Electronic / All styles

2025 stock  Austin-based Stars Of The Lid heralded a new strain of the American underground in the mid-'90s. The duo's second album, Gravitational Pull vs. The Desire For An Aquatic Life, features ambient soundscapes, drone guitars and effects-treated classical instruments, and there is no better example of modern minimalism than this.

1991 release ** "A great deal of the newest music is found only on cassettes or computer discs that are freely exchanged through the mail or available through word-of-mouth contacts and small publications soliciting contributions. (One might be reminded of Frankie Mann's remark that some of the best music in the country is made by "12 year olds in their attics with cassettes.") This is a collection with some of the most inspired, sometimes gawd-awful, but always unique samplings of the cassette …

2008 release ** "When I've been asked to describe the Ice Age with an uninterrupted drone, I knew I wanted to avoid the cliches of the genre: dark rumblings, massive low frequencies, cold atmospheres. I had to describe with sounds the white landscape, the blinding light reflected by the frozen oceans, the abyssal silence.I have imagined myself in flight over this Sleeping Earth, a solitary winged-being surrounded by winds, air, water and ice. This led me to compose an airy drone with minimal var…

2009 release ** Aqua Dorsa is a new musical Italian ambient project formed by Enrico Coniglio and Oophoi. Theyr first work “Cloudlands” is a perfect mix of glitch, classical and orchestral glacial ambient soundscape.

Skare is the collaboration of Mathias Josefson (Moljebka Pvlse), Fredrik Olofsson and Per Åhlund. The members of Skare are all fascinated by the circulation of water, snow and ice. The metamorphosis from gas to floating liquid to snow to solid ice through freezing, the light reflecting from the snow and filtered through the ice as a prisma and - most of all - the sound of this ever ongoing circle.Skare's first album, Solstice City, is an interpretation of a journey through a shifting landscape w…

John Avery, a member of Sheffield electro-funk group Hula, is an English composer and sound designer for theatre. He has been a collaborator with the theatre group Forced Entertainment since a long time and many of his solo projects fed into music for their performances. John's work has been described as a juxtaposition of melody and noise and is characterised by a sense of narrative. Using dialogue, taped voiceover, soundtrack and choreographed action, Jessica in the Room of Lights explores a b…

2006 release ** "Static music, suspended by a thread of silence. Circular flowing audio structures. Archeology of sound. Mind expanding texture. A new fascinating operation of disassembly and restructure of sonic material by Maurizio Bianchi (the entire album The Testamentary Corridor), by incomparable japanese 'audio sculptor' Aube."

2007 release ** "Electrostatic Deflection" is a new industrial-music masterwork, created through collaboration with Maurizio Bianchi, and Israeli musician Maor Appelbaum. It's represents Bianchi's more extreme direction... a sample of whats comming in the future from the historic Italian composer. Amazing impact, immense slabs of industrial sound in motion. Sweeping vistas of intense static energy, storm-fronts moving across the stereo field, an acoustic tidal wave approaching landfall, breathta…

Double CD, 6 panel ecopack. The Legendary Pink Dots are an Anglo-Dutch experimental rock band formed in London in August 1980. In 1984 the band moved to Amsterdam, playing with rotating musicians and having, as core members, singer/songwriter/keyboardist Edward Ka-Spel and keyboardist Phil Knight aka The Silverman. The band was originally called One Day... but subsequently changed the name to The Legendary Pink Dots, apparently inspired by pink dots on certain keys of the band's main recording s…

2012 release ** The legendary M.B. / Maurizio Bianchi and the vulcanic Andrea Ics Ferraris team up for a special collaboration titled Vir-Uz. Their symbiosis has generated deep and intimate tracks around the biblical figure of Job, as you can read inside CD’s notes: “A salutary protagonist existed in proved real life with his disorientating trials at the lewd hands of Satan, his captious discussion with false friends on the origin and nature of his terrifying accidents, and finally a wise respon…

2011 release ** "In August 2010, Maurizio Bianchi officially announced his retirement from musical scene. "Apokalypsis XXIII" is his last ever electronic music album, recorded in Summer of 2010. All the latest albums appeared after that are in fact re-issues of older works or the collaborations with other artists using his sound sources. Like other solo albums of Maurizio Bianchi, "Apokalypsis XXIII" has religious roots and consists of four long tracks, each of those divided into further section…

"As our ears wander into the cacophony of a saturated world, drowned by the dissonance and excess of noise that besieges us, Rien Virgule invites us to explore sonic interstices, to slow down and resist the frenzy. With ‘Berceuses des deux mondes’ (‘Lullabies of the two worlds’), the deafening fires of the din are extinguished, the volume of the over-amplified world calms down, and music becomes a refuge. We listen as we contemplate a flickering candle flame, tinged with a luminous melancholy. T…

"Ptôse – Ptôse Production Présente" is a highly limited Vinyl on Demand box set (99 copies) celebrating the French experimental group Ptôse. Housed in a silkscreened box, it features "The Official Guide To P.P.", two certificates, an insert, and an exclusive T-shirt, making it a prized collector’s edition for minimal synth and avant-garde enthusiasts.

"The Insane Box" by Vinyl-on-Demand is a deluxe 2009 box set featuring four 12-inch and one 7-inch vinyl, compiling rare and unreleased tracks from key experimental and industrial artists of the cassette culture era. This collector’s edition captures the innovative spirit of the late '70s and '80s underground electronic scene.

de’ Lamperi is the alias of Florence-based interdisciplinary artist Francesco Toninelli. Conceived as a sound-focused multidisciplinary performance, "Addio esseri di polvere" (“Farewell, dust creatures”) is a haunting soundscape that unfolds against a 17th-century fantasy-like backdrop. A succession of gestures and environments conjures a dense symbolism, triggering a semantic upheaval: in keeping with his interdisciplinary practice of reappropriation and re-imagination of the past, Toninelli bu…

2005 release ** This new double CD compilation project departs by celebrating the seminal Gesang der Jünglinge by Karlheinz Stockhausen. 21 sound artists and composers share their views upon this piece and reflect its groundbreaking dimension, as for the first time in 1956 it fused electronic and acoustic sounds within a new idea of sonic and listening space. With: @c, Achim Wollscheid, Andre Gonçalves, Andrew Deutsch, Anna Homler, Anthony Pateras+Robin Fox, Asmus Tiechens, cmv Hausswolf, Dale L…

1992 release ** A complete new work plus 'Death In The Blue Lake'. Combines playing and through-composition with manipulated and environmental sound in dramatic, narrative, psychological constructions. Quite unique. 'Death' based on a novel; texts in new works by Chris Cutler.

The intersection of mathematics and mysticism has long been one of experimental music's most fertile territories, from La Monte Young's just intonation systems to the algorithmic compositions of Iannis Xenakis. Now, with his sophomore album Triality, Milian Mori ventures into this rarefied space with a work of stunning conceptual ambition and emotional depth - a 16-track double LP that unfolds as a seamless 53-minute meditation on the "unspeakable third in the second." Released via raster - the …

2005 release ** "A superb work of re-editing and re-composition of original material by Maurizio Bianchi, that saves the distinctly experimental aim of the music by the hystorical Italian artist, renewing it in surely less extreme and hard but equal new form, unquestionably catching and sure effectiveness."

2009 release ** "A long and almost solemn track built with reverberated piano notes, a slow and rhythmical flow leaned on a background made of clashing hisses and vague, distant, rustling ambient noises. A brief interval based on obscure drones moving in circles, inexorably entangled on themselves. Then another long piano-based track, this time more dilated, confused, ethereal and prim, so much that it takes the distinguishing features of an indecipherable sonic mass, abstract and booming, estra…

2006 release ** "We've long championed the work of Maurizio Bianchi, the grim electronic sculptor whose work in the early '80s paralleled the likes of Whitehouse, Ramleh, and Matthew Bower's early power electronics project Total. As much as we would like to ramble on about Bianchi's intriguing musical and existential history in reference to this record, it's almost a moot point as it's really hard to discern any sounds that bear the signature of Mr. Bianchi. Don't let that caveat scare you off f…

2005 release ** "Italian Avant-Noise legend M.B. and Land Use collaborate on dramatic, subterranean wall-of-noise constructions and swirling textural storms, dense and complex arrangements, shifting and shimmering tones barely under control, streaming toward some distant and indefineable precipice. Not noisy, but way too tense and corrosive to be called ambient. These vibrant monoliths of sound shift the listeners pysche into a restless sort of zen, a blissful chaos - truly mind and mood-alterin…

2012 release ** Decomposed between the 1981 and the 1982. Originally titled Genocidio 20 and self-released on cassette in the 1980s.

The author of these notes has spent his life explaining radical music, and the music on this disc may be the most radical I've ever written about. Peter Thoegersen (b. 1967) is not yet a name known to the music world; not for any lack of connection to other famous musicians, but because he came to composition late, and because his artistic aims are so broad and complex that they have taken years to evolve. His aesthetic is well defined, and he is upfront about having a name for it: "Polytempic P…

Piano Music 1963-1998. Piano Plus is a collection of six piano pieces written by Richard Teitelbaum (b. 1939), a pioneer of interactive electronic and computer music, between 1963 and 1998. Piano Plus illustrates the use of cutting-edge technology to extend the range of the traditional acoustic piano. Three of the pieces are played by the composer himself, and the other three are performed by some of the leading interpreters of contemporary piano music. The first piece, 'Intersections' (1963) is…

In many respects Earl Howard’s (b. 1951) music is an anomaly that resists categorization and the seductiveness of genre. He is an important force in improvised music and yet his work employs complex structures and rigorous transitions of sound and texture. His electro-acoustic music is realized with a K-2600 Kurzweil that for Howard is not merely a keyboard synthesizer but an open system, a computer with a most effective interface with modules and a key map that enable more freedom in the compos…

Chris Brown’s (b. 1953) compositions Some Centre (2019) and First Light (2016), performed with such assured lucidity and subtle shading by the three members of The Chromelodia Project, engage with significant precursors in music and in literature, drawing upon their words and innovations, their insights and adventurous spirits while, in the process, transporting those uncompromising benefactors to a different frontier. Brown makes songs from poems by Emily Dickinson (1830–1886) and Jackson Mac L…

A cornerstone of Italian industrial music, Mectpyo / Blut by Maurizio Bianchi is a double album of bleak, medical-grade electronics, echoing the dystopian visions of Whitehouse, SPK, and NWW.

16-page booklet including liner notes in English. This composer portrait is dedicated to Vladimir Ussachevsky (1911–1990), a pioneering figure in electronic and choral music. The album features six of his groundbreaking works in electronic music alongside two significant choral pieces, highlighting the breadth of his creative output. The final two works on the CD, Three Scenes from The Creation (1960; rev. 1973) and Missa Brevis (1972), showcase Ussachevsky’s innovative use of the human voice.Th…

Both works on this disc share the trademarks of his unique style: the relentless, pounding motoric energy that merges, sometimes with startling suddenness, into a dreamlike texture that seems to float, the continual sense of something magical occurring, often produced with no more paraphernalia than a desktop computer. And the Butterflies Begin to Sing [for string quartet, bass, MIDI keyboard, and computer (1988)], conceived as music for an imaginary ballet, is based on The Hundred Headless Wome…

The music on these CDs takes us into a new realm of music making, one that Alvin Lucier has defined for us and one that demands that we start to listen anew. His work has been more often described in terms of science than of art as if it were a series of quasi-scientific experiments, but to put the emphasis here is to miss the point, for its purpose is never “explanatory” (the goal of science) but, like all art, “revelatory.” This is not to suggest that the composer has some spiritual agenda in …

A relentless explorer, composer, performer and theorist, David Dunn (b 1953) uses electro-acoustic resources, voice, non-human living systems, as well as traditional instruments. A creator of text-sound compositions, environmental installations, works for radio and video, he has also written and published extensively. Underlying all his work is a common regard for music as a communicative source with a living world.  Growing up in San Diego in the sixties and seventies, he encountered people lik…

"Sounds of the World Vermis - Melodies of the Unknown" is a collaboration between Radagast (Josua Karlson) and Plastiboo. It's the soundtrack to the dark and mysterious world Vermis.

Tip! Mac is an Italian cosmic courier who has been accompanying our souls on deep interstellar journeys for many years. His production is as vast as Jupiter's asteroids, but also of excellent quality, so we strongly recommend you to put on your space suit and venture into it without delay. The compositions of the album ROBOTICA date back to 1991. Mac retrieved them from space-time oblivion and re-recorded them in 2015. Today HDK is proud to propose ROBOTICA album in cassette: a scrummy mix of ko…

Heimat der Katastrophe is pleased to present - for the first time on physical media - the soundtrack of the cult Polish videogame called "Doman: Grzechy Ardana" for Commodore Amiga, produced in 1994 by Mirage Software. A must-have for all the heroic-fantasy brutality fans!

Few albums like this one have made us jump out of our seats and giggle: "OH YES!". Graham Simpson, the author of the beautiful "Electrical Storm at the Micro-Station" published by HDK in 2024, returns with an epic, powerful, and terribly evocative concept. "Mythology" - as its author states - manifests his devotion to the history of soundtracks for fantasy cinema: from the colossal films of the 50s with the music of Miklos Rozsa, to the Italian Sword & Sandal films of the 60s, from the soundtrac…

Ever-evolving the mythologies and magic of Dialect’s sonic sphere, Andrew PM Hunt returns with Atlas of Green, elegantly molding unexacting details of memory and mistranslation into the framework of the British musician and composer’s creative pursuit. The album imagines a young musician named Green working in a future dawning era where lost signals and enduring impulses are unearthed from the sediments of technology and time. Across twelve compositions, which embrace encounters with the malfunc…

Oliver Coates' Throb, shiver, arrow of time is a portal into somatic chiaroscuro, aglow with the embers of imperfect memories and smudged with the plumes of internal echoes, which augment in vast, mercurial dimensions. The ten compositions of Throb, shiver, arrow of time find weightless melodies soaring across after-image gradients, while Coates reaches further to collapse the digital into the analogue and vice versa, allowing serendipity to reorganize the material and push outwards, so the musi…

2025 stock Anoyo (“the world over there”) draws from the same sessions with members of Tokyo Gakuso which led to the 2018 work Konoyo, but rendered starker, solemn, and stripped back, with more of a naturalist tint. Tim Hecker’s processing here moves in veiled ways, soft refractions and whispered shrouds woven within improvisational sessions of traditional gagaku interplay, evoking a sense of vaulted space, temples at dawn, shredded silk fluttering in the rafters.

Great Doubts Edits by Astrid Sonne is a dynamic rework of her original album Great Doubts, transforming introspective electronic compositions into vibrant, club-ready versions. Sonne blends glitchy beats, pulsing synths, and ethereal vocals, maintaining her signature melancholic yet playful tone. These edits reimagine the tracks with sharper rhythms and immersive textures, offering a fresh, dancefloor-oriented perspective while preserving the emotional depth of the original. A must-listen for fa…