damned. Chopped drum solos appear and retreat along with spiraling piano fragments; saxophone and trumpet scraps clash or fall in time with disfigured bass rumblings, etcetera. These song-length explorations are detailed, atmosphe…
On Jupiter
Originally issued as El Saturn 101679, recorded on 10/16/79, this incredible album is a mixture of live recording and studio post-production: 'On Jupiter' sounds unique to any other album Sun Ra made. The arkestra reflects a disco pulse right back on itself, and delivers one of the most cohesive albums of their career. The title track is a masterpiece of gentle atonal harmony, while 'Ufo' pushes along at a cracking disco-ish pace with fierce brass and spacey dub effects. On Jupiter uses more tha…
Why Don't You Listen? - Live at LACMA, 1998
** 180-gram vinyl pressed by Pallas in Germany. Deluxe high-gloss flipback album jacket. 2-page insert with photos from the concert by Warren Berman, lyrics and credits.** This previously unreleased concert recording by the Pan Afrikan Peoples Arkestra of pianist-composer-bandleader Horace Tapscott and a chorus under the direction of vocalist Dwight Trible is a wonderful example of how Tapscott channeled the political and cultural aspirations of a community into music of deep beauty and lasting …
Screamers Demo Hollywood 1977
** small repress available ** Black vinyl version. "These songs were recorded a few months after the Los Angeles punk scene began. These five statements of intent transcend Punk and project forward into the future: to the analog synth wave of the late '70s and beyond, to the present day, four decades later, when they finally receive an official release. Sourced from the original reel-to-reels, they are a revelation compared to the countless copies that have been circulating by multiple generati…
What We Talk
All compositions by Scott Fields. Artists: Scott Fields, guitar; Stephan Rath, theorbo. "On this recording Scott Fields plays a 1999 Robert Ruck guitar and Stephan Rath plays a 1988 Hendrik Hasenfuss 14-string theorbo, after an instrument of Tieffenbrucker/Edlinger. Our duo was formed for the 2007 Cologne Music Triennial (MusikTriennale Köln) series 'Solos for duos, improvisation from yesterday and today' (Solo für Zwei, Improvisation gestern und heute). Festival yentas matched six early music s…
Afiadacampos
"Our emphasis on composition, and specifically composition for the relatively narrow dynamic range and timbral pallet of paired steel-string, acoustic guitars, directs us away from dependence on muscle memory and set phrases. These structures focus us on interactions that grow out of our immediate reactions to how each of us is, in the moment, interpreting the material." -- Scott Fields. "With Afiadacampos, I feel that Scott and I have deepened our ability to improvise together and to orchestrat…
Spectropia Suite
This film is a time travel/supernatural drama. The soundtrack is one part big band jazz, one part electronica and one part rock. The “Spectropia Suite” features a guest appearance from Blondiechanteuse Debbie Harry singing the future-noir ballad “This Time That Place”. No stranger to the Downtown avant-garde, Debbie has long had a connection to such artists as The Lounge Lizards.
Donaueschinger Musiktage 2007 - War Zones
Featured works: "Ripples From The Bang" (2007) composed by Elliott Sharp. "Paranoia" (2007) composed by Bernhard Lang. Performed by: LaTasha N. Nevada Diggs, text & vocals; mixmastertodd, electronics & vocals; Philip Jeck, turntables; Hans Koch, reeds; Bernhard Lang, keyboard/electronics; Elliott Sharp, 8-string guitarbass/electronics; Fredy Studer, drums/percussion. Bernhard Lang on "Paranoia": "'Paranoia' is a sequence of eight semi-improvised blocks that were extracted from the sketches to Ac…
Spring & Neap
In 1996 I went on a tour of Japan with Orchestra Carbon; a highlight was the Music Merge Festival in Tokyo. A colorful selection of wonderful musicians from the international scene met there for three days at the Shinjuku Pit Inn: Michiyo Yagi, Otomo Yoshihide, Sachiko M, Jim O'Rourke, Yumiko Tanaka, David Grubbs and others. In addition to performing with Orchestra Carbon and my solo Tectonics, I was allowed to develop a new algorithmic template for a small orchestra of festival soloists under m…
Rheo~Umbra
"'Flow of shadows' is how I would translate the composite neolog title of this 1997 work for Orchestra Carbon and how I might describe the musical gestures therein. In seven sections, 'Rheo~Umbra' layers through composed materials, algorithmic strategies for the ensemble, and improvisations by various soloists. The algorithmic approaches include the 'transient additive pulse' where a percussive hit and its reverberations morph into a pulsing groove. There are also hockets and phased looping/tran…
Larynx
"Larynx is an analogy; the orchestra as a throat. It follows as corollary to the throat as orchestra: throat singing as practiced by the Inuit of the Canadian Arctic and the hoomii singing of Mongolia, as well as by related jawharp techniques found throughout the world. The natural overtone series is the melodic core of much of these musics and of much of Larynx. Ratios derived from the Fibonacci Series are used to generate tunings and melodic/harmonic material for the strings, brass, slabs, pan…
Pourquoi
"Pourquoi" originally released in 1978 on French Crypto label. It sounds like a new side of Cortex: songs are mainly composed around the voice and the various keyboards of the band leader, Alain Mion, who also played bass lines on synthesizer. Besides, the band gave up the live recording to use the beloved Stevie Wonder or Quincy Jones' technique of "re-recording". But, in spite of these changes, their groove remains as spontaneous and as powerful. Also, the band collaborated with great backing…
Exotic Moog
*2023 reissue* Now available on classic black vinyl. The inventor of exotica/cocktail music goes electronic/Moog. Originally released in 1969, "Exotic Moog" is a much sought after title in our Martin Denny reissue series. Great music for hunters of synth, exotica, experimental, 60's rock, and psych. "Exotic Moog is the glittering grail for both Martin Denny collectors and Moog fans. There really is nothing else like it, and the LP is very much in short supply. The Moog in this case is one of the…
SyndaKit
Performed by: Orchestra Carbon: Judith Insell (viola); Rea Mochiach (percussion); Zeena Parkins (electric harp); Jim Pugliese (percussion); Ted Reichman (accordion); Marc Sloan (electric bass); Tim Smith (bass clarinet); David Soldier (violin); Evan Spritzer (bass clarinet); Joseph Trump (drums & percussion); David Weinstein (synthesizer and sampler); Elliott Sharp (electroacoustic guitar). Recorded December 1998. "Composed in 1998 for my ensemble Orchestra Carbon, SyndaKit utilizes a collection…
Tectonics: Errata
Tectonics is a solo program performed on saxophones, guitars, an Apple Powerbook running MAX/MSP as well as various DSP applications, plus a variety of external hardware DSP devices. Sharp's work with electronics dates back to the late 60's and has included extended techniques on a variety of instruments, both "traditional" and invented, as well as use of analog synthesizers and processors, and, later, experiments with Music 4 running on a PDP. When the Atari ST first appeared, it was utilized t…
Fantasy Sex
* Limited LP. Two-sided insert with liner notes by Matthias Andersson. Mastered by Lasse Marhaug * Utmarken was a combined venue, record shop and recording space in Gothenburg that existed between 2008 and 2011. A short-lived under the radar hub for outsider art and fringe music, the place quickly became an oasis for an wide variety of local misfits and a hotbed for interesting sounds. The creative, multifaceted atmosphere spawned acts like Ättestupa, Lust For Youth, Street Drinkers and Arv & Mi…
Scheiße ’71 (LP)
Following on from the Bergisch-Brandenburgisches Quartett’s anarchic Live ’82 (BT095), Black Truffle continues its deep dive into the archives of legendary drummer/accordionist/photographer/composer/conceptual prankster Sven-Åke Johansson with Scheisse ’71. Recorded in November 1971 during the Berliner Jazztage at a heavy-hitting concert that also included the Spontaneous Music Ensemble and groups led by Peter Brötzmann, Manfred Schoof, and Masahiko Sato, Scheisse ’71 is the only document of a w…
Les Stances À Sophie
On May 28, 1969, four American musicians — reed/wind players Roscoe Mitchell and Joseph Jarman, bassist Malachi Favors, and (accompanied by his wife, singer Fontella Bass) trumpeter Lester Bowie — boarded the ocean liner S.S. United States, bound for Le Havre, France. After landing five days later, they moved on to Paris, where they got to work. On August 22, 1970, in the waning days of their stay overseas, the group, with Bass on vocals, would record their second release for EMI’s Pathé Marconi…
Снег
* Edition of 150 * The fourth album in 20 years from the Schnee duo of guitarist Burkhard Stangl (efzeg, Polwechsel) and Christof Kurzmann performing on lloop, voice and "ruber bands", creating music for films that have not yet been created through intensely moody electroacoustic environments, Kurzmann's voice sometimes guiding the narrative of their visionary sound. " "I love plainness in colour, monotony, snow is rather a monotonous tune. Why should colour not give an impression of singing? W…
Live '82
Tip! Black Truffle announce a major archival discovery from the wildest outer fringes of the FMP universe, the Bergisch-Brandenburgisches Quartett's Live '82. The Bergisch-Brandenburgisches Quartett (BBQ) was formed in 1980 in Rostock, East Germany, when three of the most radical and riotous members of the West German free music scene -- reedist/accordionist Rüdiger Carl, percussionist Sven-Åke Johansson, and Hans Reichel on violin and his modified "strange guitars" -- first played as a quartet …