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Adam Basanta is a Montreal-based sound artist and experimental music composer. His sound installations investigate intersections between sound reproduction, consumer technologies and the activity of listening. In A Room Listening to Itself, the artist produced sound exclusively through amplification techniques which make audible the physical relationships between microphones and reclaimed speaker cones within a gallery's surrounding acoustic environment.
 In this work, eight iconic SM58 mic…
BLUES ALIF LAM MIM IN THE MODE OF RAG INFINITY/RAG COSMOSIS is a new composition from Catherine Christer Hennix's expanded just-intonation ensemble, the Chora(s)san Time-Court Mirage. This expanded ensemble includes vocalists Imam Ahmet Muhsin Tüzer, Amir Elsaffan and Amirtha Kidambi, an expanded brass section with the addition of Paul Schwingesnschlögl and Elena Kakaliagou as well as the additon of Marcus Pal and Stefan Tiedje on electronics.Packaged in a lavish, oversized letterpressed jacket …
Central Palace Music, performed by Catherine Christer Hennix's just-intonation ensemble The Deontic Miracle, is the first in a series of archival Hennix releases to be issued via Imprec. This previously unheard piece was taken from an eight day festival organized in the Spring of 1976 at the Museum of Modern Art in Stockholm. The group features Catherine Christer Hennix on Renaissance oboe and custom sinewave generators, Peter Hennix on Renaissance oboe and Hans Isgren on sheng.Central Palace Mu…
Milestone!! Rainer Riehn (1941–2015) was a German musicologist, conductor and composer of avant-garde music. He is best known for being the long-time partner and collaborator of Heinz-Klaus Metzger with whom he published the journal "Musik-Konzepte" between 1977 and 2003, devoted to the musical avant-garde of all eras. Together, they also founded the Ensemble Musica Negativa in 1969, committed to radical music by John Cage, Morton Feldman, Dieter Schnebel, a.o., for which Riehn served as the con…
Limited numbered edition of 700 copies celebrating Esplendor Geométrico's 2015 35th anniversary. The band formed in Madrid in 1980 and went on to become an international cult act and one of the most influential pioneers of industrial music. This set contains four LPs packaged inside a special deluxe box and individually screenprinted using a metallic copper ink. The four covers, when put together, make up a main image. The box set also includes a poster. The LPs feature a selection of tra…
Geometrik presents the first vinyl edition of Esplendor Geométrico's Nador, originally released by Dirk Ivens' Daft Records on CD in 1995. Fans of Esplendor Geométrico have been waiting eagerly for this reissue of Nador, a collection of alternate takes and otherwise unreleased tracks recorded in 1988 and '89, one of the duo's best creative periods. Includes tracks recorded in the Sheikh Aljama (GR 2116CD/GR 2131LP) and Arispejal Astisaró (GR 2117CD/GR 2132LP) period, an especially interesting…
180-gram LP with bonus 7". Eduardo Polonio has been one of the key figures of Spanish music since the late 1960s, especially as a pioneer in the field of electroacoustic music. He was a member, with Luis de Pablo and Horacio Vaggione, of Grupo Alea Electrónica Libre (1970-1972), the first Spanish group to play electronic music live, and he has been one of the main figures of Barcelona's Laboratorio Phonos studio since 1976. He was also a founding member and president, between 1988 and 1994, of S…
In the early '60s, Robert Craft's Columbia recordings of Varèse's works were important contributions to the catalog and hailed for giving this music greater exposure. The album includes Poème Electronique composed and recorded onto magnetic tape to be played from 400 loudspeakers, complimenting the parabolic and hyperbolic curves of Le Corbusier's pavillion at the Brussels World's Fair in 1958
Arriving like the mysterious fully formed monoliths in Stanley Kubrick's 2001: A Space Odyssey is the new album from Warsaw, Poland based artist Aleksandra Grünholz aka WE WILL FAIL. Despite the fact this isn't her debut (that was 2014's "Verstorung" also for Monotype Rec.), this new double barreled shotgun of an album entitled "Hand That Heals / Hand That Bites" rings with the boldest sense of arrival you could possibly imagine. With a unique sound that is neither electronic, noise nor experime…
French artist Félicia Atkinson teams up with New York-based experimentalist Jefre Cantu-Ledesma for Comme Un Seul Narcisse, their first collaborative effort. Recorded between NYC and the Alps, Comme Un Seul Narcisse is an epistolary conversation of postmodern times between Cantu-Ledesma and Atkinson, who -- strangely enough -- met just once in person, in San Francisco in 2009. But the record is also a detour. Though it follows Cantu-Ledesma's haunting A Year With 13 Moons (Mexican Summer, 201…
The Ligurian duo St.Ride, composed of Edo Grandi and Maurizio Gusmerini, is one of the most ambiguous and lest framed bands of Italian experimental music. Their first works came out for some labels but the rest has all been self-released on cd-r for Niente, diy label that the two members use for their side projects. The only thing that counts is their music, an out-and-out studio made of unexpected events. From the acid, electronic strokes of Primitivo to the successful mix between On-U Sound ta…
Nommos is an electronic work based in speculative fiction. It was inspired by a 1970s New York exhibition devoted to the art of the Dogon people of Mali. The Dogon are renowned for their cosmogony and for their sculptures evoking their religious beliefs, received from extraterrestrial visitors, known as the Nommos, a group of amphibian humanoids who came to them from the region of the double star Sirius. This very unusual work was written in 1979 by the American-born record producer, composer an…
The material at hand is the second release in a series of sonic sculptures, these “Quellgeister”, that Stefan Fraunberger has been developing within his extensive travels through Transylvania. Fraunberger seeks out 300 year old organs in abandoned churches and refurbishes them, freeing them of their long-gone service to the institution. The region plays host to a number of small villages which lost the majority of their German population to migration after the fall of communism. In an area curre…
Owl Rave's debut is dark, melancholic and driven by honest simplicity. Owl Rave use David Lynch's „Twin Peaks“ as their main reference. The album's sonic setting, especially the sound scapes, are heavily influenced by the duality between a seemingly perfect world and deep abysses. They are set in and around the sinister places of Twin Peaks: dreams, visions, brothels and run-down bars. Straight melodies, layered atmospheres and simple beats are enveloped by shapeless drones. Horror jazz and hero…
“Divergence” explores the tension between space and sound induced by their manipulated representation: sounds alter, calibrate and form space while simultaneously the sound is formed and manipulated by the space it is placed in. The album is based on pure sound sources such as sine waves and white noise. These sounds are physically manipulated and destroyed by the use of tape in order to form pulses, interferences and new wave forms. These manipulations create a divergence between the perception…
Poetic Infomercial Experimentalism is a musical piece, consisting of two parts, that arose after Tapage (Tijs Ham) and Espoir (Roald van Dillewijn) found that no one else had ever tried to write it before. Since they both had a strong feeling that the world would be better if this music is available for everyone, they agreed to come together in monthly sessions to start their creative work. In each session, they tried a different approach to making music which resulted in a lot of improvisation …
2016 restock Riccardo Sinigaglia truly is a key figure in the late 70s mid 80s experimental scene from Italy, and this small selection of concrete, electronic and experimental instrumental works is just amazing. The albumis drawn from the late 70s to mid 1980s, mainly rescued from two early pieces: Scorrevole 1, mostly recorded outside with a portable tape deck and a Sennheiser stereo microphone MKE 2002 and then the sounds are elaborated with the concrete music traditional techniques. The secon…
The third album by Ned Milligan and the first to reach an audience beyond family and friends, Continental Burns is the result of getting reacquainted with the act of making music and diving into the experience of creating short films. Composed primarily over the summer of 2014, Continental Burns was created with two sides in mind. The first five tracks share a certain kinship; the sixth complements what came before while departing from it at the same time. A lot of this music came out of Ned's l…
Opening a sonic space that leads into delicate subconscious spheres, Ivan Pavlov aka CoH has created his most sophisticated work to date. MUSIC VOL. is a piece of gentle acoustic excitement. Evolving around concepts of silence and sound, each track reveals to the listener a different emotional chamber. The work generates a profound intimacy derived from the fact that "VOL." is meant literally; Pavlov places variations of volume and soft progressions of sound at the fore, inviting comparisons…