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German guitarist Olaf Rupp combines elements of traditional flamenco (rasgueados, arpeggios, picados) with the fractured cadences of Derek Bailey, fusing them together with a blast-furnace tone recalling John Lee Hooker's most blown-out extremes. And yet, despite decades of concerts and releases on FMP and Emanem, often with marquee-grabbing collaborators like John Zorn, Peter Brötzmann, Butch Morris, Paul Lovens and Lol Coxhill, Rupp's music is largely unknown outside of European free improvisa…
And just like that, you’ll never think of improvisation the same way again. GPS is the emerging trio raising the bar for improvised music, and 577 Records is elated to present its debut album, Directions + Destinations. The group includes clarinet wizard Guillermo Gregorio, Yamaha Performance Artist Charley Sabatino on the double bass, and flourishing saxophonist Jeff Pearring. What they make isn’t just music; it’s an unforgettable experience. Recorded in two sessions a year apart, Directions +…
In the lockdown of early 2020, Berlin fell silent. As reflects Nicholas Bussmann, “it felt like the early 90s in East Berlin”, the place where he grew up and experienced social change and uncertainty, and presumably a lot of empty, silent space. Here, on this duo with his long-term accomplice Werner Dafeldecker, we hear the sound of two instrumental practitioners as they explore the nature of their respective instruments with a paced and thoughtful guidance, with little intervention or overt de…
*100 copies limited edition* Belgian musician and filmmaker Jef Mertens has been an active force in the experimental music and film scene for nearly two decades. Known for his documentaries on artists like Sonic Youth and Borbetomagus, as well as his work with the now-defunct Dadaist Tapes label, Mertens continues to push the boundaries of sound exploration. His previous solo works include NO MATHEMATICS, released on KRAAK/Feeding Tube Records.With Orchid Alto, Mertens dedicates himself to the t…
Cor. Issue Four. There’s some parenting wisdom that says after you’ve had three children you might as well have a few more as it makes no odds. Four to six is the sweet spot, apparently. Less stress they say. So here’s to our fourth. Check back in on those stress levels when we get to six. Mags, not kids. Do we need to remind you that Moonbuilding is brought to you by former Electronic Sound commissioning editor Neil Mason and published by Colin Morrison’s Castles In Space label? Or is that the…
The idea for a remix LP came about following the incredibly positive reception that greeted “The Flow Across Borders” upon its release in may last year. After the services of The Orb and Richard Norris were secured by the label, Frazer and Ali asked some of their favourite artists on Castles in Space to contribute remixes for the project, which subsequently grew into a wonderful overview of both the scope and diversity of the band’s output and the skill and sensitivity of the remixers. Frazer: “…
Ali O’May and Frazer Brown met in early 2018 at an Electronic Music Open Mic in Edinburgh and quickly discovered a shared musical sensibility. Ali later gave Frazer a USB of stems from his extensive modular system; over summer and autumn 2019 Frazer used about a dozen of those stems to shape tracks across techno, lo‑fi, breaks, acid house and ambient. This collaborative process—Ali supplying raw modular material and Frazer instinctively arranging and producing it—became the Dohnavúr method, driv…
On Situations | Useless Mouths, The Mistys pivot from solitude to shared euphoria, channelling restless electronics and Beth Roberts’ shapeshifting vocals into a bright, subversive celebration of joy as fuel, shelter and quietly defiant energy.
"Remains" is the debut album from composer and sound artist Will Gardner. Will has worked extensively behind the scenes as an arranger, orchestrator and pianist in both Berlin and London, arranging strings for alt-J, Daughter, Låpsley and Madness. This debut solo work explores the experience of caring for his father through the final stages of Parkinson’s dementia. The album is both an aural imagining of the dementia experience (it’s memory slippages, disturbances, delusions and paranoias) and a…
According to the 6th century Greek philosopher Anaximander, 'apeiron' is a state of primal chaos. It is the limitless, undefinable everything from which all is created & the essential form back to which all will ultimately return. Apeiron constantly & infinitely creates the building blocks of everything, including all states of opposition such as heat & cold, dry & wet, only to then destroy & remake it all anew in a boundless, eternal cycle. It seems that humanity in the 21st century is living i…
*2023 stock* Ali O’May and Frazer Brown met in early 2018 while performing with their respective bands at an Electronic Music Open Mic (EMOM) gig in Edinburgh. With obvious common interests, further discussions lead a few months later to Ali passing Frazer a USB drive filled with stems recorded directly from Ali’s vast modular system. Across August and September 2019, Frazer used about a dozen of those stems as the foundation for a set of tracks, building them into fully realised pieces across a…
Altered Fetes is the most focused work to date from A'Bear, carving a distinctive space in contemporary electronic music through its innovative, rhythm-driven fusion of dance, psychedelia, and experimental sound textures. The album stands out for its coherent progression and inventive reshaping of genre boundaries, making it a remarkable entry in the artist's evolving catalog.
Originally issued by Impulse in 1971, this is definitely one of the best truly cosmic jazz orchestrations ever realized. Recorded at the Coltrane home studio, Dix Hills, New York on November 8, 1970. Alice Coltrane (harp, piano); Pharoah Sanders (soprano saxophone, perc); Charlie Haden (bass); Rashied Ali (drums); Cecil McBee (bass); Vishnu Wood (oud); Tulsi (tamboura); Majid Shabazz (bells, tambourine). "Swamiji is the first example I have seen in recent years of Universal Love or God in actio…
Cryptophasia is the third album from Scottish twin brothers Andy and Mike Truscott under their Kinbrae moniker. Shifting focus from their previous landscape-based releases, Cryptophasia sees the band explore their relationship growing up as twins and how this has shaped and formed them as people both individually and collectively. Reflecting on experiences across their lives, the album deals with themes including family dynamics, lived experiences and memories, identity, sibling rivalry, isolati…
*200 copies limited edition* Former Pulled Apart By Horses guitarist James Adrian Brown has been tirelessly sculpting his new sonic identity since early 2021. After making the transition from fuzz-soaked guitars to swarming synthesizers, Brown has been regularly releasing singles, remixes, collaborations and composing scores over the past three years. July 19th marks the release of his first EP titled “Terra Incognita.”
This expansive and cinematic journey, comprising six tracks, represents a me…
Public Works and Utilities by Warrington-Runcorn New Town Development Plan is the sixth full-length album from the British electronic project helmed by Gordon Chapman-Fox. Returning to the conceptual world of post-war British urban planning, this record shifts focus from spectral nostalgia to the stark realities of public infrastructure’s managed decline, channeling the anxieties and bleak optimism of contemporary Britain through atmospheric electronica and abstract, danceable beats.
New "regular edition" on 140 gram vinyl. We Release Jazz (WRWTFWW Records' new sister-label) presents its first release, the official reissue of Ryo Fukui's highly sought-after masterpiece Scenery, originally released in 1976. Unquestionably one of the most important Japanese jazz albums ever recorded, Scenery reveals Ryo Fukui as a miraculously brilliant self-taught pianist fusing modal, bop, and cool jazz influences for a very personal, dexterous, and game-changing take on classic standards ma…
New "regular edition" on 140 gram vinyl. We Release Jazz (WRWTFWW Records' new sister-label) present the official reissue of criminally overlooked Japanese jazz gem Mellow Dream by Hokkaido pianist wunderkind Ryo Fukui, originally released in 1977. Released in conjunction with the its legendary predecessor 1976's Scenery (WRJ 001CD/LP/LTD-LP). Firmly standing on the foundation he laid down with Scenery, Ryo Fukui continues his exploration of modal, bop, and cool jazz sounds with meticulous grace…
"The edges of Schlippenbach’s trio/quartet music have gradually feathered over the past dozen years, a process benchmarked by “Anticlockwise”. Evan Parker’s careening tenor prompts a dramatic sweep from the group that echoes Coltrane’s last period, as on Ore; his multiphonic-oriented soprano style elicits a more spiky rapport. The exceptional American bassist Alan Silva makes an intriguing debut with the quartet, his incisive phrasing and nuance-filled arco technique serving as a lynchpin betwee…
Cien Fuegos present a reissue of Schlippenbach Quartet's Three Nails Left, a classic mid-1970s originally released on FMP in 1975 and showing Schlippenbach is in sublime form. It features a stellar line-up, with Evan Parker - soprano and tenor saxophone; Peter Kowald - double bass and Paul Lovens - percussion. Side A was recorded live at 3rd Jazz Festival Moers June 2nd, 1974 by Michael Krause. Side B was recorded live at the Quartier Latin Berlin, February 2nd, 1975 by Jost Gebers with the FMP…