plays Herzog | Muche | Nillesen
impakt Records presents the new record by T.ON "plays Herzog | Muche | Nillesen" with Constantin Herzog (double bass), Matthias Muche (trombone) and Etienne Nillesen (extended snare drum).
2 compositions by Frank Gratkowski
Fo[u]r Alto is the quadrupling of the alto saxophone as a unified body of sound. Since the ensemble was founded in 2008, the four Berlin saxophonists Frank Gratkowski, Christian Weidner, Leonhard Huhn (until 2018 Benjamin Weidekamp) and Florian Bergmann have found an unmistakable sound language characterised by artistic uncompromisingness and continuous musical research. In autumn 2012, they released their first CD "4 compositions by Frank Gratkowski" on the English label Leo Records. Now follow…
Battleship Potemkin
*300 copies limited edition* Nearly a century has passed since the release of Sergei Eisenstein's Battleship Potemkin (Russian: Бронено́сец «Потёмкин», Bronenosets Potyomkin). We must speak out, now. Time has come. When the meat is rotten and maggots run across your plate, what's left to do? Remnant memories of times almost forgotten, or of traditions from back home, linger in the body military depleted. Our daily bread served as a timely reminder of shared humanity: a first step in an uprising …
Quaderno Di Strada
"Sciarrino is an important, and distinctive, figure in the Italian avant-garde. The present work is a setting of thirteen brief texts (its subtitle is ’12 canti e un proverbio’, twelve songs and a proverb) for baritone and 14 instrumentalists – the booklet notes say fifteen, but only fourteen are named. It puts before its hearer fragmentary, skittering sounds, sudden changes of dynamics, as sounds loom out of silence and disappear just as quickly. There are fluttery, fugitive sounds, repetitive …
Sketches For Francis
"Atmospheric music that envelops you and transports you to wide linear horizons, distant, desert and strange lands. I particularly liked the organic sounds of the introduction of Sketch I." - Christine Ott
Theodore Wild Ride
Theodore Wild Ride started from the collaboration between French keyboardists Christine Ott (regular collaborator of Yann Tiersen, Tindersticks, Oiseaux-Tempête...), Mathieu Gabry (Snowdrops) and Oed player Ophir Levy. Theodore Wild Ride celebrates musical freedom and redefines the relationship between space and time with a special, unexpected orchestration.
The Further We Ventured
In recent years, pianist and producer Mirek Coutigny has worked on his own world of sound with electronic and acoustic instruments. He improvised on sketches that he wrote over the last 10 years and reworked them for piano, strings, percussion and electronics.The common thread running through “The Further We Ventured” is a fascination for the “suburbs”, more specific, the contrast between the often similar facades and the diversity of stories behind those facades.This is also reflected in the co…
Neha
Neha is an album by Adrián Demoč featuring the Slovak Radio Symphony Orchestra and Ostrava New Orchestra. Each work extends beyond twenty-five minutes, exploring soft layers of orchestral sound, calmly repeating motifs, and silences that articulate the music’s emotional contour. The pieces are defined by their meditative atmosphere and gradual, unforced transformations.
Sound Pieces
Sound Pieces is a collection from Pauline Oliveros performed by Apartment House. The album spans seven works from 1975 to 1998, comprising both open text scores and a structured seven-movement composition, "Tree/Peace." The ensemble channels Oliveros’ philosophy of deep listening and interpretive openness, delivering performances full of nuance, attentive silence, and subtle interplay.
Pruebas de Existencia
Marcos Díaz has been part of Buenos Aires underground for many years, being in projects like Bosques and making solo music under the pseudonym Entidad Animada (animated entity). Under this project, Marcos has explored sounds that involve a mix of feedback/distortion through synthesizers, guitars and drum machines that hint at the influence of Stereolab, Spacemen 3, and mid-nineties shoegaze. However, there are also ambient soundscapes with a slight rubbed of the ritualistic psychedelia of the Po…
Continuité, fragilité, résonance
'Continuité, fragilité, résonance' is a 51-minute piece written by Jürg Frey in 2020-2021 for octet: string and saxophone quartets. The Montréal-based Quatuor Bozzini and the Bern-based Konus Quartett premiered the piece in September 2021, and later recorded it for this album with the presence of the composer, during a three-day recording session in August 2022 at the Auditorium of Zentrum Paul Klee in Bern, Switzerland. Both quartets have premiered other works of Frey's in the past and have a d…
Circles, Reeds, and Memories
This release brings together three Dutch composers/performers, Reinier van Houdt, Germaine Sijstermans, and Koen Nutters, who have each released their own work on elsewhere music in recent years. Nutters, who has collaborated in the past with both van Houdt (Cornelius Cardew project) and Sijstermans (DNK Ensemble, The Names), conceived the idea of a trio performance with the two musicians, which later developed into this three-way collaborative project.
Last December the trio played a concert at…
L’Occhio Del Vedere
L’Occhio Del Vedere is a one-hour piece by the trio of Giovanni Di Domenico (piano), Silvia Tarozzi (violin, 1/16th of a tone tuned violin), and Emmanuel Holterbach (large frame drum). In July 2022, while Di Domenico was working on an artistic residency at GMEA in Albi, France, he and Tarozzi and Holterbach made a trio recording, which was later completed by Di Domenico as a one-hour piece. Within a ‘triptych’ structure framework, sparse melodies discreetly and repeatedly emerge from the three i…
A Thing Made Whole
In music, we don't tend to talk about things. We're too concerned about the meaning of the story, about the dynamics of the performance, the reception, the syntax, the gesture, the movement; we're too concerned about how a sound got here, where it came from, how it was made, where it's going and why. We pretend that music is a language. Greenwald asks us to get busy with things. About a minute's worth of material becomes a cycle of seven works, performed in full for the first time on this album …
Little Jimmy
e piano-and-percussion quartet performs a series of pieces by the Los Angeles composer that wrestle with the aftermath of 2020’s wildfires; McIntosh’s own field recordings flesh out a sense of place.
Walkabout & Back: Electroacoustic Works
It is refreshing to note that Mode Records gets into the endeavor of issuing new CDs with electroacoustic music. We have labels solely issuing this brand of music (which within its – artificial – borders harbor many different styles and idioms), like for instance INA (INA – GRM: Groupe de Recherches Musicales), empreintes DIGITALes and so forth, but I feel it important that the electroacoustic music – also including the electronic music in purer forms – is embraced by labels indulging in a more …
Electroacoustic Chamber Works
Composed between 1993-97, this second volume of works by Gerard Pape on Mode continues his richly darkly dramatic style with new compositional turns. Born in Brooklyn, now living in Paris, Pape is the director of the Atelier UPIC – an electronic music studio utilizing the unique UPIC computer developed by Iannis Xenakis – since 1991. While a resident of Ann Arbor, Michigan he ran Sinewave Studios, a state of the art New Music and Electronic Music studio and organized of the annual TWICE Festival…
The Number Pieces 3: One⁸
Cage’s One8 was composed for cellist Michael Bach, an artist who had a very important place in Cage’s late work. Its duration of 43’30” makes an oblique reference to Cage’s groundbreaking 4’33” (1952). It is constructed of 53 time brackets with single sounds to be played on 1, 2, 3, or 4 strings. These time brackets tell the player when to begin and end each section (each section often containing a single note). Durations, dynamics and bow positions are free. Allan Kozinn had this to say in The …
The Musical Railism Of Anne LeBaron
Anne LeBaron’s music us a mixture of elements and influences–a combination of modern compositional techniques with rock, blues and gospel. The many facets of her talent are showcased in The Musical Railism of Anne LeBaron.
The cornerstones of the CD are her two solo performances on harp: Dog-Gone Cat Act for extended techniques on prepared harp, and I Am An American…My Government Will Reward You, a blistering piece for harp, live electronics and tape dedicated to “those on foreign soil who suffe…
Alvin Lucier: Navigations
“It is not enough just to play the right notes at the right time in the right way; one must also have the right consciousness. It places the performer in the role of explorer of the interior in order to produce, and being still in order to be active.” — Pauline Oliveros "These words, spoken by Pauline Oliveros, remind us of how fundamental an influence Alvin Lucier has had on the development of new music and its interpretation; they remind us of our role as explorers of sound, and of the irresis…