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Compositional /

Luft.Inneres
Luft.Inneres presents an introspective and rarefied journey through the musical world of Kunsu Shim, focusing on the delicacy and subtlety that mark his approach to sound and silence. The album is shaped less by linear progression or overt contrast than by the quiet shaping of atmosphere, touch, and internal resonance. Across its span, Kunsu Shim offers music that seems to hover at the threshold of audibility, gently probing the listener’s awareness of detail, space, and the interplay between in…
Truth, Exercise For A Listener
*In process of  stocking* The score for ‘Truth, exercise for a listener’ comprises a catalogue of options for a musical performer. In four parts each focusing on a different facet of our faculty to listen, it offers open ended material for the performer to deal with; sounding actions, silent actions, still actions, moving actions, interpretative actions. All can be selected, combined, omitted or extended at will. Multiple exercises can happen simultaneously. In a general sense the piece is an at…
Cycle & Song
Jack Symonds is a composer, conductor, pianist & the Artistic Director of Sydney Chamber Opera. SCO is a resident company at Carriagworks, Australia’s answer to The Park Avenue Amoury. His productions are always daring, both musically & theatrically. They tend to garner 5-star reviews and affronted walkouts in equal measure. He studied composition at the Royal College of Music, London & the Sydney Conservatorium of Music, where he received the university medal. He has written pieces for Jane She…
Seven Stations
Andrew Batt-Rawden is a Sydney based composer, performer & publisher. His practice is cross-platform & all-embracing. Though initially stemming from an almost traditional sense of ‘the composer’, Andrew fuses elements of gesture, choreography, new technology, text, performance art & mixed-media into his work & has a wide-ranging history of inter-disciplinary collaboration. His current focus is on incorporating all the senses into the audience experience by integrating data feeds to affect live e…
Intermediate Obscurities III (Live At Spontaneous Music Festival October 5th 2019)
**200 copies limited edition** Live recording from Dirk Serries’ Tonus project, which explores long-form, minimal, graphic score pieces.
Ursae Minoris
**300 copies limited edition** "Ursae Minoris, meaning ‘of Ursa Minor’, is the title of this work because in this album we encounter this constellation not as a singular instance but as an evolution of multiple perspectives to ruminate upon.  As our view of the stars changes with time and place, the three movements of this piece each offer a different aural interpretation. While working on his string quartet Perpetuo Motum, Baroni happened upon the diaries of Ciriaco d’Ancona (1391-1455), an Ita…
Dimanche | Masques | Cartoon Circus
**150 copies limited edition** "Although he had accepted my request for an interview about his practice as a rhythmist, Fernand Schirren observed me with a more interrogative look than my questions could ever warrant. From the outset, he warned me that he preferred to be called ‘Schirren’ without the addition of his first name, which he despised. It is of course a contraction of Ferdinand, the name of his father, a painter, but we did not discuss the reasons for his aversion any further. On the …
Voces
Voces documents many of Walter Zimmermann’s compositions for voices from 1979–2016. The words set range from Meister Eckhart and Hadewijch to Lermontov, Mandelstam, Jabès, Tranströmer, Ingold and Robert Creeley (with his voice accompanying the musicians). Performers include: Claudia Barainsky, the musicians of the Merce Cunningham Dance Company (including David Tudor & Takehisha Kosugi), Tehila Nini Goldstein,  KNM Ensemble, Meitar Ensemble, Neue Vocalsolisten Stuttgart, Peter Schöne / Jan Phili…
Works for Ensemble
Wolfram Schurig's musical career began with instrumental playing. After basic training on the recorder, his concert studies with Kees Boeke, one of the protagonists of historically informed performance practice, left their mark on him. This experience plays an important role in Schurig's working method as a composer: "You simply write music differently when you are on stage yourself. You owe it to the performer to deliver something that is playable, and in which he can find himself as a co-creat…
Mind Is Moving (IX)
Mind is moving (IX) is a composition for guitar by Michael Pisaro-Liu, affiliated with the avant-garde composers group The Wandelweiser Composers Ensemble. Pisaro's work can be characterized as experimental minimalism, often utilizing silence, a minimum of musical material, and extended composition durations. This version is executed by Slovenian guitarist Primož Sukič.
Roger Reynolds at 85, Vol II: Piano Etudes
Reynolds’ Etudes allows the performer to not only choose the number of Etudes to be presented (even repeating them, if desired) as well as their order. In this way, the performer becomes a co-creator with the composer. All 12 Etudes are presented in this recording by Eric Huebner. Each etude inhabits a world distinctly its own. Reynolds dares a remarkable leap from the first to the second book. Rather than merely continue the premises and promises established by the first six etudes, the second …
Works for Piano
The music of Austrian composer Bernhard Lang (b. 1957) is one of in-betweens. Stylistically, Lang’s oeuvre occupies the space between a multitude of genres, ranging from contem porary composition and free improvisation to the wider realms of hip hop and DJ-culture. By virtue of Lang’s radical openness to creative conversation and collaboration, and to ideas and influences from other areas of artistic and scientific exploration, his oeuvre finds connections to the worlds of film, dance, theatre, …
Electroacoustic Music, Vol. 2
Bruno Strobl has a soft spot for sounds – for decades, he has been tinkering with them, changing them, playing with them. In the past by means of analog sound processing machines, for a long time by computer software and electronic instruments. Mostly, however, it is an analog sound that he takes as a starting point. Three sound generators are the core of his interest for the pieces collected on this CD. Three working tools moreover: a circular saw of the craftsman, four old water mills of the L…
Elektronische Musik 1987-2018
From early beginnings to the present: The composer Bruno Strobl began his studies in composition comparatively late. First came his degree as a classroom teacher, the profession in which he worked until retirement, guiding countless pupils towards music, including contemporary art mu-sic. His own interest in electroacoustic music was triggered during his studies in the 1980s, and one of his early pieces for tape, Hiatus, can be heard on this CD. The Latin “hiatus” means gap, and the basis of thi…
Mosaïque
Could you imagine music as a geyser? Erupting violently, waiting on tense standby, forever renewing itself... Or, just the contrary, as a sigh? An operatic sospiri, inhaling and exhaling, a tangible, rhythmic fluctuation... Or as walking with your eyes closed with full alertness to the sounds of unknown origin? That’s what Marcin Stańczyk’s music is like.The milestone of his career turned out to be the composition Sighs (2008–10, rev. 2012) for chamber- or symphonic orchestra. It got him the pre…
PhonoPhantomatics
Cezary Duchnowski, although perceived as a specialized composer with consciously chosen specialization, is very open to extremely versatile activity in the musical field. Apart from absolute music, he’s also keenly interested in relations between music and the word, music and theatre (or rather performance art) as well as visual arts in the wide sense. What he aims at with this kind of syncretism is a genuine interaction of various media. In his musical activity, he explores various areas of the…
Tombstones
Tombstones is a collection of twenty songs composed by American composer Michael Pisaro-Liu between 2006 and 2010, journeying into experimental pop with pieces that are "experimental or indeterminate but still a song". This disc features eleven songs under the artistic direction of the Lille-based pianist Barbara Dang. Dang and six members of the Muzzix collective (Yoann Bellefont, Ivann Cruz, Raphaël Godeau, Peter Orins, Christian Pruvost, Maryline Pruvost) recorded the pieces in June 2020, wit…
l'Infini des Possibles
l'infini des possibles is a set of twelve studies for solo piano, written by French composer Bruno Duplant in 2019. The score consists of lowercase letters (a, b, c, d, e, f, g) and spaces in between, which leaves the pianist an openness for interpretation and artistic determinations. The Belgian pianist/conductor Guy Vandromme intensely studied these 12 pieces via in-depth discussions with Duplant over two years, and realized them for this recording of a double CD in the spring of 2021, on a St…
In Better Shape Than You Found Me
* In pocess of stocking * In Better Shape Than You Found Me is a one-hour piece jointly composed and realized by American composer/violist Jordan Dykstra and Dutch composer/musician Koen Nutters in the year 2020. Dykstra plays viola, pitch pipe, crotales, piano EBow, electronic programming, field recordings, and Nutters delivers the piano programming and field recordings. The two bring together their sounds and structures in very organic ways, merging into a single, intriguing sound world. Maste…
Which Side Are You On?
The first woman to record Frederic Rzewski's setting of Oscar Wilde's De Profundis, Bang on a Can/Steve Reich pianist Lisa Moore sheds powerful new light on Wilde's jailhouse meditation on imprisonment, debasement, and the barriers that he faced as a homosexual.   Rzewski, a revolutionary American composer with associations in both the modern classical and avant-jazz worlds, has created an aggressively emotional soundtrack to Wilde's moving prose. De Profundis breaks down the boundaries between …