Best sellers
Voiceless Mass
Listening is the foundation of Raven Chacon’s (b. 1977) wide-ranging artistic practice. “I am a listener,” he simply declares, but the attention he gives to sound is complex and vast, encompassing far more than what is immediately audible. From his earliest works, Chacon has been dedicated to amplifying the unheard, calling attention to what is absent or unknown. Although Chacon classifies the compositions on this recording as chamber music, all three of these works “zigzag” through his noise st…
Rivbea Live! Series, Volume 2
An extraordinary, previously unheard session by alto saxophonist Arthur Blythe originally recorded on July 6, 1976 in New York City, and performed in the expansive, unconfined environment of the loft jazz movement, delivering remarkable extended solos on alto saxophone. The minimalist ensemble comprises Juni Booth on bass, Steve Reid on drums, and Muhammad Abdullah on conga, devoid of piano or additional horns, allowing Blythe ample opportunity to showcase his improvisational skills. The initial…
Oh My, Those Boys!
Edition of 300. Brilliant work from these two very inventive bassists – the legendary Barre Phillips, working on acoustic bass – and Motoharu Yoshizawa, playing an unusual homemade electric vertical 5-string bass! The combination of instruments is beautiful – and with one electric, and one acoustic, you can really separate the voice of each player – even though both Phillips and Yoshizawa resonate strongly together, and really have a complimentary sense of improvisation – a beautiful combination…
Live At Kassiopeia
A never earlier released duo recording that was played back in 1987 at Kassiopeia, Wuppertal brings these two great musicians and composers together for this unique and unforgettable session. There are times when one fantasises about the possible collaborations that might have been: Hendrix with Miles Davis, Jeffrey Lee Pierce with R.L Burnside, Capt. Beefheart with Sun Ra ― imagination is a wonderful thing. But when a vault somewhere pops open and a collaboration of two of improvised music's ti…
L'Uomo e la Città
Following on the back of their recent reissues of the Italian library music giant Piero Umiliani's 'Continente Nero' and 'Africa', Dialogo returns with three brand new entries in their Piero Umiliani Legacy Series, stunning reissues of the composer's mid '70s, highly sought-after LPs, 'L'Uomo e la Città', 'Polinesia' and 'Pianofender Blues'.
Hyperrealist Music, 2011-2015
"Hyperrealist Music, 2011-2015" is a selection of late masterpieces by Noah Creshevsky, a proponent of "Hyperreal Music," which opened a new door to cyber-human music.
Fuoriforma
*2022 stock. Limited edition of 300 copies.* The first release of 2021 by i dischi di angelica is an archive recording documenting a trio of musicians that emerged from the Bologna music scene between the end of the '80s and the beginning of the '90s: Luigi Lullo Mosso (double-bass player and performer, both solo and with Vakki Plakkula, Specchio Ensemble, Roy Paci, Vincenzo Vasi, Guglielmo Pagnozzi, Alessandro Bosetti, etc.), Massimo Simonini (sound manipulator with N.O.R.M.A., Tiziano Popoli, …
Alle Sorgenti Delle Civiltà - Vol. 3 - Africa - Australia - Nuova Zelanda
Black Vinyl. Two giants of Italian library music. Two continents. Fourteen tracks of tribal, ritualistic sound. Musica Per Immagini presents the first-ever vinyl reissue of Alle Sorgenti Delle Civiltà Vol. 3, the final chapter of the legendary Folkmusic triptych originally released in 1971.
Somewhere between the editing suites of Cinecittà and the ethnographic archives of a parallel universe RAI documentary department, two of Italy's most prolific sonic chameleons shed their studio pseudonyms li…
Nude per l'assassino
Tip! Tip! Tip! We are incredibly excited to announce a landmark discovery and upcoming release that will be a must-have for collectors and fans of Italian film scores. After decades of being considered a lost artifact, the original soundtrack for the iconic 1975 giallo film, Nude per l'assassino (Strip Nude for Your Killer), has been found. This marks its first-ever official release, presented in a lavish vinyl edition that includes a 30x60cm poster and has been meticulously remastered from the …
Late Autumn Sunshine
Late Autumn Sunshine by Michael Garrick, released by My Only Desire Records, gathers two rare BBC Maida Vale sessions from 1973 and 1978. With Norma Winstone’s ethereal voice and Henry Lowther’s lyrical trumpet, Garrick’s compositions glow with his characteristic blend of English pastoralism and modal jazz introspection - a rediscovery of autumnal warmth and luminous craft.
Simultaneous
Simultaneous reveals Pamela Z’s fascination with the intersection of speech and music, blending voice, electronics, chamber ensemble, and video into an immersive, multi-layered exploration. Through looping, gesture control, and narrative fragments, the piece meditates on simultaneity—how overlapping events and speech form new harmonies and meaning.
Harafuri
If punk culture and aesthetics ever had a poet, it would undoubtedly be Kō Machida. Best known as the visionary frontman of the pioneering punk band INU and later acclaimed as a novelist, essayist, and professor, Machida has built a career at the intersection of raw musical energy and razor-sharp literary craftsmanship. Eleven years after the groundbreaking 1981 masterpiece INU – Meshi Kuuna!, Machida returned with a new creative chapter: the album *Harafuri*. This record marked a significant ev…
Berceuses des Deux Mondes
"As our ears wander into the cacophony of a saturated world, drowned by the dissonance and excess of noise that besieges us, Rien Virgule invites us to explore sonic interstices, to slow down and resist the frenzy. With ‘Berceuses des deux mondes’ (‘Lullabies of the two worlds’), the deafening fires of the din are extinguished, the volume of the over-amplified world calms down, and music becomes a refuge. We listen as we contemplate a flickering candle flame, tinged with a luminous melancholy. T…
A Railroad Spike Forms The Voice
*2023 stock* "Don’t follow.” That’s the admonition saxophonist and composer Roscoe Mitchell (b. 1940) was known to give his students at Oakland’s Mills College in one-on-one sessions. In musical communication and creation, not following or directly responding to others is central to Mitchell’s philosophy and approach. As he said to me in a recent conversation, “I just let things develop with my intent, with my work, and I’ve never been a person that went around looking for people to play with. I…
Diamorphoses / Concret Ph / Orient Occident / Bohor
Iannis Xenakis's early electroacoustic works define already the compositional space he is using later in his mature, almost one-hour long works like Persepolis or La Légende d'Er. After arriving in Paris as a Greek refuge in 1947, Xenakis quickly found a work as construction engineer with the architect Le Corbusier. He tried in vain for several years to become a member of the Groupe De Musique Concrète (GRM) and thus to gain access to the electroacoustic studios at the French radio. Pierre Schae…
Glamour Girl 1941
Los Angeles Free Music Society (LAFMS) formed in the mid-1970s as a loose-knit experimental music collective and multimedia publishing vehicle. Founded by teenage Le Forte Four members Chip Chapman, Joe Potts and Rick Potts and soon joined by Tom Recchion of Doo-Dooettes, LAFMS incorporated free improvisation, modular synthesizers, tape music, sampling, musique concrète, homemade instruments, noise, mail art and avant-rock in permissive and anarchic sessions at the Raymond Building and Poo-Bah R…
Proprio Motu
* 2021 Stock * The disc summarises a major part of Eduardo Polonio’s work over the last decade and in some way is a complement to his 1969 - 1998 anthology.
There is a deep line, indecipherable for me, that runs through the work of Eduardo Polonio. It is a spectral base that we can track to his early works. ... In his latest work, Sudoku-mix, he buries it even deeper. We should not opt for the easy programmatic interpretation of the phenomena he points to in his work. The harmonic plays and even…
Radio Silence
With This Kind Of Punishment, Graeme Jefferies and Peter Jefferies produced some of most adept DIY sounds to emerge from New Zealand's 1980s post-punk scene. After their phenomenal self-titled debut and classic A Beard Of Bees, the brothers would make one last album together, In The Same Room. Originally released in 1987 on Flying Nun, In The Same Room is perhaps the straightest rock offering in TKP's esteemed catalogue. Opening track "Immigration Song" expertly pairs jagged guitars with wrathf…
Homotopy To Marie
'Homotopy To Marie' is the fifth album by Nurse With Wound, originally released on United Dairies in 1982. The album is a step on from the Dadaist rock of 'Merzbild Schwet', with much use of tape manipulation and classical avant-garde techniques, using keywords including unsettling, volatile, eerie and nocturnal to describe the feel of the album which combined tape edits with resonating gong tones and disembodied children's voices to create a sonic collage far removed from the harsh improvisatio…
Forerunners - Swedish Electronic & Concrete Music 1955-65
With Karl-Birger Blomdahl: Mimamusik (1959). Bengt Hambraeus: Doppelrohr 2 (1955). Rune Lindblad: Formation (1958-59), Optica 2 (1960). Arne Mellns: Nite Music (1964). Sten Hanson: Fruits de mer (1962). Åke Karlung: Antihappening (1962). Leo Nilsson: Skorpionen (1964). Ralph Lundsten: Atomskymning (1964). Bengt Emil Johnson: Enmans Gubbdrunkning (1964). Lars-Gunnar Bodin: Den heter ingenting, den heter nog 'Seans 2' (1965). The cd includes a 16 page booklet with texts by Sten Hanson.