Back in stock
Hard World
Hard World is the first of three albums released by Heads Funk Band and it's one of the most rare LPs coming from Nigeria. What we have here is a pure, well crafted Afro-Funk. Heads Funk Band is related to Akwassa, where both are two exceptional bands with the same members, but co-existed simultaneously featuring Felix Odey (Feladey) on guitar and Eddie Offeyi on drums. The original forming duo of Akwassa was Felix Day / Feladey (guitar, vocals) and Kevin Coburn (keyboards, synths, vocals), who …
Cold Fire
The self-proclaimed funkiest band on the west coast of Africa, the Heads Funk Band, could arguably make that claim for the whole continent. Featuring the slick guitar of Felix ‘Feladey’ Odey, the slinky drumming of Eddie Offeyi and the swirling keyboard chops of Kevin ‘Fortune’ Coburn, nobody was funkier. And that’s not even taking into account the dance floor monsters they were releasing at the same time as Akwassa. Cold Fire was their second album as the Heads Funk Band. Where their first albu…
Reflection
AKA's 1970 debut album Do What You Like (GM 201CD) combines earthy, heavily buzzing, and fuzzed-out rock monuments in the vein of classic UK and US bands with a few tunes in the Continental European heavy rock style, with big chorus lines and a bit of a pop thrown in for good measure, plus great melodic ballads and pop tunes in their native Indonesian language. The Indonesian band carried their trademark sound through whole recording career, including Reflection, their fifth album, originally re…
Osamu
This is the third album by Osamu Kitajima, one of Japan’s most prolific artists from the ethno rock, world music and progressive department. You can certainly not divide all the mentioned stylistic aspects from each other for they were all incorporated in a homogenious sound and complex arrangements. It is the same with his other albums like "Benzaiten“ and or his fourth "Masterless Samurai“; traditional Japanese music meets Western jazzrock and progressive sounds to form a new style unheard by …
Masterless Samurai
It’s impossible to define the genre behind Osamu Kitajima’s music. “Masterless Samurai” is another step in the ongoing career of Kitajima. It’s a very unique blend of Jazz Fusion with traditional Japanese music. There aren’t any other albums that would sound similar to this incredible effort by Kitajima. His knowledge in traditional Japanese music and his love for Progressive Rock and Jazz makes “Masterless Samurai” an incredible Fusion album and another highlight in his career. He left Space Ro…
Benzaiten
World music and ethno sounds with an obvious Japanese origin meet progressive rock and psyche. The result is a captivating piece of melodic and deeply atmospheric music that paints pictures of life in ancient Japan into your mind when you lay back, close your eyes and listen closely with your thoughts turned off. If Pink Floyd were Japanese their music might have sounded like that. The frequency of the arrangements on "Benzaiten“ reminds of what our English heroes have created in the early to mi…
Anthony 'Reebop' Kwaku Bah
Killer 1973 Solo album from the percussionist of kraut band Can. A boiling cauldron of polyrhythmic grooves and jazz improvisations with a strong early 70ies prog touch, haunting Exotica jazz passages with “jungle” feel. For fans of Osibisa, Fela, Ginger Baker Airforce, Miles Davis… all around 1969 to 1973 This is the 1973 solo album by Ghanaian percussionist Anthony Kwaku Bah, who was given the nickname „Reebop“ by American jazz legend Dizzie Gillespie. He passed away early at the age of 39 in…
A Safe Return
Everland Jazz have picked a real gem for a reissue here! Originally released in 1980, “A Safe Return” is the second album by the Surinam jazz flutist Ronald Snijders. It is a strong alloy of soul, funk, jazz and smooth disco sounds! Mersmerizing musical craftsmanship! “Lenox” the opening track, has a playful haze escaping from every groove,with a solid hypnotical rhythmical base and haunting flute melodies that have the character of the lead vocals. Despite the slower pace, the jazzy approach of…
Natural Sources
"Some albums show you right away what kind of spirit backs them. Ronald Snijders solo debut from 1977, Natural Sources, is one of these. It begins with a free improvised, sometimes scatting flute and while the flute goes more and more crazy some scat vocals join in to make this first track a kinda strange affair. Jazz, free and spirited, seems the way but Ronald Snijders, son of Surinamese composer Eddy Snijders, outwits us in all our tiny minded expectations with the next song already. An everg…
I Want You Girl
In mid-seventies, Nigerian bands came and went with alarming regularity, rising meteorically from the slums to stardom and falling back again just as quickly. Masisi Mass Funk from Anamara State was one such band. But during their brief moment in the stratosphere, they produced a funk gem in I Want You Girl. The band was championed by Ebere Ikoro from the Hygrades. He took them under his wing after an ill-advised collaboration with Soly Dibong. They were originators not imitators, he said. He pr…
First Collection
*In process of stocking* After almost two years of work, we're glad to invite you to a new journey through the fog of time and enjoy the upcoming reissue of the great Ambient/Folk record from 1984. A well-known to collectors but extremely rare record by Jon Iverson a multi-instrumentalist from Palo Alto and his college friend, mandolinist Tom Walters. They shared a love for singer/songwriter fare and gigged around campus playing covers of Neil Young, CSN, and Loggins/Messina in the late '70s. "F…
Pavilion
Andy Moor (guitar) and Yannis Kyriakides (electronics) made a recording In at Xavier Veilhan’s ‘Studio Venezia’ at the French pavilion, Venice Art Biennale. They were in residence there for a few days in October 2017 recording and performing in an open environment.
Lost In Abstraction
Following her successful debut album After Dark, new ideas have led Whiting to create Lost in Abstraction. More than the expected ethereal washes of sound, the album playfully embraces her many influences into a soundscape of modernity. With rhythmical energies and the indulgent richness of an instrument so often associated with Ashby and Coltrane, the album resonates, leaving the listener lost in abstraction.
"This album explores so many elements of life. From my influences in music, to my own …
Jugoton Funk Vol.1
** Limited edition of 500 copies in stunning gatefold sleeve ** Yugoslavia - six republics, four decades, one dictator and a single record label that ruled them all: Jugoton (Zagreb, Croatia). Jugoton was by far the country's largest label with the strongest and most diverse output that stretched from Balkan roots to contemporary trends and the sound of tomorrow . The early days of Yugoslavia featured strong censorship but by the end of the 60's the Communist party views softened up by a large d…
Distruct
“On this, their second LP, P16.D4 solicited tapes from several artists from Europe, England, the U.S., Canada, and Japan, and mixed that with their own material. Though in the current digital age collaborations from artists thousands of miles apart is quite normal, this was a quite radical approach back in 1982, when work on this LP began – an interesting concept that actually works quite well, since these artists, which include Bladder Flask, DDAA, the Haters, Merzbow, Nocturnal Emissions, Nurs…
Expanding Space
The folks over at The Institute for Danish Sound Archaeology have been blowing our minds for the last couple of years. There output is slow and careful, quickly become one of our favourite catalogs emerging today. First they brought us the incredible reissue of Knud Viktor’s two LPs from the early 1970s, Ambiances / Images, then a short while back we were graced by the conception breaking Danish Tape Amateurs. Now they return with another marvel from the forgotten realms of Danish underground mu…
This World Is Full Of Injustice
The ultra-rare holy grail masterpiece by Elcados originally released by EMI-Nigeria in 1973 and recorded by Kayode Salami. It’s their debut album, a real gem played in an extraordinary inspired moment. A top shelf heavyweight Afro-Psych Funk-Rock. Leader of the band the great guitarist Frank Martins. Includes the dreamy ‘Ku Mai Da Hankan’; For Djs ‘Chokoi And Oreje’ and ‘I Was Stunned Into Speechlessness’.
Clap. An Anatomy of Applause
Clap. An Anatomy of Applause is a compilation of original works by a group of musicians and composers brought together by Andrea Stillacci and Unsounds. The project goal is to highlight the radically different forms and meanings that the sound of applause can take according to its context. The principle was to work from original recordings of each artist’s choice, with sources ranging from the thunderous applause celebrating Maria Callas’ last public appearance to the crowds cheering at the fall…
My Girl Hates My Heroin
*2023 stock* The essence of punk rock itself through Ron Asheton’s guitars and the voice of a young but already sanely crazy Iggy Pop. From the amazing title cut opener “My Girl Hates My Heroin” to “Raw Power” or “Open Up and Bleed,” this LP is an invitation into Stooges’ musical stage universe.
Flute Music
James Newton’s 1977 self-released solo-debut, ‘Flute Music’ is an unheralded gem of the 70’s jazz underground. An album that showcases a diverse range of styles and fervent cross-pollination, while retaining a clear sense of direction and cohesion. An artist funnelling their wild expression into multiple facets of “The New Music”, crafting an auspicious and artistic debut. Newton would later go on to record with revered jazz labels like India Navigation and ECM, and collaborate with fellow creat…