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This release comes in a 2×digipak format in a slipcase with new sleeve notes by Robert Fripp and King Crimson biographer Sid Smith along with rare photos and archive material. Islands is the sixth in a series of audiophile King Crimson vinyl reissues. The album's return to the 12" vinyl format is newly cut from masters approved by Robert Fripp. Manufactured on 200g super-heavyweight vinyl, housed in a reprint of the original sleeve with lyrics insert. The album is a hodge podge of ideas and ther…
** 40th Anniversary Edition. Released in a double Digipak stored in a slipcase. Includes a booklet with new sleeve notes by King Crimson biographer Sid Smith, along with rare photos and archive material. ** King Crimson opened 1970 scarcely in existence as a band, having lost two key members (Ian McDonald and Michael Giles), with a third (Greg Lake) about to leave. Their second album -- largely composed of Robert Fripp's songwriting and material salvaged from their stage repertory ("Pictures of…
In 1985, Andrea Azzali and Simon Balestrazzi remained the only members of Tomografia Assiale Computerizzata (T.A.C.). They decided to reconfigure their work around tape manipulation. The two were recording in a studio in Florence and in an intense week, they realized Symphonie Industrielle. With the emergence of this new formation, however, T.A.C. dedicated itself to new projects and live performances, and the album was actually abandoned. Miraculously, the tapes have been recovered, and the res…
Sedimental is honored to release the newest work, ARITHW, from Paris based based electronic musician and sound artist Kassel Jaeger (François Bonnet), realized during a week long artist residency at Epsilon Spires in Brattleboro, Vermont in June of 2023. In addition to creating and performing ARITHW he also performed Eliane Radigue’s L'île resonante, bookending the week.
ARITHW (A Rift in the Horizon's Wall) was developed during an artist residency at the Epsilon Spires art center based in Brat…
Prompt 1: Pascal Comelade's toy piano falling down the stairs , Hector Zazou pushing from behind, laughing Prompt 2: Cool jazz played on antique mellotron, low in fidelity, and sad, Glenn Miller‘s grandma crying silently Prompt 3: A hippie commune version of jazz as played by a cheap computer fed by Chat GPT with medieval buisine fanfare information and samples, trained on the entire Amon Düül II history, heavily looped yet unsynchronized Prompt: 4: Same, but flutes and synths and trance and cha…
*20 copies ultra limited edition* Recorded at Jazz Union Tbilisi late spring and early summer 2023. Mixed by Mårble at Marble house studio. Mårble - drums, modular fx. Dolphin Hospital - grand piano, modular fx. Each copy designed differently containing an all-unique collage.
Mega-Tip! Gavin Bryars was born in Yorkshire, England in 1943. His first musical forays were as a jazz bassist working in the early 1960s with improvisors Derek Bailey and Tony Oxley. Bryars later worked with composers John Cage and Cornelius Cardew, founded the Portsmouth Sinfonia and collaborated with Brian Eno on his famed Obscure imprint.
The Sinking of the Titanic, Bryars' first major composition, was inspired by the tragic event of the British passenger liner's cross-Atlantic maiden voyage…
* Limited to 500 copies on 180 gram vinyl with OBI strip. Contains insert booklet with Gelson Oliveira interview transcription. * Debut album by the influential gaucho musician Gelson Oliveira, in partnership with the drummer Luiz Ewerling, released independently in 1983, with minimal resources. In spite of all this, they made a unique and very album, with a spectacular musicality, a mix of sounds, ranging from jazz, funk and fusion. Official reissue from original mastertapes.
Drums – Luiz Ewer…
50 copies limited edition. Guitar recorded and mixed by Jef Mertens - June 2022. A take on the guitar noise by Bill Nace, recorded with a similar guitar, a squier Jagmaster.Mastered by Jürgen de Blonde.Artwork by Wouter Vanhaelemeesch.
*100 copies lmited edition* Wind Tide is a multidisciplinary art presence inhabiting the sonic, visual, and conceptual realms of Gretchen Korsmo and Andrew Weathers. Wind Tide also functions as their recording space in Texas, while extending to off-site locations in the field, as both artists have a relationship with nature and landscapes. “Blue Breaking Brown” is both sprawling and focused, with mysterious drifting vocals emerging and receding along swathes of resonant guitar drones. Room tone,…