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"In the summer of 1966 I worked in the classical Electronic Music Studio at the University of Toronto for six weeks. The system I used to create No Mo and Something Else consisted of Layfette tone generators, noise source and tape delay. In the Fall of 1966 I was the newly appointed director of the Mills Tape Music Center formerly the San Francisco Tape Music Center and now the Center for Contemporary Music at Mills College. Bog Road was created at the Mills Tape Music Center in the Summer of 19…
Aviformes; Kamana; Parcours pour Santur; Paroles sur Lèvres; Paroles sur Langue; Lumière sans Ombre. Barbara Zanichelli, soprano; Anna Maria Kieffer, mezzo-soprano; Nicholas Isherwood, bass. Leo Kupper was born in Belgium in 1935. He worked with Henri Pousseur at the first electronic music studio in Belgium and is founder and director of the Studio de Recherches et de Structurations Electroniques Auditives in Brussels. This is his 3rd release on Pogus and he remains a master at working with elec…
David Rosenboom (b. 1947) has been widely acclaimed as a pioneer in American experimental music since the 1960's. He is a composer, performer, conductor, interdisciplinary artist, author, and educator having explored ideas in his work about the spontaneous evolution of forms, languages for improvisation, new techniques for ensembles, cross-cultural collaborations, performance art, computer music systems, interactive multi-media, compositional algorithms, and the structure of the brain and nervou…
Exact reproduction LP of a Swedish release from 1970. A bit of confusion surrounds this release: The album has been credited to Träd, Gräs och Stenar, but they aren't featured on it. Bo Anders Persson did, in fact, in collaboration with Solvieg Bark, compile, edit and release this album. Bo Anders Persson, was a member of the legendary Swedish bands Harvester, International Harvester, Pärson Sound, and Träd, Gräs Och Stenar. Solveig Bark was one of a few young composers that, through the UNM (Yo…
The third chapter in the Sufi Word's series. Jean-Luc Fafchamps
on the release: "The Sufi Letters is a vast project of 28 compositions
(for the 28 letters of the Arabic alphabet) undertaken in 2000 and still
ongoing. I am drawing inspiration from the symbolic charts found in
Sufi mysticism. Each Letter is a sonic meditation on the frontiers of
conscience and the paradoxes of time. Today's word, 'Du seuil' ('From
the threshold'), is the third word to be released by Sub Rosa. It is a
journe…
Instruments which sound like instruments!!! Unbelievable real-time compositions for the unlikely instrumentation of piano, trumpet and violin courtesy of North Of North: Anthony Pateras, Scott Tinkler and Erkki Veltheim.Drawing from improvisation, Carnatic music, 20th and 21st century compositional strategies, mathematical theories and open forms of jazz, their music is fused together by virtuosic instrumentalism, critical listening and a shared philosophy of musical and physical discipline. The…
"The very first idea that came to my mind was, obviously, to record an album with my own music only. Soon enough I abandoned this idea having realized that a wider context, some clash, would work better. Even more importantly, it should be emphasized that the place of this instrument is here, amongst others. Alone, but simultaneously surrounded by a full orchestra of references and contexts.Therefore, it was my intention to turn to an artist who combines the two fascinations - different varietie…
Limited clear vinyl, edition of 100. Mysterious, charming, and wavering, Scoprire Le Orme (Discover The Footsteps) represents a unique musical experience; a kind of Minimal Folk with far Eastern baroque influences. The work is a living entity, yet with a calm atmosphere interweaved with tension - the tradition here being redefined and transfigured in a very personal way with a touch of esotericism. Roberto Mazza (formerly a member of Telaio Magnetico, along with Franco Battiato, Lino “Capra” Vac…
Oker is an acoustic improvising quartet based in Oslo, consisting of Adrian Fiskum Myhr on bass, Jan Martin Gismervik on drums, Torstein Lavik Larsen on trumpet and Fredrik Rasten on guitar. The music combines material from expanded instrumental techniques with open tonalities and deconstructed grooves. It can be described as rich textures in gradual change, but also as responsive and spontaneous. The ensemble balances between airy gestures and dense collective blocks of sound.
Oker is ma…
Nyantora — Koji Nakamura — is a prolific musician and producer whose work ranges from ambient music to scoring TV commercials and films. He was a member of renowned Japanese rock band Supercar from its inception in 1995 until its break-up in 2005. Based in Fukuoka, duenn is a sound artist and also operates the duennlabel cassette imprint. Together with the afore- mentioned Nyantora, he hosts events and produces music under the banner of Hardcore Ambience.
** Edition of 150 copies** With hard-to-define instruments, Varkenshond creates ritual and tribal madness in the vein of early Silvester Afang and Zero Kama. Varkenshond was founded in 2006 in Antwerp, Belgium while the to-be members were studying Maggergergorian spiritual philosophy with Wim Vanaeghe, Thomas "Gergeti" Kreuzfeld, and Koera Mönggüm Sorgan. They released a CD in 2007, the result of a series of therapeutic music sessions led by G. Karkaronga, and a cassette in 2013, a selection…
Siloah were re-formed by Thom Argauer in late 1971 after their Munich hippie community had split following the release of the band’s first record. Although "Sukram Gurk" was recorded under the same elementary conditions as its predecessor and had a similar psychedelic touch, it fails a bit to achieve the sort of charisma evident in the first record. Thom now played the keyboards instead of the guitar. Re-issue from the master …
With Mirage on Important Records, Smegma again does the impossible. 38 years after reinventing the musical wheel, they have recorded a stunning masterpiece. With four of the original members working together again for the first time in many years, together with many new collaborators , they have kept alive their unique brand of old school primitive, Avant/Garage music. Running the gamut from the Musique Concrete inspired subtilely bombastic mood of the Title track to World of my Own's frenzied n…
This New York based duo released their one and only LP in 1968 on Columbia Masterworks, just months after Zappa released Lumpy Gravy in California. Although the 2 projects have some superficial similarity in structure, it would seem that this later LP must have been made (at least largely), without any knowledge of the Zappa masterpiece. Another reference point might be The United States Of America who also released their LP in1968.Originally released simultaneously with Terry Riley's In C and …
The first CD in this set is a reissue of an obscure cassette release from 1983 that was originally released in a small edition on the London based, It’s War Boys label. This C60 consisted of 2 distinct halves. Side 1 was formed around several mixes of an experimental track, constructed from a room-sized 24 track loop. A version of this track first appeared on the LP Flagellation by The Just Measurers (who were C. D. Greyt, Yakkö Banovic and Narki Brillans).Side 2 is a collage of mostly unused (a…
Katharina Klement was born in Graz, Austria, and is a ‘composer-performer’ in the field of notated and improvised, instrumental and electronic music. She has participated in numerous crossover projects in the areas music-text-video-performance, several works for mechanically and electronically customised piano, sound installations, and is the founder or a member of many ensembles for improvised and composed music. "In 2014, I spent nine weeks in Belgrade, focusing on the questio…
George Khan could be called a forgotten pioneer of the London free music scenes, except that anyone who has heard or seen or met him could surely never forget him. A superb saxophonist and flautist, as well as one of the nicest and most laid-back people - he is capable of outputting an apparently endless stream of what is generally called Fire Music. Meeting up with Terry Day in the mid-1960s, Khan became a member of the People Band, and since then has mostly combined his musical and theatr…
2025 stock ** Born in 1956, Dunkerque France, Frédéric Le Junter began in 1984 to construct instruments (strings, winds, percussions), with found objects, and then mechanical machines. He did also played with Pierre Berthet, Dominique Répécaud (Les Massifs de Fleurs), Silent Block, Marc Pichelin, Jean-Léon Pallandre. He also write songs. In Bateau Feu through the use of microphones we are completly inside the world of his sound machines. Powerfull, beautifull and unique !Highly recommended.
A moody and tunnelling epic fuelled by exotic drums, Middle Eastern horns and cosmic synths that build to a thrilling climax, by by Asaf Samuel and Katzele, two of the founders of Tel-Aviv's 84% Creativity collective. This 2XLP album, Europa, is dedicated to and inspired by events in 2015 & 2016, which saw the spectre of global crisis come knocking at Europe's doorstep.During this time, more than a million migrants and refugees fled their homes in the Middle East, Northern Africa, sub-Sahara…
Italian reissue label enters the fray as Orbeatize makes a powerful first move by looking back to the 80s and the wild experimentation of jazz drummer Armando Bertozzi. Having already made a distinctive entrance with two previous albums, Bertozzi's final masterstroke was Fantastic World, a daring body of work originally released in 1985. Rich with African percussion and wayward synthesis, this is far from a traditional record, and its hefty second hand price tag makes it more than worthy …