Electronic / All styles

Piano Music 1963-1998. Piano Plus is a collection of six piano pieces written by Richard Teitelbaum (b. 1939), a pioneer of interactive electronic and computer music, between 1963 and 1998. Piano Plus illustrates the use of cutting-edge technology to extend the range of the traditional acoustic piano. Three of the pieces are played by the composer himself, and the other three are performed by some of the leading interpreters of contemporary piano music. The first piece, 'Intersections' (1963) is…

In many respects Earl Howard’s (b. 1951) music is an anomaly that resists categorization and the seductiveness of genre. He is an important force in improvised music and yet his work employs complex structures and rigorous transitions of sound and texture. His electro-acoustic music is realized with a K-2600 Kurzweil that for Howard is not merely a keyboard synthesizer but an open system, a computer with a most effective interface with modules and a key map that enable more freedom in the compos…

Chris Brown’s (b. 1953) compositions Some Centre (2019) and First Light (2016), performed with such assured lucidity and subtle shading by the three members of The Chromelodia Project, engage with significant precursors in music and in literature, drawing upon their words and innovations, their insights and adventurous spirits while, in the process, transporting those uncompromising benefactors to a different frontier. Brown makes songs from poems by Emily Dickinson (1830–1886) and Jackson Mac L…

A cornerstone of Italian industrial music, Mectpyo / Blut by Maurizio Bianchi is a double album of bleak, medical-grade electronics, echoing the dystopian visions of Whitehouse, SPK, and NWW.

16-page booklet including liner notes in English. This composer portrait is dedicated to Vladimir Ussachevsky (1911–1990), a pioneering figure in electronic and choral music. The album features six of his groundbreaking works in electronic music alongside two significant choral pieces, highlighting the breadth of his creative output. The final two works on the CD, Three Scenes from The Creation (1960; rev. 1973) and Missa Brevis (1972), showcase Ussachevsky’s innovative use of the human voice.Th…

Both works on this disc share the trademarks of his unique style: the relentless, pounding motoric energy that merges, sometimes with startling suddenness, into a dreamlike texture that seems to float, the continual sense of something magical occurring, often produced with no more paraphernalia than a desktop computer. And the Butterflies Begin to Sing [for string quartet, bass, MIDI keyboard, and computer (1988)], conceived as music for an imaginary ballet, is based on The Hundred Headless Wome…

The music on these CDs takes us into a new realm of music making, one that Alvin Lucier has defined for us and one that demands that we start to listen anew. His work has been more often described in terms of science than of art as if it were a series of quasi-scientific experiments, but to put the emphasis here is to miss the point, for its purpose is never “explanatory” (the goal of science) but, like all art, “revelatory.” This is not to suggest that the composer has some spiritual agenda in …

A relentless explorer, composer, performer and theorist, David Dunn (b 1953) uses electro-acoustic resources, voice, non-human living systems, as well as traditional instruments. A creator of text-sound compositions, environmental installations, works for radio and video, he has also written and published extensively. Underlying all his work is a common regard for music as a communicative source with a living world.  Growing up in San Diego in the sixties and seventies, he encountered people lik…

"Sounds of the World Vermis - Melodies of the Unknown" is a collaboration between Radagast (Josua Karlson) and Plastiboo. It's the soundtrack to the dark and mysterious world Vermis.

Tip! Mac is an Italian cosmic courier who has been accompanying our souls on deep interstellar journeys for many years. His production is as vast as Jupiter's asteroids, but also of excellent quality, so we strongly recommend you to put on your space suit and venture into it without delay. The compositions of the album ROBOTICA date back to 1991. Mac retrieved them from space-time oblivion and re-recorded them in 2015. Today HDK is proud to propose ROBOTICA album in cassette: a scrummy mix of ko…

Heimat der Katastrophe is pleased to present - for the first time on physical media - the soundtrack of the cult Polish videogame called "Doman: Grzechy Ardana" for Commodore Amiga, produced in 1994 by Mirage Software. A must-have for all the heroic-fantasy brutality fans!

Few albums like this one have made us jump out of our seats and giggle: "OH YES!". Graham Simpson, the author of the beautiful "Electrical Storm at the Micro-Station" published by HDK in 2024, returns with an epic, powerful, and terribly evocative concept. "Mythology" - as its author states - manifests his devotion to the history of soundtracks for fantasy cinema: from the colossal films of the 50s with the music of Miklos Rozsa, to the Italian Sword & Sandal films of the 60s, from the soundtrac…

Ever-evolving the mythologies and magic of Dialect’s sonic sphere, Andrew PM Hunt returns with Atlas of Green, elegantly molding unexacting details of memory and mistranslation into the framework of the British musician and composer’s creative pursuit. The album imagines a young musician named Green working in a future dawning era where lost signals and enduring impulses are unearthed from the sediments of technology and time. Across twelve compositions, which embrace encounters with the malfunc…

Oliver Coates' Throb, shiver, arrow of time is a portal into somatic chiaroscuro, aglow with the embers of imperfect memories and smudged with the plumes of internal echoes, which augment in vast, mercurial dimensions. The ten compositions of Throb, shiver, arrow of time find weightless melodies soaring across after-image gradients, while Coates reaches further to collapse the digital into the analogue and vice versa, allowing serendipity to reorganize the material and push outwards, so the musi…

2025 stock Anoyo (“the world over there”) draws from the same sessions with members of Tokyo Gakuso which led to the 2018 work Konoyo, but rendered starker, solemn, and stripped back, with more of a naturalist tint. Tim Hecker’s processing here moves in veiled ways, soft refractions and whispered shrouds woven within improvisational sessions of traditional gagaku interplay, evoking a sense of vaulted space, temples at dawn, shredded silk fluttering in the rafters.

Great Doubts Edits by Astrid Sonne is a dynamic rework of her original album Great Doubts, transforming introspective electronic compositions into vibrant, club-ready versions. Sonne blends glitchy beats, pulsing synths, and ethereal vocals, maintaining her signature melancholic yet playful tone. These edits reimagine the tracks with sharper rhythms and immersive textures, offering a fresh, dancefloor-oriented perspective while preserving the emotional depth of the original. A must-listen for fa…

For its inaugural release of 2025, Past Inside The Present proudly offers a powerful set of new pieces from experimental ambient veteran bvdub (aka Brock Van Wey), simply titled 13. Across its duration, spacious arrangements nest in clouds of reverb, underscored by granular details and entrancing synth arpeggiations. According to Van Wey – a long time scholar of Eastern ideas and literature – every section represents one edict or idea from chapter 13 of the Tao Te Ching, the foundational text of…

2025 stock "This all came together due to a bout of loneliness and depression that swept over me that Friday evening. Being lonely sometimes can render positive results, something I am learning. On my walk home, I decided to go and make a guitar-based record and not leave the house until it was done. I succeeded and this is what was made. This is not a one-off experiment, that will disappear a few weeks from now: This is my fifth solo full-length record. It is "canon", to quote film nerds. I hop…

2025 stock In celebration of Zakè Drone Recordings' fifth year of releases, we are proud to present Koselig—a curated collection of long-form compositions featuring contributions from close friends of Frizzell and esteemed artists. This release showcases the talents of From Overseas, Benoît Pioulard, Wayne Robert Thomas, Marc Ertel, Viul, and zakè himself. Zach Frizzell (zakè) conceived Koselig while working with Kévin Séry (From Overseas) on their 2023 opus, Demain, dès l’aube, issued by Past I…

2025 stock 'Pathways' is a collection of four stunning loops created by the artist during an introspective period of his life. These majestic, consonant arrangements breathe slowly as fleetingly beautiful melodies; a gorgeous account of ebb and flow repetition. Pathways is cautiously sanguine and equally melancholic of which many today can personally and intimately relate to. A universal desperation and yearning for hope in a dispirited civilization. - Pallette

2025 stock "Esteemed ambient auteurs, zakè and ossa's collaborative output continues to soothe and delight in equal measure. After Syntheticopia in August 2022 and the dark long-player 'A Pale Shelter' in 2021 between zakè, ossa, and City of Dawn comes Module, a collaboration that includes seasoned electronic producer Ruben A. Tamayo, under the alias FAX. The power trio brings forth an eight-track excursion into heavy ambient atmospheres with moody soundscapes and a real weight of melancholy. As…

2025 stock Los Angeles based ambient husband and wife duo, awakened souls join with Réunion Island native, From Overseas to create Keep The Orange Sun. After hearing each other’s individual music, a deeper conversation started about shared musical influences and inspiration leading to the creation of this album. Keep The Orange Sun guides the listener on a thoughtfully curated path. Starting with the certainty of life’s changes (Certainty of Tides) to arising self-doubt (Release/Adapt) and celeb…

In the years since the founding of Past Inside the Present, label head zakè (aka Zach Frizzell) has collaborated with an extensive roster of heavy-hitting ambient experimentalists, chief among which are From Overseas (aka Kévin Séry) and the legendary James Bernard. On Flint, these three artists make clear their well-developed bond, as they build vivid, organic worlds from an intuitive understanding of each other’s strengths, processes, and tonalities. Opening track, “Conifer”, emerges with a de…

As the coda to a busy and dynamic year, Zakè Drone Recordings is pleased to bring you Certain Path, a collection of piano-centric pieces by friends and frequent collaborators zakè (Zach Frizzell), From Overseas (Kévin Sery), and City of Dawn (Damien Duque). It is an album intended for quiet spaces, deep breaths, and hibernation stillness; across its seven movements, softened and gently treated keys provide compelling motifs, while undercurrents of shifting drone provide a meditative, melancholic…

A raw sonic document of exile, trauma, and transformation, this CD collects early works by Hungarian artist Sándor Vály, recorded between 1988 and 1992. Created using homemade instruments, rudimentary electronics, and cassette gear, these tracks trace a turbulent path through desertion, psychiatric confinement, political escape, and cultural rebirth. Inspired by the Tibetan Book of the Dead and personal upheaval, Bardo Tödol I–II, SoulDrum, and other recordings evoke a haunting inner journey bet…

Sigillum S have been exploring unknown territories among extreme electronics, fringe acoustics and occultist noise since 1985. With an original line-up of Italian experimental electronic composers Eraldo Bernocchi, Paolo L. Bandera and Luca Di Giorgio, throughout their 40-year gestation, the noise merchants have worked with musicians including Ain Soph, The Sodality, Gerstein,Iugula-Thor, Out Of Body Experience, Bill Laswell, Zu, Crisis, Thomas Felhmann, Gudrun Gut, Toshinori Kondo, SH Fernando …

Maurizio Bianchi began experimenting with industrial / noise music shortly after the genre emerged. Initially, he released four recordings under the moniker Sacher-Pelz, then began using his own name or his initials, M.B., in 1980. From 1979 to 1984, Bianchi released around 35 albums, showcasing a period of intense creativity before he took a break from music until 1998. Since resuming his work, he has released over 250 additional albums. What is remarkable about Bianchi’s career - aside from hi…

*33 copies limited edition* Archaic is the electronic music project of Jelle Groen and Pieter Hooghiem from the Netherlands. Their paths serendipitously intersected at a vibrant local cultural concert hall, where classical music, eclectic melodies and live performances ignited their shared passion for music, technology, and diverse musical interests. Their shared workplace with Willem Twee Studios (Netherlands), made them interested into the world of modular synthesis and the collaborative effor…

2010 release **  "The Low Frequency Orchestra is a small ensemble of 'paetzold' recorders, electronic devices, voice, double bass and drums and they team up here with one Wolfgang Mitterer who plays organ. The starting point of this CD is a live recording which has been 'repeatedly revised, de- and re-composed'. Taking into account this and the fact that this is a small ensemble, I was reminded of Mnemonists and Biota, who used similar group playing and extensive studio techniques to define thei…

1989 release ** "If "Cathedral" is one of Nigel Ayers' most celestially minded records, then "Invocation of the Beast Gods" is among his most ritualistic. We start at full throttle with suffocating tension before giving way to an uneasy release. "Tranquil" this is not, but Ayers' delicate touch allows him to explore the full breadth of the album title's implications — here you will find moments of whimsy, contemplation, and full-bore reckoning.."

Super Tip!  Following Brannten Schnüre's definitive trilogy conclusion, Quirlschlängle continues its exploration of Central European cultural archaeology with Lebensglut (Life's Glow), a split album that examines four poets through remarkably different methodologies: Karl Wolfskehl, Stefan George, and Georg Trakl, all active in the early 20th century, alongside Julius Sturm, who had been active a century earlier and can be regarded as an early pioneer of Symbolist expression. Like Brannten Schnü…

Three pioneers of contemporary minimal electronic music converge on this remarkable collaborative EP, bridging the austere aesthetics of Finnish electronic minimalism with the ambient experimentalism of a new generation. Released via the legendary Sähkö Recordings' Puu sublabel, this tripartite exploration represents a masterful synthesis of post-minimalist sensibilities and environmental sound design.

Tokyo-based electronic artist and renowned record collector Compuma returns with his sophomore album, a meditative journey through the landscapes of memory and place. Inspired by the scenery of Lake Ezu in Kumamoto and contemplative walks across Japan, this seven-track collection represents a profound evolution of his environmental electronic aesthetic. Compuma has established himself as one of Japan's most respected record buyers and DJs, with an encyclopedic knowledge of obscure and left-field…

Japanese veteran producer Kaoru Inoue presents a visionary collection that transcends conventional electronic boundaries, weaving together world music traditions, field recordings, and ambient exploration into a singular artistic statement. Originally released exclusively in Japan in 2013, this timeless work finally receives the international recognition it deserves. Kaoru Inoue has been quietly developing his unique aesthetic since the late 90s through his own Seeds and Ground imprint and colla…

The debut release from emerging artist Polygonia arrives as a stunning statement of organic minimalism, channeling the ethereal spirit of Japanese 80's kankyo ongaku through contemporary electronic exploration. Introduced through label artist Simone de Kunovich, this remarkable multi-instrumentalist presents four compositions that blur the boundaries between ancient traditions and futuristic sound design. Polygonia operates as a complete artistic vision - singing, writing lyrics, and performing …

Nuke Watch stretch out and zone in on “Wait For It…”, two side-long jaunts that run their freeform M.O. to their own illogical ends. Following on from recent excursions on The Trilogy Tapes and Impatience, they revel in the long format for Patience, crafting a steady assault of haywire rhythms and swampy, off-world ambience. On the A-side’s Supersonic Percussion Anagram, a battery of electronic and sampled drums - from window-shaking subs to melodic sub-continent percussion - shift from one bar …

2015 release ** "The story of electronic music pioneer Kerry Leimer continues with a focus on his auteurist studio project Savant. Compiling the standalone album, 1983’s The Neo Realist (At Risk), with Savant’s debut 12″ and a grip of compilation and unreleased tracks, Artificial Dance documents Leimer’s complete collaborative venture into the unpredictable realities of music, exploring the gulf between what is expected by its creators and what is eventually – and eternally – committed to tape. …

2018 release (RARE) ** "Live 2002 captures an inspired performance at BALTIC Centre for Contemporary Art in Newcastle by three revered, influential and likeminded pioneers; Ryoji Ikeda, Alva Noto and the late, great Mika Vainio. Minimal but highly effective, the performance builds throughout with deep sub bass, sleek, spacious sound design and high voltage, inorganic ambience. The innate noise floor in music technology is pushed up to take centre stage. This is sound of electricity, the hum of t…

2018 release ** "Le Cose Bianche is the power-electronics project founded by Giovanni Mori in 2007 dedicated, in the best tradition of early industrial, to abrasive and dissonant sounds. The themes addressed by Le Cose Bianche are scabrous and often speak of pornography, which is given a very decadent and nihilistic interpretation in which the impulses of eros and thanathos coexist in a sort of “vision” not so distant from that of the Marquis De Sade. L.C.B.’s discography is endless and also inc…

Into the Light Records continue to shine light on the undiscovered heritage of Greek electronic music, highlighting the work of prolific Greek composer George Theodorakis on the label's third archival release. "The Rules of the Game" features mostly unreleased studio recordings Theodorakis made between 1978 and 1996, with the addition of selected material taken from his sought-after 'Margo' and 'Sima' LPs.. George Theodorakis is the son of legendary Greek composer Mikis Theodorakis. Unlike…