Back in stock
Impur II
Essentially a pretty great concert by a large 19 strong ensemble with Fred conducting as well as playing. Lots of rhythm, harmony, rock noise, exotic instrumentation, power, complexity and melodic writing, with stretches of chaos, eccentricity and theatre. Totally different, then, from Impur Part I which was a deconstructed, spatialised simultaneity of musical events heard through open windows or by wandering through rooms; Impur Part II was an unannounced performance upon which audience …
Nowhere Sideshow Thin Air
This is Frith's sixth CD of music for dance, featuring three commissions by three different choreographers each sharing, as Fred says ' a certain obsession with melodic deconstruction.' Two of them feature - and were especially written for - the remarkable violinist Carla Kihlstedt.
Fred and Carla perform one of them (Fred playing a huge array of instruments here as on all pieces), are joined by Fred Guiliano, (samples) and Gail Brand (trombone) on another, while the third features Fred, …
Prints - Snapshots, Postcards, Messages And Miniatures 1987-2001
The short story: Prints is Fred Frith's first album of songs in 20 years. The long story: it is actually a collection of compilation tracks and unreleased studio sessions recorded between 1987 and 2001. No matter if you already own a few of these, a pop album by this man is a rarity -- and that is truly a shame. Of course, as a respected improviser, serious composer, and educator, anything lighter from this pillar of modern music will meet with severe criticism from people who take themse…
Gravity
Former Henry Cow guitarist Fred Frith pays homage to three giants of contemporary classical music: John Cage, Morton Feldman and Earle Brown. In his own inimitable fashion, Frith has tried to incorporate the chosen composer's own working methods into each of the three pieces that make up The Previous Evening. As he explains in the enclosed booklet regarding his John Cage homage: 'Fragments of text heard in Part 1 were taken at random from Cage's book Silence. Tape editing, the structure of the e…
Love Is A Drag - For Adult Listeners Only
CD version. A once shocking 1962 record of love songs… by men, for men. A long lost treasure featuring the cool & sophisticated vocals of Gene Howard and a cast of prime studio jazz musicians, performing a set of standards sung to a male suitor. Ahead of its time in every way. A fantastic, once-shocking album finally sees reissue - and brings with it the answer to a half-century mystery! Case file: A big band vocalist, a Hollywood photographer, and an LGBT music and history archivist - they are…
Fly To Brazil
Strerath is a pianist of European calibre and he has won numerous prizes since 1967. The Walter Strerath Trio played at many Jazz Festivals in Europe and they were invited to play at Newport in the early 1970s. On this 1975 session they explore the music of Brazil. The Bossa Nova is sort of a feed-back of North-American jazz with its drive, blues and beat compared to Brazilian samba with its “joie de vivre” and optimism. The Walter Strerath Trio commands this synthesis between North and So…
Metti Una Sera A Cena
Quite possibly the greatest Morricone score ever – and one whose dreamy bossa-inflected title theme has been covered a number of times over the years (most recently by the group Balanco!) From the first minutes of the album, you'll instantly recognize the main theme – as it's swells of voices and lilting keyboards are among one of Morricone's best signatures from the time. Don't worry about getting bored because you may already know it, though – as the album has loads of other beautiful …
Yellow Dust
Bruce Ditmas is a unique, heavy musician from one of those special tightknit communities that tried (and almost succeeded) to change the face of progressive pop music and jazz via musical technology. Raised in Miami (an unknown incubator for future synthesists), Ditmas carved the image of a teen prodigy playing jazz drums at the most exclusive Miami Beach hotels. After being whisked off to New York by none other than July Garland he became immersed in free music, recording compositions by …
Collected Works Of
BOX edition: Psychedelic drone sounds, experimental electro-acoustics, minimal music and deep listening from the years 2000 - 2007 by Ilya Monosov, who is a member of the Frogpeak artist collective and one-half of the psychedelic noise group The Shining Path and the improv duo Monosov/Swirnoff. Ilya Monosov has collaborated with Bob Cobbing, Charles Curtis, Duane Pitre, Marc Schulz (in Ben Patterson's installation at the 40th Anniversary of Fluxus), Larry Polansky, Andrew Deutsch (with Pau…
Film Scores
Classically trained and rigorously de-trained, possessor of a restless, semi-feral spirit, Lori Goldston is a cellist, composer, improvisor, producer, writer and teacher based in Seattle. Her voice as a cellist, amplified or acoustic is full, textured, committed and original. A perpetual inquirer, she wanders recklessly across borders that separate genre, discipline, time and geography, performing in clubs, cafes, galleries, arenas, concert halls, sheds, ceremonies, barbecues, and sanctuaries.
Sonic Drawings
We perceive many things with our eyes. Many visual impressions are engraved in our memories. But, all the things that are going on around us, can also be detected by the ear; can be listened to with various feelings. What effects do silence and noise have? The sonic drawings unfold themselves, build up with memories of future and past, which lead us back to the sound of the moment. It is enriching to discover the musicality of a moment and to find oneself listening to that music. The release „So…
Biotop
LP version. Comes on 180 gram vinyl. In retrospect, we might suspect that Asmus Tietchens was deliberately leading us up the garden path with the discordant pseudo-pop of his early musical productions. Four albums between 1981-1983 and a handful of individual pieces comprise the \"Zeitzeichen\" (time signal) phase which, in the words of their creator, was characterized by the implementation of \"rhythmic-harmonic set pieces and gaudy record sleeves.\" These albums do indeed feature elements…
Gheim
"In 1983, Paul Rutherford was performing with a trio that was very different in style from the highly abstract Iskra 1903, the trombonist's main trio vehicle for a long time. This group, billed simply as the Paul Rutherford Trio, is busier, wilder, more energy driven and free jazz-oriented. Joining him are two players that were new to the free improve scene at the time. Bassist Paul Rogers was a young cat, although this recording doesn't let it show. He already displays an impressive musical voc…
Haste
"An improvising trio absent the traditional markers of a rhythm section (bass and/or drums), the musicians on HASTE explore longer forms with a balance of gestural, painterly swoops and pointillist detail. The trio works through three collective pieces totalling just shy of an hour. Weston is an incredibly resourceful keyboardist, but his penchant for poise and deep listening ensure that his glisses and clusters remain on axis. It’s important to note that both Weston and Laubrock are accomplishe…
Separately & Together
"Given the number of musicians involved listeners will be surprised at the coherence and delicacy of much of the music here. As is so often, the pieces mainly consist of 'conductions' wherein one musician directs the orchestra, giving an overall form and structure to each piece - at least, that is the intention. So, Philipp Wachsmann's On the point of influence closes with a long restrained duo for cello and bass, while Ashley Wales' Study for Oppy Wood is an atmospheric tone poem.
In addition t…
s/t
Highlights of the groups presented by Emanem: Steve Beresford (electronics), John Butcher (saxes), Lol Coxhill (sax), Paul Rutherford (trombone), Phil Minton (voice), John Russell (guitar), Roger Turner (percussion), Maggie Nicols (voice), Caroline Kraabel (sax), Charlotte Hug (viola), Ian Smith (trumpet), Gail Brand (trombon), Oren Marshall (tuba), Pat Thomas (piano), Veryan Weston (piano), John Edwards (bass) Mark Sanders (percussion), Tony Wren (bass), Mark Wastell (cello), Phil Durrant (viol…
My Pipe Yellow Dream
"'Song Poems Wanted' read the ads. 'We need new ideas for recording!' The send-us-your-lyrics business was a borderline scam, taking whatever lyrics came their way from would-be songwriters and -- for a fee -- setting them to music. None of the results ever came close to being a hit, and to be sure, the vast majority was sufficiently bland or clumsy to insure no great karmic loss in their instant obscurity and miniscule press runs. But Rodd Keith -- the late, great genius whose prolific output …
Produkt der Deutsch-Amerikanischen Freundschaft
180 gram LP version. Bureau B reissues the first Deutsch-Amerikanische Freundschaft album, originally released in 1979. True D.A.F. connoisseurs will, of course, be aware of the early phase of the Düsseldorf-Wuppertal combo. But most fans of the subsequently world-famous duo may well be taken aback when confronted with their debut album: forceful synth bass sounds, snappy rhythms, Gabi Delgado and leather all conspicuously absent. In their place, pure instrumental, unstructured noise-rock,…
Emotional Planet
Chris Rose's Robust Worlds has impressed us since first glimpse. He was actually barefoot, if you can believe that, and his set had the feel of a way more lysergic Kevin Ayers. It was freezing fucking cold and I'm pretty sure he wore a Hawaiian shirt. His debut LP is called Emotional Planet, and it's deceptively simple. Voice, guitar, some noisy shit, whatever. His playing is sick: fluid, unforced, warm, soothed and soothing. It's a bath you don't want to exit. Seriously, if yr going to play gui…
YZ3Z2Z1S2, a Five-Letter Sufi Word
"My second complete Sufi word -- or cycle -- consists of five contrasting letters -- or movements -- calling for various combinations of soloists [2, 3, 4, 5], instrumental ensemble [1, 3, 5], and real-time electronics [2, 4, 5]. It confidently extends a global poetic design made of a quest for meaning, a taste for extraordinary adventures, an interest in the perfume of mystical ecstasy, and the pleasure of carefully sculpting the time and shapes that make up writing." Jean-Luc Fafchamps i…