Still Point
Assumed Possibilities comprises of four musicians who understand the meaning and use of understatement and close listening. This quartets non-idiomatic music attains a minutely focused intensity, where the subtlest shifts in pitch, timbre and texture speak volumes. Though sounds sometimes sting and startle,the music carefully colours the aural environment,often hardly modifying the silence... growing out of and merging back into it. The results are detailed, meticulous, precise and responsive. S…
Violin alone
Recorded at Ljushults kyrka on the windy days of 18-19 October and 14 November 1997
Zwingburgen des hedonismus - Mysterien des hafens
Part 9 of the ongoing re-release series of all early Tietchens albums from 1980—1991 on CD. This combines two seperate releases from 1987 (»Zwingburgen des Hedonismus«) and 1988 (»Mysterien des Hafens« on »Face To Face, Vol. 1«). »Zwingburgen des Hedonismus« was originally released as a one-sided LP on swedish label Multimood and features a singles 21 min. long track composed on a Fairlight CMI. »Mysterien des Hafens« was part of a split LP (the other side feat. Die Form) originally released on …
Agents At Midnight
2006 release ** "Agents at Midnight, eh? Sounds like the kind of film noir title Barry Adamson might like. But the music doesn't: it's a collection of raw, powerful improvisations for saxophone (Chang) and electronics (and harmonica) (Howard), a fine example of how the fences that used to separate Noise and Improv have been bulldozed into the dirt by the younguns across the pond (and a few of them here in Europe too). Chang's playing – alto sax, is it? not always easy to tell for sure – is rough…
Orla
A.M is Antony Milton, once again stripping back to just his initials for a noise/sound based record. The concept for this album is a pretty simple one, Milton received an Orla chord organ (an instrument that pretty much begs to be used for drones) as a present from a friend and decided to use it as the primary source material for this album. You might be tempted to think Antony has gone and sabotaged himself by chaining himself to such an instrument for an entire album but, through some skilful …
Take Your Time
2003 release. A CD of works for solo piano from "Blue" Gene Tyranny.
Thirty-five of the 36 songs in this "audio storyboard" are individually
built around an atmospheric primary chord, counter-rhythms, and a body
of notes which creates a potential melody that unfolds bit by bit. The Driver's Son
is scored for a narrator, a chorus of five people creating fifteen
voices, an electronically modified orchestra of folk and concert
instruments and parts for a lighting designer and a live video ani…
L'Ombra di Mezzogiorno
An extended voice album by Enomìsossab (or, vice versa, Simone Basso) suspended between rock and experimentation, between popular culture and avant-garde roots, to testify of a complex artistic personality and of a “physical” and “emotional” attitude, absolutely uncommon. Overtone chant, guttural sounds, linguistic deformations, the “calembour” and the vocal contortions.Sometimes few notes or a little melody are enough to fell in love with an artist. Sometimes you need to search, to go deep in t…
Watch me getting back the end
2006 release ** Christa Pfangen are Andrea Belfi and Mattia Coletti. The name is an homage to Nico, although the music has obviously no relation with the icon of the New York avant garde scene. They belong to the new electroacoustic/improv/avant-rock scene which is taking shape in Italy and includes such names as 3/4 Had Been Eliminated, Valerio Tricoli, Å, Stefano Pilia and others. Working with percussion, treated guitar and an array of different objects and noises, they have given birth to a d…