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Tori says "12:16 is a piece where I recorded all the sounds of my daily life from waking up in the morning to going to bed at night on December 16, 2025, compressed that recording into an approximately 15-minute track, added my piano and other materials (such as Lee Morgan's riff, the line " Wandering around the mountains is painful" from the Noh chant "Yamanba," and Kazuo Funaki's 1969 song "Yūbae no Futari"), played it at the live venue, and performed along with it. The PC operation at the ve…
"Hyperrealist Music, 2011-2015" is a selection of late masterpieces by Noah Creshevsky, a proponent of "Hyperreal Music," which opened a new door to cyber-human music.
In the mid 1960’s, there was a collective of contemporary musicians in Osaka, called Art Zyklus. Because Hajime Yamashita, one of the core members, had sold a part of his privately stored sound source over the Internet, the whole picture of amazing and completely unknown activities was revealed. The release compiled works created by Art Zyklus as well as Yamashita. Worth mentioning is that ‘Music for Electric Metronomes’ by Toshi Ichiyanagi was premiered in Japan. Apart from that, the fact that …
Braids by the Sam Rivers Quartet was recorded May 15, 1979, in Hamburg, Germany and re-mastered for this release by Arūnas Zujus at MAMAstudios. Personnel includes: Sam Rivers - tenor and soprano saxophones, flute, piano; Joe Daley - tuba, euphonium; Dave Holland - bass, cello; Thurman Barker - drums.
Ricochet by the Sam Rivers Trio was recorded January 12, 1978, at Keystone Korner, San Francisco, CA, and re-mastered for this release by Arūnas Zujus at MAMAstudios. Personnel includes: Sam Rivers - tenor and soprano saxophones, flute, piano; Dave Holland - bass and cello; Barry Altschul - drums.
Saved from the dust of time, here is a truly rare and obscure piece of vinyl by one of the most enigmatic bands in the whole history of British Progressive Jazz. Originally released in 200 copies in 1973 and reissued here for the first time, Quincicasm's only release stands as a brilliant document of the 70's British underground electric jazz scene. Somewhere at the crossing of open form jazz and art rock explorations.
Ken Eley - saxophone, Dick Pearce - flugelhorn, Julian Marshall -vibraphone. …
Huuuuge Tip! Edition of 200. Where the bells begin, everything else follows. Long before Charlemagne Palestine discovered the thick molasses sonority of the Bösendorfer piano, before the strumming technique that would define his maximalist-minimalist vision, there were bells. Colossal carillon bells in the tower of St. Thomas Church on Fifth Avenue in New York, where a teenage Palestine hammered hymns into the Manhattan sky before spending hours lost in spectral improvisations that drew Moondog,…
Jo Montgomerie doesn't want to pull back the veil too much on her source materials, but she's becoming more declarative and emphatic in how she works with her crucible of tempered noise. The opening clatter to Ephemeral Rituals sounds to these ears like the repetitive strike of a typewriter; though she asserts, without showing her hand, that is not the case. Out of this, a hallowed, radiant black glow emerges, nearly engulfing the acoustic clack with a sublime grandeur. Based in Manchester, Mont…
Gil J. Wolman's revolutionary Mégapneumes reveals the radical origins of sound poetry. This essential collection documents the Lettrist pioneer's organic infra-language from 1960s recordings, including material found on his tape recorder after death - anticipating Chopin and Gysin by a decade
Franz Mon (born 1926) is a pioneer in the field of concrete, visual and phonetic poetry. He once licked the new radio play into shape like no other german-speaking playwright before him. As a sound poet and with his 'articulations' or phonetic pieces, he conceptually renewed sound poetry in the postwar years.A tension of research is generated. Franz Mon is a tireless researcher, his material is language. In "Artikulationen" he speaks of " the dance of the lips, of the tongue, of the teeth, move…
*50 copies limited edition* "Tony Conrad has always been a constant inspiration for both Glen and myself and one of the main reasons we started making drone music in the first place. When Paul Williams contacted me last year about the relaunch of Table Of The Elements, I proposed a screening of the Tony Conrad documentary followed by a performance of our duo Mertens & Steenkiste. As a filmmaker myself, I wondered if it would be possible for us to score one of Tony’s films, more specifically his …
*2025 Stock, Edition of 160* “An album without titles is a blind date with the listener, who is forced to make an extra (or lesser) effort to clearly grasp both the evident and the more hidden elements of a track, in order to form a personal perception, uncontaminated by pseudo-literary or ‘programmatic’ elements.” “!?” is an album with an unpronounceable name, made up of tracks identified only by their duration, and the two tracks shortened in the vinyl version carry the longer duration that ap…
Esmeralda Sella is a young pianist from Ravenna, Italy. “Magma” is her debut album, and also a turning point. It’s the culmination of a journey that was «essential for understanding myself and the world around me» as she describes it. Sella recorded “Magma” with two key collaborators: Federico Giolito (double bass) and Giovanni Nardiello (drums), following years of mutual trust, shared musical experiences and extensive practice. «Our sound is the result of opinions, ideas, and doubts exchanged o…
*2022 stock* "'Emerald Tablet' was recorded at the NHK electronic-music studio in 1978. It is made up of only the sonic ingredients of a tubular bell, cymbals, and 'kin,' a largish-sized bell used for Buddhist memorial services in Japan. The attack of the sound of each instrument was eliminated, and the work was taped through repeated overdubbing. This produced a variety of beautiful harmonics that otherwise could not be produced from a single instrument's sound, and the interference of harmonic…
*Limited Edition of 99 copies. Purple vinyl * Masami Akita has been making noise since before most people understood noise could be made on purpose, and Animal Magnetism is what happens when forty years of sonic terrorism suddenly decides to sit you down and explain itself without raising its voice. Originally released on CD in 2003, this double LP reissue—remastered by Lasse Marhaug and pressed on black or purple vinyl in a gatefold sleeve featuring Akita's own photographs—adds a previously unr…
Traveling extensively across Asia and Africa between 1974-1985 to study music, Roberto made many field recordings and collected many instruments on his travels which he would then combine with synthesizers and electronics back in Italy
Killer! Limited edition of 400 records. Recorded on 15th October, 1974 at WKCR, from the quintet of Charles Brackeen (flute & sax), Ahmed Abdullah (trumpet), William Parker (bass), Roger Blank (drums) and Tony Waters (percussion), beautifully recorded and essential free improvisation. "The dominant influences at this time were John Coltrane and Albert Ayler (both of whom had passed away relatively recently); and Ornette Coleman (who had not yet gone Harmolodic). Although some musicians had sough…
The Boy and the Tree was composed after a visit to Yakushima Island, an outstandingly beautiful world heritage site off the southern tip of Japan, scored by a deep, lush and ancient ravine, home of the ancient 7000-year old ‘Jōmon Sugi’. Tree. Also the inspiration for Miyazaki's epic anime Princess Mononoke, a conflict between the rampant greed and destructive force of humanity, and the stoic, mysterious fragility of nature.
This fleeting immersion in nature lent the album a profound introspecti…
A supreme soundscape! The world's first recording of a work released in 1997 by a composer/guitarist who has left his mark on the contemporary Mexican music scene. The latest release from SRRD label! Eblen Macari has been actively developing his unique musical style for 40 years, from the 1980s to the present. Eblen Macari has been developing his unique musical style for the past years. Eblen Macari was inspired by the sound of the guitar as well as the ecology of the trees used for the guitar. …