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Jazz /

Steve Kuhn
**50th Anniversary Edition** Quoting Dustygroove, this is an incredibly inventive album from pianist Steve Kuhn – one that takes his earlier modern style, and fuses it with a warmer sort mode for the 70s! The approach is quite unique – in that Kuhn's core trio style is augmented both by additional percussion from Airto, plus occasional string quartet backing – for a sound that's fresh and different on each new tune! Some tracks feature Fender Rhodes, but most are acoustic – and Steve even sings …
Vibration!
"For the years Columbus was lucky enough to call him ours, drummer Ryan Jewell was our leading proponent of Emily Dickinson’s maxim “tell the truth but tell it slant.” He placed an idiosyncratic, indelible, and always swinging stamp on any context he assailed, from the insidiously catchy quirk of Terribly Empty Pockets to the righteous brainy scuzz-punk of Pink Reason to spacy evocative noise with collaborators like Mike Shiflet and C. Spencer Yeh to shepherding Psychedelic Horsehit through thei…
Sclupperbep
Detroit saxophonist Skeeter Shelton and Chicago percussionist Hamid Drake didn’t know each other before Skeeter was subbed into a duo gig at Trinosophes (Detroit) after Hamid’s partner fell ill. Shortly before the performance, it was discovered that Skeeter’s father, Ajaramu Shelton, was Hamid’s drum teacher and mentor at Chicago’s Association for the Advancement of Creative Musicians. There was an instant bond. The set that night was fire. This should be no surprise, as keeter, through his fath…
Codebreaker
Matthew Shipp takes an introspective turn on his latest solo piano album, continuing to discover new territory for his singular cosmic pianism. Codebreaker encrypts rich harmonies, cloud-like clusters, and the unlikely confluence of Bill Evans and Bud Powell. Within the voluminous catalogue that pianist Matthew Shipp has created over the last three and a half decades, his solo piano work has charted a unique and compelling pathway for the evolution of the instrument’s vocabulary. On his latest a…
Village Mothership
In the late 1980s / early ’90s, pianist Matthew Shipp and drummer Whit Dickey were young musicians taking part in the cultural ferment happening on New York City’s Lower East Side, a place where free jazz, avant-rock and all manner of creative arts and political causes were colliding and combining to further the area’s legacy of progressive action. William Parker – although just 2 years older than Dickey – had been part of that progressive action since the mid-70s, and was already a world travel…
Silent Movies
“Silent Movies is a gorgeous and insular detour for downtown guitar visionary Marc Ribot, a dude best known for frenetic Tzadik -endorsed aggro-jazz, wild excursions with Cuban music, atonal balloon-rubbing antics, and percussive ejaculations on any number of Tom Waits albums. The album is a meditative and sober hour of solo guitar work that ranges from gorgeous to foreboding, everything played with the meticulous unspooling of bittersweet black-and-white slapstick. Its 13 tracks were all compos…
Preparation
Featuring Mike Taylor (piano), Dave Tomlin (soprano saxophone), Tony Reeves (double bass) and Jon Hiseman (drums), this is the first ever release of a newly discovered tape of this legendary British jazz quartet’s final rehearsal before going into the studio to make their fabled Pendulum album in October 1965. Recorded in Taylor’s grandparents’ London living room by Reeves, it’s has striking presence and immediacy, and will fascinate all admirers of this most enigmatic of composers and musicians…
Jesse Sharps And The Wu Ensemble
Privately pressed by the artist in an edition of 400 copies - blue vinyl
Le - Le
Recorded in the 1980's and snapped up upon arrival in Europe by the Soho Boho's, Acid Jazzuals, Cuboppers, Jazz Massivists and Mojo Jazzmuziker, "Le-Le" by The Arpeggio Jazz Ensemble is a unique one off spiritual soul-jazz outing with avant garde touches and more than a hint of afro-cuban orientalism.The percussion drenched title track has that special worldwide sound and the cool jazz get down groove of "Wet Walnuts and Whipped Cream" is a DJ's delight, whether played over the airwaves or to a …
Middle Eastern Rock
"Crazed time signatures abound as musicians from the West look East for inspiration, infusing their rock and jazz sounds with vibes looted from India and the Far East. A true marriage of Western and (Middle) Eastern music with a fuzzed-out psychedelic edge.Released originally in 1969, Middle Eastern Rock is a unique, compelling fusion record from Armenian-American oud player John Berberian. The Rock East Ensemble, Beberian’s backing band, consists of the artist’s standard group, which specialize…
FMP Free Music Production - The Living Music (Book)
Super Tip! * English version. 400+ pages, large-format book, very heavy * This book is dedicated to the history of the music label Free Music Production (FMP), which from 1968 to 2010 achieved incomparable things as a Berlin platform for the production, presentation and documentation of music. Based on many conversations from over thirty years with key protagonists such as Peter Brötzmann or Jost Gebers, Markus Müller tells the success story of a musicians‘ initiative that emerged in the context…
Spirits Rejoice! Albert Ayler and his message (Book)
No music swung as erratically between extremes as his: folk song, march or acoustic apocalypse – anything was possible in the cosmos of Albert Ayler’s soundscapes. With his furious instrumental glossolalia and his pathos-laden ballads, the musician from Cleveland, Ohio quickly became the most radical of the Sixties free jazz expressionists. In his hands the saxophone became a different instrument and even John Coltrane’s late work was unmistakably shaped by the influence of his younger colleague…
Christian Reim Trio
Melodic folk trio jazz by legendary Norwegian pianist and composer Christian Reim, featuring two different sessions with bass/drums combination: Ingebrigt Håker Flaten , Håkon Mjåset Johansen  & Harald Johnsen / Jarle Vespestad.
Mike Taylor Remembered
‘The Syd Barrett of the avant-jazz scene’ British jazz composer, pianist, songwriter, Mike Taylor died tragically young, leaving just two albums as well as co-writes with Ginger Baker for Cream’s Wheels Of Fire album to his name. In 1973, under the direction of Neil Ardley, several of the performers who had worked with him recorded an album of Taylor’s surviving orchestral music, jazz tunes and songs as a memorial to him and to preserve his work as a composer and song writer for posterity. Taken…
Live at OZO Land
After a long hiatus due to obvious reasons, Goncalo Almeida & Dirk Serries played an exclusive duo performance at Jazzblazzt in The Netherlands. Open air at the lovely Ozo Land location. Recorded live on June 5, 2021.
Eden's Island - Extended
Now here we go with a project that can easily be labeled a mammoth. Who remembers Eden Ahbez actually, except for a couple of born too late retro hippies? Well, here we go with the story: It is 1960, Rock’n’Roll has just lost a couple of its protagonists during this and the previous year, the time of the great balladeers has just begun, but soon will run out due to the new and exciting beat invasion. In the US mainstream the tiki culture has reached a certain peak and is about to collapse, but s…
Getatchew Mekuria And His Saxophone
Getatchew Mekurya is probably the most revered veteran of Ethiopian saxophone. A real giant, both physically and musically. Not only is he at the very top level of Ethiopian saxophonists, but he is the 'inventor' of an extremely distinctive musical 'style.'
The Other Lies
“”The Other Lies is a collection of six improvised duets performed by Tom Jackson on clarinet Colin Webster on alto and baritone saxophones. Tom Jackson is very accomplished in the fields of contemporary classical music and free improvisation. He also holds a Ph.D from Canterbury Christ Church University. Colin Webster is a musician whose works I’ve reviewed here before. When one of his releases comes up on my Bandcamp feed I always take notice. He’s a prolific and under appreciated figure in th…
Melancholia
“‘Melancholia’ is, perhaps, a somewhat misleading title for the duet of John Edward (double bass) and label boss Dirk Serries (acoustic guitar). One might expect some sad music, a soft thud on the bass, a few strums on the acoustic guitar, but it is clear that these men deal with a different kind of melancholia right from the start. In the two pieces (forty-four minutes), I think there is a mutual agreement between the two to work along dynamic lines. They cut out the middle ground, it seems. Th…
One In The Eye
“From May this year, One In The Eye is a double CD bringing together Alan Wilkinson and Dirk Serries for selection jagged, moody, to-playful improv. The set features one disc taking in eight tracks, and a second disc features two longer work-out. The first disc opens with the nearing six minutes of “Upshot”- here we find Serries jagging ‘n’ jerking strums weaved with Wilkinson energetic and at points quite seared sax work- this works as a nicely urgent and shifting opener for the release, throwi…