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Beach Head
Originally issued in a limited pressing in 2008, BEACH HEAD is a release of sunburnt affection for a place that has since submerged: a coastal constellation of friends and energies that still slosh and burn through dimensions just above our perceptual apparatus. These are the coordinates, should you want to go: THOUGHTS ARE BELLS opens in séance before easing back into full Florian blossom. HORSE STEPPIN’ is a love song to Neil Young’s six-string gateway: sunblushed and indulgent, persistently b…
Les ambulants
Original copy, lucky warehouse fine: Recorded august 1984 at Souterrain Scientifique. Experimental music from France by DDAA (acoustic guitar, bass, tape, piano, saxophone, effects, drums, voice, guitar, percussion - Jean-Luc André , Jean-Philippe Fee , Sylvie Martineau. Recorded by Bernard C.).
Conrad & Sohn
Gorgeous one-off private-press released in 1981 by one-time Tangerine Dream / Kluster associate Conrad Schnitzler, which was given only to friends and family. Tracks 6-11 are pretty odd, even for Schnitzler, with its pitched up vocals & arbitrary lo-fi synth drippings; but the real prize are tracks 1-5 featuring his teenage son Gregor on electric bass and completely fried vocals (in English no less) as run through Conrad's massive modular synth rig.Limited to 500 pieces. Unplayed archival copy
Birth of anolder, much more ugly Christ
'This shit is dark and I'm not talking about some fucking 'I sleep during the day' dark... I'm not talking some 'Cannibal Corpse shit - I'm a fucking mutilator' dark... And I'm not talking 'I'm a noise dude into black metal' dark I'm talking total fucking end of the world... shit... like... everyone is going to die and it's gonna be fucking terrible. Recorded in 2009 by sisters Roxann and Rachal Spikula while in a hospital doing some fucked up health study where all they could drink was …
Incus tap
long deleted, very few availabe...Many if not most of Derek Bailey's fans (I was going to write "hardcore fans," but aren't we all?) will be surprised at the existence of these extremely early solo recordings, originally issued by Incus back in 1973. Even for a label as unorthodox as Incus, the TAPS represented a unique but very short-lived experiment in "marketing"; basically, Derek decided that it would be interesting, cheaper, and "less formal" to issue some of his favorite recent solo improv…
Fifty-Six
Dark red vinyl. After releasing two unique LPs back in the '60s for the legendary ESP label with his Ritual All 770 and another one for Riverboat, finally Alan Sondheim is back! This is his 1st LP after nearly 35 years and here he plays guitar, alpine zither, electronics, field recordings... as usual he presents us an eclectic mix of fascinating sounds.
Nordic Visions
Alreay out of print "While Wooden Wand and Satya Sai jammed with the Sky High Band in beautiful California, the Vanishing Voice dug in deep in the frozen northeast. Snowed in with utopian texts and mounting paranoia, Steven the Harvester, Heidi White Diamond Diehl, and Pete Wolfy Nolan joined nonhorse in an abandoned textile factory, boiling out these ballads of suspended disbelief and hope for the better world... killer vinyl edition on this new label of the self released cdr. Great packaging w…
Charade Is Gold
on yellow vinyl! All string synths and spring reverb, this is an analog dream. Nothing less than some of the finest classically-orchestrated synthetic pop of the thirty odd years people have been attempting it.
Flora. Fauna. Fervor.
"The second album by Matt Ulery’s Loom fulfills the desire of its leader to front a “band with a sound not only determined by the compositions and the instrumentation, but with the actual players who perform the music.” Ulery, a Chicago-based bassist and composer, adds, “This is why Loom has had an immediately identifiable sound, striving for maximum range of emotional depth while appealing far beyond strictly jazz listeners.”Loom projects a sonically rich, expansive sound on Flora. Fauna. Fervo…
Who Will Feed Them
Black vinyl with insert. Performed by: Mark Bajuk, Tony Fasce, Silvia Feriozzi, Eric Mauer, Brent Peich, Russ Waterhouse. The next evolutionary step from Double Leopards and Family Underground, very subtle and psychedelic music.
Kwjaz
Absolutely killer album of frayed and unstable electronic mutations from the Rangers-related KWJAZ project (boomkat) San Franciscan Peter Berend's mystery mixtape unit, KWJAZ, flashed forth this debut self-titled slab of 'post-plastic sublime decomposed luxury grooves' on cassette via his own rarified Brunch Groupe imprint early in 2011 and the 120 listeners lucky enough to grip a copy know who they are. It only took half a listen before we green-lit this tape-degraded gem for vinyl treatme…
Free Improvisation
Gray-area reissue of this rare album previously only available in the legendary 3LP set only Free Improvisation (together with New Phonic Art and Iskra 1903, on the Deutsche Grammophon label, issued in 1973); analog re-recording. LTD. edition 180 grams. Karl Heinz Böttner: electric guitar, 'Vox Organ Guitar', vocals, ocarinas, flexatone, zither, electric bass, guitar, framus; Mike Lewis: Hammond (and Leslie) organ, vocals, percussion; Michael Ranta: percussion, home-made plucked instrument, voca…
Old Souls Wearing New Cloths
Restocked, last copies: limited edition of 323 copies, this LP is a live recording for piano, voice and electronics. Issued in a beautiful red vinyl pressing, it's a terrific minimal droning piano in La Mount Young vein
Isomopolis. ICC
Lovely and obscure album of Bertoia/Rutman-lineage metal sound-sculptures from which G. T. Smits coaxes a bizarre array of squawks & resonant thumps...."for a while i thought i was completely lost in the maze that is the recorded archive of George "TOET" Smits, a few years back i got boxes full of cassettes that i have been sitting thru for a few years, a bunch unlabeled, and a lot of recordings from his ZBOLK NIGHT RADIO. George Toet Smits started out playing mouth organ and guitar in Ferre…
Automaticism
Sympathy Nervous is the project of Japanese artist Yosihumi Niinuma. Influenced by both classical and Krautrock, he began recording in 1979, and released several records on the highly coveted Vanity label. He continued to record and self-release much of his work throughout the 80s and 90s. His sound is intelligent and probably the most unique minimal synth to come out of Japan. Exploring dystopian themes, his music is well balanced and beautifully recorded.Automaticism features songs Yosihumi Ni…
The Mad Excitement, The Barbaric Pulsations, The Incomparable Rh
Smegma has been around, in one form or another, since 1973, issuing an average of a record a year out of odd tape-loops and jarring-yet-ambient original instrumentation long before electronic sampling was even a glimmer in Mr. and Mrs. Casio's eyes. They achieved a small degree of noteriety in the '80s as one of that proud elite of North American new-music acts hiply obscure enough to have European-only record deals. They're also known among the anti-pop sound exchangers of the international cas…
Tuota tuota
"tuota tuota is the third full-length album by kiila. its songs were born of peaceful, focused work and intense rehearsals with friends, interspersed with sleep and mealtimes. the album features an eight-strong core line-up but, as always, the composition of the group varies effortlessly according to need. at this table, there is room for everyone. as musical form, songs have always been important to kiila, and consequently tuota tuota develops around its songs. on the other hand, the album cons…
Frkwys Vol. 06
"Frkwys Vol. 6 features four pieces composed and performed by artists Julianna Barwick and Ikue Mori as part of a month long installation curated by RVNG Intl. at White Columns gallery, New York City, NY. For the installation, a particle board cubicle was custom constructed and placed at the center of the Project Space. The cubicle wall separated Julianna and Ikue to their respective seated work stations, while stationary web cams captured the musicians at work/play and became interactiv…
~Treibgut
The inimitable Raster Noton label picks up it's Unun series with five tracks of utterly sick digital spasms and oblique hi-end processing from Grischa Lichtenberger following on from the devastating NHK 12" last year. Via various methods and processes Lichtenberger manipulates field recordings and musique concrete sampled from the world around him such as a sliding tabletop, the noise of a radiator or the humming of a broken device before transforming them into sound-giving instruments. The resu…
Aqua Machine
Clear violet vinyl, photo by Padmanabha. Live improvisations rec. in Buffalo, Rochester & Syracuse on April 8/9/10, 2005. SB - baritone & tenor sax, slide bass clarinet, bells, conch shell, voicemaster, noseflute, home-made 8-hole clarinet; RP - drums, percussions, gopichand, tabla. Oblique and totally improvised free music.