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With Notebook, Lukas Ligeti turns a band, a method and a score into the same thing: four pieces where intricate design and on‑the‑spot decision‑making fuse into chamber music that thinks aloud in real time.
Terrific session just released in 1974 on influential independent Muse. A modal masterpiece verging on spiritual jazz with a series of excellent players: from Richard Davis and Cecil McBee on bass to Ray Mantilla on congas and percussion, through Harold Vick distinctive flute and tenor sax. The major voice on this record belongs to the traps of Joe Chambers. The enormous potency combined with complete authority and tonal clarity that Chambers brings to the drums has made him one of the more dist…
Special discounted Bundle. Two of the most important and exciting free jazz reissues of 2026, together in a single bundle. Both belong to Charly Records' extraordinary ongoing audiophile initiative dedicated to BYG Records' legendary Jazz Actuel series - one of the single greatest bodies of avant-garde jazz documentation ever assembled - and both finally receive the presentation they have always deserved, fully restored and remastered from the original BYG master tapes.
Jacques Coursil's Black S…
On The Call, Bellbird turn their namesake’s piercing cry into a manifesto: an explosive yet intimate quartet music where twin saxes, rhythm‑led structures and “ugly” beauty carry climate grief and solidarity into a single, ringing shout.
Lau Nau (Laura Naukkarinen), Linda Fredriksson and Matti Bye enter the We Jazz Records realm as Kiri Ra! with their new album nen (out 22 May 2026). Kiri Ra! is a trio that creates their sound slowly, in a process of improvisation and discovery. Filtered through the musicians' long-standing friendship and collaboration, Kiri Ra!'s music is a testament to the joy of creation and invention. Their sound together draws from each of the the artists' work before, while creating new world of sound. The…
The Outskirts came together as a working band during bassist Ingebrigt Håker Flaten’s three-year stint as a Chicagoan from 2005-2008. They played regularly at all of the working venues for improvised music in Chicago at that time, including The Hungry Brain, The Velvet Lounge, The Hideout, and Elastic. They even made a live recording in April 2009 that they were eager to release. But unfortunately, the multi-track audio files were lost in a hard drive mishap, leaving only a barely usable rough m…
Originally released in 1981, Mr. Circle’s Thi Nam should really have been recognised decades ago as a jazz dance classic. A beautiful example of European jazz fusion at its most sophisticated and optimistic, the album is immersed in the sonics and rhythms of pan-Latin fusion and Brazilian samba, but with one foot in the upful jazz fusion exemplified by Roy Ayers or the Mighty Ryeders. Remastered from the original tapes at Abbey Road, Outernational Sounds is proud to present a true lost gem of Eu…
The rhythm team by Rashied Ali and Reggie Johnson (with former Sun Ra member Ronnie Boykins adding texture on "Capricorn Moon") establishes a solid foundation, complemented by Alan Shorter's sharp trumpet, while Benny Maupin's close expressions in monophonic form also support it. The fact that pianist Burt Green recorded an almost unnoticed ESP album (just a month later) with Brown as a sideman illustrates how fluid and negotiable musical activities were within this nascent community.
Although R…
The album "Spirits," released by a debut label based in Copenhagen, marked the first opportunity for Ayler to record his "free music" in February 1964 in New York. The musicians selected by him included notable figures such as Cecil Taylor (with drummer Sunny Murray), members from Sonny Rollins' band (bassist Henry Grimes), and musicians from his Cleveland period (trumpeter Norman Howard, bassist Earl Henderson). This work also represents his first focus on his own compositions, which includes H…
On Hot Five & Hot Seven at 100, Louis Armstrong’s seminal Chicago sides are reborn in vivid new mastering, letting his trumpet solos, daring rhythms and easy charisma speak afresh as the very moment jazz pivots into a true soloist’s art.
On Concert A Prades Le Lez, Intercommunal Free Dance Music Orchestra turns Tusques’ radical internationalism into exuberant sound: a border‑smashing live suite where New Orleans, Brittany and North Africa collide in dance‑charged, militant joy.
On Concert A Prades Le Lez, Intercommunal Free Dance Music Orchestra turns Tusques’ radical internationalism into exuberant sound: a border‑smashing live suite where New Orleans, Brittany and North Africa collide in dance‑charged, militant joy.
On Concert A Prades Le Lez, Intercommunal Free Dance Music Orchestra turns Tusques’ radical internationalism into exuberant sound: a border‑smashing live suite where New Orleans, Brittany and North Africa collide in dance‑charged, militant joy.
On Awofofora, Marion Brown folds funk, reggae and Afro‑Caribbean rhythm into his mature structural language, using grooves not as decoration but as architecture for golden‑toned alto lines and quietly radical collective improvisation.
On Live at Hachioji Alone, Shudan Sokai document Tokyo free jazz at the moment it moves to the city’s western margins: exuberant quartet music where loft‑sharpened fire, song forms and nursery‑rhyme mischief collide in a tiny Hachioji club.
"The title Looking for Consonance popped into my head one day as I began thinking about a name for this collection of music. This title immediately felt important, so I kept sitting with it. I thought I knew what consonance meant in music, but I also knew it carried other meanings—ones that extend well beyond sound. Webster’s Dictionary defines consonance as “the harmony or agreement of sounds produced simultaneously, resulting in a pleasing and stable auditory experience.” The word that stands …
Three of downtown’s most dynamic performers join forces to form Mephista—one of the first all women supergroups (Susie Ibarra, Sylvie Courvoisier, and Ikue Mori). Separately these three have worked with some of the most important musicians in new music (Derek Bailey, Wadada Leo Smith, Pauline Oliveros, William Parker, John Zorn, Fred Frith, Mike Patton, Dave Douglas, etc.)—together they have created a whole new kind of music spanning the worlds of rock, classical, jazz and electronica. Sensitive…
Frank London, a major voice in today’s Jewish music renaissance, who has worked with the likes of LLCooI J, LaMonte Young, Jane Siberry and Gal Costa, is a trumpetist, composer, arranger and musical scholar of startling range and creativity. The Debt is the first collection of his work for film and theater, and contains a wide variety of his musical obsessions: Latin grooves, Mingus-style jazz arrangements, classical chamber compositions, moody sound pieces, funky bachelor pad music and a gorgeo…
Haino Keiji is a mysterious psychedelic minstrel who has been performing his peculiar blend of rock, medieval music and improvisation since the early 1970’s. Incredibly prolific, he has headed dozens of bands and released hundreds of CDs on a variety of labels around the globe. His latest project is a wild duo with Ruins mastermind Yoshida Tatsuya, the undisputed master drummer of the Japanese Underground. Featuring Haino’s unique singing and screaming style as well as his best guitar playing to…
Anthony Braxton, Milford Graves and William Parker are quite literally three of the most important virtuoso instrumentalists in new music, each a vivid conceptualist as well an influential composer/perf o rm e r. This intense improvisational outing features them at their best: excited, inspired and in complete communication. Recorded and mixed by musical alchemist Bill Laswell, sparks fly in this important and historic meeting of creative music masters.