Concert, V
Eddie Prévost & Veryan Weston. Recorded in England, 5/98, mixed by Evan Parker. "'Beauty as an Ear Thing' is a meticulous exploration of texture, full of soft explosions, the reverberant ring of spinning metals, and overtones that glow like embers, dying into silence; this music wouldn't be misplaced on an AMM disc. 'Clustered' rebuilds something out of the emptiness. The dislocated rhythmic feel is like an abstraction of something Monk and Max Roach might have played together. 'Fingers and drum…
Material Consequences
Matchless Recordings presents a live concert by Eddie Prévost recorded at Gateway Studio, Kingston, England on 16th of July, 2001. The album includes four tracks performed by Eddie Prévost - Percussion.
"Alone in the studio, it is just me trying to breathe life into the materials I have chosen at hand. I am looking, hoping, that something unexpected will crop up. The gongs, chimes, bells, skins, strings and resonating boxes are a rich environment. You never know for sure what you will dig up. I …
Loci of Change
Matchless Recordings presents a live concert by Eddie Prévost recorded at Gateway Studio, Kingston, England on September 10th, 1996. The album includes six tracks performed by Eddie Prévost - Percussion.
"After a life-long study of percussion, Eddie Prévost has discovered ways of making the instruments reveal hidden aspects of thei voices. These, his first solo recordings, comprise and anthology of this long study but at the same time there is a freshness here that suggests the research is far f…
Fire Song
Maybe the words of the author of our 'record of the year 1999' (Dean Roberts) will not be enough for you to try to obtain this cd. Maybe also because it's so difficult to obtain, and also because no other magazine will speak about it here in Italy, because it arrives on a small -- but already extraordinary --label without distribution in our country. What a shame! Earl Howard (he's played with Derek Bailey, Han Bennink, Takehisa Kosugi, George Lewis and Richard Teitelbaum, but has rarely recorde…
Musique-action
Compositions for the Hyperion ensemble by Dumitrescu, Avram, Hodgkinson and Cutler recorded at the Nancy-Vanoeuvre festival. Contents: New Meteors and Pulsars (Dumitrescu, 1982). For Tape and Percussion. Tape by Iancu Dumitrescu, Soloist, Chris Cutler. Nouvelle Axe (Avram, 1988) Hyperion Ensemble. Life On Earth (Cutler, 1998) Hyperion Ensemble with Ana Maria Avram, Prepared Piano and Tim Hodgkinson, Clarinet and Bass Clarinet. Black Death and Errors in Construction (Hodgkinson, 1988) Hyperion En…
s/t
This avant-garde Croatian composer and pianist's obscure experimental '70s work with his Acezantez Ensemble drew from all aspects of avant-garde music, including electronics and group improvisation. This release on Paradigm is the first available in the Western world since his LP on the Phillips Prospective series, which in the '70s was the most credible house for innovative compositional names such as Xenakis and Pierre Henry, who opened the doors to such avant-garde musical invention. This CD …
A book of standart equinoxes
(1.8)sec.records is proud to present 'A Book of Standard Equinoxes' a document of a live collaboration between Domenico Sciajno and Kim Cascone. A dynamic, intense, and tight 60 minute improve without cuts or edits. We think it is a rare example in which improv gets very close to composition. These veteran sound artists create an engrossing mass of sound using Max-MSP, generated sounds, and location recordings from Madrid, Spain and Domenico's hometown of Palermo, Italy.
Zirkadia
Dieb13: laptop. Tomas Korber: guitar, electronics. Jason Kahn: laptop 'The 2nd CD release on (1.8)sec.records is a live to hard disk collaboration between 3 artists very comfortable with improvisation and live recordings. 8 trax that present a variety of textures and subtleties always keeping a continues momentum and sense of style. This recording will appeal to those who are interested in improvised music as well as digital minimalism.'
Suspended Music
A collaborative project of the Deep Listening Band and the Long String Instrument Band, featuring new works by Pauline Oliveros and Ellen Fullman. Both works were composed specifically for this ensemble. The instrumentation included Fullman’s Long String Instrument, Oliveros’s expanded accordion, and Dempster’s virtuoso trombone and didjeridu as well as David Gamper’s voice, spatial distribution, manipulation and sound design, timbral transformation, and technical coordination. A performance tou…
Aluminium
It's onward, ever onward for New Zealand's foremost guitar experimentalist, Dean Roberts. Before you know it, he'll be as ubiquitous as Thurston Moore, a New Music gadfly gatecrashing every weird feast going. The latest outpost in a transition from lo-fi humstrum to Destination Unknown sees Roberts shacked up with avant-Austrian Werner Dafeldecker bassist in Improv group Polwechsel.Expect: grinchy crackling, like the amplified sound of grit disintegrating. Imagine: bric-a-brac, debris, splinters…
Nouveaux bouinages sonores (dans la période)
This obscure group of radical experimental noise makers used improvisation and collage to craft strange sounds and deconstructed songs for highly creative music that is as far off the path of conventions as that of similar but more known visionaries like the Residents and Nurse With Wound. In fact, DDAA roughly began the same time as NWW in the late '70s, started by three visual artists, Sylvie Martineau, Jean-Philippe Fee, and Jean-Luc Andre in Lion sur Mer, France. The multi-talented trio orig…
Piano suspenso
Reissue of this 1999 release and out of print since a long time. Some reviews at the time of release : ' After a tentative opening consisting of damp harmonic scrapes, the piece takes off like a single-engined light aircraft when Maranha kickstarts his four-motored Piano effect and then starts to tease single notes from the bubbling background with his bow. This is a great and physically affecting slab of sound, where the slightest minimal shift causes tectonic plates to groan. It's gravy train …
Noe’s lullaby
Music By David Maranha. To play Loud. Recorded, mixed and mastered in February and March 2002 in Lisbon. Players: Andrè Maranha, Bernardo Devlin, David Maranha, Luis Desirat, Manuel Mota, Patricia Machàs and Rodrigo Amado.
Marches of the new world
Marches of the new World, new record by legendary Portuguese underground figure David MARANHA, who has also been putting out music with the mythical Osso Exótico unit for almost 20 years (his previous release was with Patrícia Machás and drone duo Minit as Organ Eye, who put out a self-titled album on the Staubgold label), is his more recent study & advancement in exploring, witnessing and generating new slices of blissful, savaged drone music. Coming from the higher education of minimalist pion…
Souls Of The Labadie Tract
Recorded between December 2005 and June 2006 Black Faurest and at Wombat Recording Company, Brooklyn. Mastered at Micro-Moose. Total time 38:01.
The harmless dust
Brooklyn-based Grubbs and Athens-based cellist Veliotis took a break amidst their US tour for A Guess at the Riddle to go into John McEntire's Soma Studios and record The Harmless Dust, two duos for piano and cello and for e-bowed piano and Hammond organ. The piece was first performed live in Tokyo in August, and we knew that headz - which put on the show - would be the perfect home for The Harmless Dust. The title comes from a line in the Wingdale Community Singers' song 'Family Plot, Mayfield …
Apertura
Duets for harmonium and whateveraphone. These pieces are starkly out of character for both individuals, but no less excellent.
Two soundtracks for Angela Bulloch
David Grubbs (Bastro, Gastr Del Sol) has a longstanding history of collaboration and interest in contemporary visual arts. Many of his solo albums, for instance, feature covers by artists such as Doug Aitken, Marcel Broodthaers, Cosima von Bonin, Stephen Prina or Albert Oehlen. This new mini-album features two compositions commissioned by Angela Bulloch for two of her installation pieces. British artist Angela Bulloch has been making installations since the early 90s, while starting to use the i…
Belvédère Dans L'étendue
in the memory of René Quinon thanks to Fred Galiay & "Samedi 14" We all are in a house: "Villa Adriana", (René Quinon's house - little village - low mountain - high valley - Ardèche). A bunch of all kind of microphones are deviced in the house and amojng the landscape around the place. Each of them is plugged into a mixing desk that Eric La Casa is using during the recordings. The duration of the mix is more or less pre-decided by the 4 of us. During this amount of time, the 3 instrumentalists a…
Field recordings
This is a co-release with Tochnit aleph. Recorded by Dave Phillips, january-march 2001 and january-february 2004. These recordings have been equalized, other than they have been left es arecorded. No mixing, no layering, non normalization or compression, no effetcs nor any other additions or manipulations. All cuts are indexed. Play loud. Alternate playback through earphones is highly recommended. Seriously.