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Glitter in My Tears
Glitter in my tears’ marks the 20th anniversary of Janek Schaefer’s career as a recording artist, having now released 30 albums. His music is best comprehended through examining his time as an architect, and how that forged his innate sense for constructing tactile atmospheres, that navigate through unknown structures and forgotten spaces, creating profound new places. Over his career he has placed focus on the relationship between body, medium, and sound, creating a field of work that defies ea…
Up- And Downgrades Pt.1
For his first solo exhibition at Pinkie Bowtie, which ran between 15 April and 7 May this year, Dennis Tyfus has gone back to basics. Using the age-old tradition of the self-portrait, he draws a pathetic yet whimsical tale of daily life and the mundane annoyances that befall him. These inconsequential frustrations are offset by bright and poppy colours, resulting in a deceptively cheerful set of drawings, luring you in.This catalog ue collects all the drawings that were shown during the exhibiti…
Istruttiva Serie
Istruttiva serie is a non-linear path progressing by attempts. A limited number of non consequential exercises about re-elaboration and evocation. The sound material comes from field recordings (recorded in Italy in 2014) and folk guitar. The main purpose is to investigate the constant encounter and collision between field sounds and melody by developing an acoustic stream which aims a perceptual redefinition. As “not completed” doesn’t mean “lacking” every track is here a personal exercise chal…
Music for Robots
Forrest James Ackerman was the ultimate American science fiction expert. He was a magazine editor (the man behind Famous Monsters Of Filmland), a science fiction writer, a literary agent (he represented authors such as Isaac Asimov, Ray Bradbury or L. Ron Hubbard, a.o.) and an avid collector of genre books and movie memorabilia. Frank Allison Coe was a famed sound effects editor in Hollywood. Films having benefited of his experience include Monsters Crash The Pajama Party, The Girl With The Hung…
Ji Ameeto
Babils are an atypical Brussels underground band, mixing rock, new wave, psych, kraut, experimental, and repetitive music. Ji Ameeto is the fourth album from Babils. From the duet formed in the late '90s by Gabriel Séverin and Michel Duyck, opening out over the years, the five current members of Babils meet monthly at the Central Laboratory to improvise freely, without any restraint. All the sessions are recorded and archived. The very first album by Babils, The Joint Between, made of a sele…
1972 Blues Jazz Session
Unreleased recordings of future members of Aktuala and I.P. Son Group! The history takes us back in the alternative Milan of the early 70’s, to the flavour of the first jam-blues of that era when musicians from different parts of the world (India, Africa or South-America), of disparate background and culture were used to gather to experiment just with an authentic sense of stay together.  Here, the devotion to the blues roots remains strong but leaks in the compositions an aerial and wandering c…
Spirits Dogroll
Spirits Dogroll by Teen-X-Ray is a frenetic outpouring of DIY punk, lo-fi noise, and playful absurdity, capturing the irrepressible energy of New Zealand’s underground.
Ronde matutinale à Amillis / Berenice
Michel Vogel explores the resonant possibilities of metallic percussion, sculpting shimmering, meditative soundscapes that blur the line between music and pure sound: alpha-wave improvisations for "prepared" gongs and self-built metal instruments
5 haiku
5 haiku is the latest development of Glauco Salvo’s former solo project Of Rivers And Trains, in which the acoustic textures provided by banjo, e-bowed zither and playback devices are shaped by the metrical patterns of haiku poetry. Recorded by Attila Faravelli in a natural set such as the woods of Romagna Apennines, these five unique pieces explore the acoustic properties of space in a constant dialogue between composition and soundscape, folk and experimental music, acoustic and electroacousti…
Sound_Shifting
CD comes with a 90-page catalogue released on occasion of the exhibition Sound-shifting by Möslang/Guhl at the Chiesa San Stae as part of the Swiss contribution to the 49th Venice Biennal 2001. During the preparations for their installation on the occasion of the 49th Venice Biennal in the Church San Stae in Venice, the Swiss artists Norbert Möslang and Andy Guhl, also known as the band Voicecrack, the artists did a series of video takes. This painterly series constitutes the main bulk of this a…
Mema Verma
[mema verma] is the final step of a study about an indian shruti box G (low) tuned, mostly used without emitting any note (as in the first two tracks,  sampling and processing the breaths, whistles and noise produced by the reeds. The third track, is the only one in which the shruti is played in a more standard way, as well as its sound was recorded through a set of very old mid-range speakers, later sampled and processed. A split into three tracks but the whole project is sort of a metam…
Etrurya
The freaky merge of Psycho, Italo and Disco beats, drawn by synthesizers and drum machines dated 1980, driving you into a fancy trip of shady scenario.Lamusa is an Italian producer who loves create melancholy mirages; there is a warm quality to his sounds, it’s warped, glossy stuff that is innocuous for just long enough to make you feel uneasy, like glimpsing an alternate pop universe.Recently selected for Red Bull Music Academy Paris 2015.Acid, darkness, overnight mermaids swimming at 100b…
Ex-
Pequod are an acoustic quartet (Antonio Bertoni – double bass, Federico Robol – bass flute and soprano sax, Luca Santini – cornet, Massimo Valentinotti – prepared guitar) formed in 2010, conceiving their music on a continuous tension between writing and improvisation and focusing their research on the sonic interaction between objects and spaces. After five years spent performing and collaborating with some of the major figures of acoustic improvisation like Seijiro Murayama, Enrico Malatesta, B…
The Nimply Power Sessions
Until now, Sir Ashleigh Grove has been shrouded in mystery, having only appeared on a handful of legendary compilations on labels such as Broken Flag in the early-mid 80's and having briefly collaborated with The New Blockaders before inexplicably disappearing without trace around 1984. Sir Ashleigh's work has been compared to other Power Electronics artists of that era, in particular Whitehouse, Sutcliffe Jugend and Ramleh (Sir Ashleigh, in a live collaboration with TNB, supported Whiteh…
Alchemy To Our Days
**shipping the next week** Metzengerstein is a Tuscany-based trio including members of art collective Ambient-Noise Session who had their debut tape Albero Specchio released by Expo 70 Justin Wright’s Sonic Meditations back in 2013 (and recently on wax by Harsh). Alchemy To Our Days is a brand new sixtrack album where the band explores hallucinating sounds and ritual, mythological abstractions even deeper. Featuring field recordings from the Temple in Jerusalem collected by Giovanni Lami, sax in…
Poise Etc
A lo-fi odyssey through fractured pop, noise, and experimental songcraft, Poise Etc by Pumice showcases the singular vision of New Zealand’s Stefan Neville and Sugar Jon Arcus.
Screuma / Chilli Song
Witcyst returns with Screuma / Chilli Song, a surreal blend of tape manipulation, noise, and outsider pop sensibilities, further cementing his status as a true original.
CharleBelllzzz at Saint Thomas (Golden 666)
Presented in tri-fold digipak sleeve. Alga Marghen presents the "sixSIXsix"th installment of its Golden Research Charlemagne Palestine archive series: CharleBelllzzz at Saint Thomas. These previously unreleased recordings of Palestine's "Bells Studies" are both some of his earliest recordings and some of his darkest and most accomplished works. In 1963, while attending The High School of Music & Art in New York, the 15-year-old Palestine was asked if he'd be interested in playing a 26-bell caril…
The New Today
*2LP Edition of 700 copies, includes a free download of the album dropped into your account* Dave Huismans (A Made Up Sound) returns under his 2562 codename with the oneiric ambient/concrète dancefloor states of 'The New Today', his 4th solo album in this guise. Where its predecessor, 'Air Jordan', also for his When In Doubt label, took inspiration from the arid landscapes of the Middle East, 'The New Today' draws upon ideas sketched out whilst 2562 was in New York, late summer 2013, and was lat…
Pale Dawn Creeps
Pale Dawn Creeps by Kyle Eyre Clyd is a haunting excursion into drone, minimalism, and environmental sound, merging introspective textures with the spectral legacy of the American experimental underground.