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Compositional /

Was ficht dich an?
impakt Records presents the new record by Huhn | Schönegg | Mahnig "Was ficht dich an?" with Leonhard Huhn (alto saxophone), Stefan Schönegg (double bass) and Dominik Mahnig (drums).
plays Herzog | Muche | Nillesen
impakt Records presents the new record by T.ON "plays Herzog | Muche | Nillesen" with Constantin Herzog (double bass), Matthias Muche (trombone) and Etienne Nillesen (extended snare drum).
2 compositions by Frank Gratkowski
Fo[u]r Alto is the quadrupling of the alto saxophone as a unified body of sound. Since the ensemble was founded in 2008, the four Berlin saxophonists Frank Gratkowski, Christian Weidner, Leonhard Huhn (until 2018 Benjamin Weidekamp) and Florian Bergmann have found an unmistakable sound language characterised by artistic uncompromisingness and continuous musical research. In autumn 2012, they released their first CD "4 compositions by Frank Gratkowski" on the English label Leo Records. Now follow…
Trust
*300 copies limited edition* Students of Decay presents "Kaivajaiset" by Finnish composer Niko-Matti Ahti. Best known for his work alongside his partner Marja as Ahti & Ahti, Niko-Matti has been an active participant in the Finnish underground since the late 1990s. "Kaivajaiset" is his first solo recording and was originally conceived of as an installation. Part horspiel, part musique concrete, it is a piece of music that draws comparisons to the work of pioneering avant-garde composers such as …
Brian Baumbusch: Chemistry for Gamelan and String Quartet
Chemistry for Gamelan and String Quartet is the culmination of a long-term collaboration between the JACK Quartet and composer and instrument builder Brian Baumbusch (b. 1987). Over the past ten years, Baumbusch has designed and built two separate sets of “American gamelan” instruments. Based on various instruments from the Balinese gamelan tradition, these instruments depart in innovative ways from Indonesian traditions based on their unique tuning, inspired in part by the tuning theories publi…
Battleship Potemkin
*300 copies limited edition* Nearly a century has passed since the release of Sergei Eisenstein's Battleship Potemkin (Russian: Бронено́сец «Потёмкин», Bronenosets Potyomkin). We must speak out, now. Time has come. When the meat is rotten and maggots run across your plate, what's left to do? Remnant memories of times almost forgotten, or of traditions from back home, linger in the body military depleted. Our daily bread served as a timely reminder of shared humanity: a first step in an uprising …
Quaderno Di Strada
"Sciarrino is an important, and distinctive, figure in the Italian avant-garde. The present work is a setting of thirteen brief texts (its subtitle is ’12 canti e un proverbio’, twelve songs and a proverb) for baritone and 14 instrumentalists – the booklet notes say fifteen, but only fourteen are named. It puts before its hearer fragmentary, skittering sounds, sudden changes of dynamics, as sounds loom out of silence and disappear just as quickly. There are fluttery, fugitive sounds, repetitive …
Tuscany
*2023 Repress* Los Angeles based pianist, producer, and songwriter John Carroll Kirby traveled to Pietrasanta, Italy in the summer of 2018 on a self-imposed writing trip. During his stay he composed Tuscany, a two side-long solo piano exploration of this particular geographical envelope, a place where nature is shaped into form.Kirby would cycle 12 kilometers each day to Cascata di Malbacco, a waterfall with jade pools and silver stone, and the inspiration for Side A of Tuscany. His own Cascata …
Sketches For Francis
"Atmospheric music that envelops you and transports you to wide linear horizons, distant, desert and strange lands. I particularly liked the organic sounds of the introduction of Sketch I." - Christine Ott
Theodore Wild Ride
Theodore Wild Ride started from the collaboration between French keyboardists Christine Ott (regular collaborator of Yann Tiersen, Tindersticks, Oiseaux-Tempête...), Mathieu Gabry (Snowdrops) and Oed player Ophir Levy. Theodore Wild Ride celebrates musical freedom and redefines the relationship between space and time with a special, unexpected orchestration.
The Further We Ventured
In recent years, pianist and producer Mirek Coutigny has worked on his own world of sound with electronic and acoustic instruments. He improvised on sketches that he wrote over the last 10 years and reworked them for piano, strings, percussion and electronics.The common thread running through “The Further We Ventured” is a fascination for the “suburbs”, more specific, the contrast between the often similar facades and the diversity of stories behind those facades.This is also reflected in the co…
Natural World
A haunting 55-minute work for voice, piano and electronics by one of the world's leading experimental composers. Natural World is in three sections - Field Guide, Chorus and Seascape. It starts playfully, with Juliet Fraser singing encyclopedia-style facts about birds and animals against Mark Knoop's stop-start piano motif. But, following the introduction of field recordings and then electronics, the music gradually - almost imperceptibly - becomes darker until, without ever explicitly addressin…
Neha
Two orchestral works by Adrián Demoč, the highly-acclaimed Slovak composer currently based in Spain. The title track 'Neha' (2018) creates a shimmering tension by overlaying 'well-tempered' chords with the same chords using natural harmonics outside of the tempered tuning system. This doubling creates a gentle trembling of interferences. The second piece, 'Popínavá hudba', evolves from a single melodic line, which is repeated with slight variations such that it curves and is bent into fascinatin…
Sound Pieces
Apartment House realise seven works by the pioneering US experimental composer. The first six pieces are text scores for open instrumentation, while 'Peace/Tree' is a seven movement work for violin, cello and piano that specifies pitches, while still leaving a lot of freedom of interpretation. The download also includes an alternative realisation of 'Quintessential' that didn't fit on the CD
Pruebas de Existencia
Marcos Díaz has been part of Buenos Aires underground for many years, being in projects like Bosques and making solo music under the pseudonym Entidad Animada (animated entity). Under this project, Marcos has explored sounds that involve a mix of feedback/distortion through synthesizers, guitars and drum machines that hint at the influence of Stereolab, Spacemen 3, and mid-nineties shoegaze. However, there are also ambient soundscapes with a slight rubbed of the ritualistic psychedelia of the Po…
Naldjorlak
Saltern presents a thrilling new live recording of Naldjorlak for solo cello, composer Éliane Radigue’s first piece for an acoustic instrument, paired with a remastered version of the long out-of-print, original 2006 recording. Composed in 2005 in close collaboration with cellist Charles Curtis, Naldjorlak marked a striking shift in the music of Radigue, who has since composed exclusively for instrumentalists with her celebrated Occam series. This album brings together two complete performances …
Continuit​é​, fragilit​é​, r​é​sonance
'Continuité, fragilité, résonance' is a 51-minute piece written by Jürg Frey in 2020-2021 for octet: string and saxophone quartets. The Montréal-based Quatuor Bozzini and the Bern-based Konus Quartett premiered the piece in September 2021, and later recorded it for this album with the presence of the composer, during a three-day recording session in August 2022 at the Auditorium of Zentrum Paul Klee in Bern, Switzerland. Both quartets have premiered other works of Frey's in the past and have a d…
Circles, Reeds, and Memories
This release brings together three Dutch composers/performers, Reinier van Houdt, Germaine Sijstermans, and Koen Nutters, who have each released their own work on elsewhere music in recent years. Nutters, who has collaborated in the past with both van Houdt (Cornelius Cardew project) and Sijstermans (DNK Ensemble, The Names), conceived the idea of a trio performance with the two musicians, which later developed into this three-way collaborative project. Last December the trio played a concert at…
L​’​Occhio Del Vedere
L’Occhio Del Vedere is a one-hour piece by the trio of Giovanni Di Domenico (piano), Silvia Tarozzi (violin, 1/16th of a tone tuned violin), and Emmanuel Holterbach (large frame drum). In July 2022, while Di Domenico was working on an artistic residency at GMEA in Albi, France, he and Tarozzi and Holterbach made a trio recording, which was later completed by Di Domenico as a one-hour piece. Within a ‘triptych’ structure framework, sparse melodies discreetly and repeatedly emerge from the three i…
A Thing Made Whole
In music, we don't tend to talk about things. We're too concerned about the meaning of the story, about the dynamics of the performance, the reception, the syntax, the gesture, the movement; we're too concerned about how a sound got here, where it came from, how it was made, where it's going and why. We pretend that music is a language. Greenwald asks us to get busy with things. About a minute's worth of material becomes a cycle of seven works, performed in full for the first time on this album …