We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Library/Soundtracks /

Ruckus In Lo-Fi Revisited
This Mini-LP is taken from the rare and so nice 1999 'Ruckus in Lo-Fi' LP (Sweden). A singular Instrumental / Hip Hop and Cut-up/DJ album, with 2 hidden strong Balearic tracks inside. One is the now so famous and in demand 'I dream' gem, a headtrip beauty based on the Pink Floyd groove, with its 1999 ORIGINAL VERSION + a killer 'Wolves of Asha' Balearic Remix from our man Joe Morris
Libra - Un Film Du Groupe Pattern
When the bunch of filmmakers known as The Pattern Group (Roland Moreau, Georges Perdriaud and Jean Talansier) did Libra, their second movie, in 1973 they thought it would be a good idea to use bits from Pink Floyd's Ummagumma and Atom Heart Mother to create its soundtrack. The movie, a 90-minute film with no dialogue, depicts the story of four youngsters living in communion with nature, an idyllic life that is drastically changed when a U.S. satellite crashes in the area and attracts the …
The Birth Of Electric Maloya On Reunion Island 1975-1986
Strut present a brand new compilation documenting the groundbreaking maloya scene on Réunion Island from the mid-‘70s, as Western instrumentation joined traditional Malagasy, African and Indian acoustic instruments to spark a whole era of new fusions and creativity. Compiled by Réunionese DJ duo La Basse Tropicale, ‘Oté Maloya’ is out now on CD and LP as well as digital formats. The CD and LP versions include an extensive booklet  featuring the history of maloya by Nathalie Valentine Legros of 7…
I Am Black Beauty
"I am black beauty... love me!" A forthright enough request, one would think, from an artist whose music was indeed loved, revered and which played a hugely influential and omnipresent role in Lahore's vibrant cinematic patchwork that covered the late 1970s and early 1980s. However, until now, it seems that this lost love letter to a potential global audience of millions of sonic suitors has been caught up in the pesky Pakistani postal system. Nahid Akhtar needs a connection. Don't blame the Khy…
Studio Umiliani
Four Flies Records strikes again, releasing their first archive compilation of Piero Umiliani’s work and the first compilation focussing on the Maestro’s legacy in years.  “Studio Umiliani” is a collection of sunken treasures and hidden beauties yet to be re-released, and of stunning unpublished works surprisingly unknown for quite some time. The project, born from the initial effort of Andrea Fabrizi, who has far and wide been exploring Umiliani's soundtracks before anyone else, led Four Flies …
Il Mercenario
Original soundtrack from the movie Il Mercenario (A Professional Gun), a Western movie from 1968 starring Franco Nero and Jack Palance. Music was fully composed and orchestrated by Ennio Morricone and directed by legendary Bruno Nicolai. A lesser-known Morricone soundtrack – written for an obscure western, but right up there with some of the maestro's best for much bigger movies! A number of tunes have that spooky "whistler" style of writing that we love from Morricone – spare whistling over dar…
7 Cadaveri Per Scotland Yard (Color)
Soundtrack for the 1972 Spanish-Italian crime film directed by José Luis Madrid (a sort of baroque revisiting of Jack The Ripper). The maestro Piero Piccioni is in rare groove mode here, lost between acid jazz breaks and deep funk rhythms. An impressive variety of themes, with the Hammond organ often doing the lion's share of the work, the climate is reminiscent of the compositions of the late '60s from the master; memorable sessions that would lead to the publication of the classic posthumo…
7 Cadaveri Per Scotland Yard
Soundtrack for the 1972 Spanish-Italian crime film directed by José Luis Madrid (a sort of baroque revisiting of Jack The Ripper). The maestro Piero Piccioni is in rare groove mode here, lost between acid jazz breaks and deep funk rhythms. An impressive variety of themes, with the Hammond organ often doing the lion's share of the work, the climate is reminiscent of the compositions of the late '60s from the master; memorable sessions that would lead to the publication of the classic posthumo…
Debito Coniugale
Holy Grail Alert! This is absolutely the rarest, and probably the best Marc 4 album ever, pressed as a library on Ricordi label (LR 10) in 1970 with the title II Marc 4 per voi, but composed for the original soundtrack of Debito Coniugale; a brilliant comedy directed by Franco Prosperi, and starring Barbara Bouchet and Lando Buzzanca. A truly amazing album, ranging from jazz to bossa nova, from funk to rhythm 'n' blues and psychedelic – all touched with the unique and distinctive sound of…
La Famiglia Benvenuti
Presenting one of the greatest works by maestro Armando Trovajoli; a solid Italian easy listening masterpiece. After its commercial debut in 1968 as an original soundtrack of famous Italian TV-movie, this record gained renewed interest in the 1990s when four tracks were compiled in the immortal Easy Tempo series. From then on, La Famiglia Benvenuti has not only been considered one of Trovajoli’s most sought after records, but has achieved the status of being the manifesto of the Roman swin…
Chante
LP version. Sommor Records present the first reissue of Claude Lombard's Chante, originally released in 1969. Presented in the original French edition gatefold artwork. Produced by Roland Kluger (Chakachas, Free Pop Electronic Concept), arranged by Willy Albymoor and recorded at the legendary Madeleine Studios in Brussels. "If you know the 1968 Eurovision song, or the TV kids cartoons tunes which Claude Lombard sang, it will be hard to believe what's happening there... Beautiful pop songs sung i…
Gli Arcangeli
Dagored present the first vinyl reissue of Sandro Brugnolini's Gli Arcangeli, originally released in 1964. Italian composer and alto sax player Alessandro Brugnolini -- composer behind 1970's Overground (CNPL 801LP) and L'Uomo Dagli Occhiali A Specchio (1975) -- launched his career playing in the super jazz band inspired by Miles Davis, The Modern Jazz Gang. Later, he became very prolific as a composer and performer under his own name, as well as under pseudonyms (such as Narassa). One of the fi…
Music For Heavenly Bodies
Light years ahead of its time, the eerie sound, colorful orchestral blending, and haunting melodies of Music For Heavenly Bodies has become a crate digging classic. America’s fascination with space and its mysteries was at a peak during the 1950s, and this astral awareness got the attention of professional musician, Paul Tanner. Tanner, a trombonist, got his start in the original Glenn Miller Orchestra. The theremin first caught Tanner’s attention as he witnessed a studio player fighting to…
Jimmy Raney Visits Paris
By the time Jimmy Raney recorded the ultra-cool Visits Paris, he was already at the peak of his career. Having started in 1944 with the Jerry Wald band, he'd pass through a passel of great jazz combos before ending up with Stan Getz in his classic quintet. There, the guitarist became world-renowned, and just weeks before cutting this album, in 1954, he was voted the number one guitarist in the world by French magazine Le Hot Jazz. The album finds Raney on a (very) brief break from touring…
Blues For A Stripper
This extraordinary soundtrack, featuring many of the finest jazz musicians this side of anywhere, is a collection of small ensemble and large band arrangements so perfectly indicative of its era. It’s beyond hip and runs the gamut from cool jazz to hard bop. Moreover, it authorized the virtuosic freedom of the best of New York’s jazz community. The swingingly cinematic score was commissioned for a Sexploitation classic entitled Satan in High Heels, the story of a woman caught in the decade…
Folk Songs For The 21st Century
A time capsule of atomic-age country, radioactive rockabilly, and other-worldly melodies! Sheldon Allman (the singing voice of Mr. Ed!) brings you this long-out-of-print bunker full of plutonium-charged songs about space and destruction. Features “Crawl Out Through The Fallout” as heard in the award winning video game Fallout 4! Modern Harmonic proudly resurrects this wonderfully mystifying LP! A true creative treasure, the Chicago born and Canada raised Sheldon Allman was a graduate of the…
The End On Bongos
A 1957 lounge classic from “Mr. Bongos!” These often-sampled, vibrant-yet-chill sounds bring you big jungle drums, bongos, congas, flutes, strange animal noises, and more! Accomplished bongo player Jack Burger wasn’t known as “Mr. Bongo” without reason. Before the Beatnik generation picked up on the bongos as their super-swank instrument of choice, Jack Burger was already slinging his smooth bongo skills all over the West Coast, from Gene Autry’s radio show to session dates with the Beach…
Massage The History
In celebration of The Infinite Mix, The Vinyl Factory releases the soundtrack to Cameron Jamie's ‘Massage The History’ by Sonic Youth. Cameron Jamie has described his films as ‘a way to visit hidden worlds within our world.’ In Massage the History, the artist combines footage of young men in Alabama performing an erotically charged, provocative dance with living-room furniture in middle-class homes, with found footage of violent or surreal events filmed in anonymous American suburbs. In the…
The Day The Earth Stood Still
Robert Wise's 1951 The Day The Earth Stood Still is one of the greatest titles of science fiction cinema. The 1950s was the golden age of sci-fi movies, and probably this one is on top of the list, along with Forbidden Planet. One of the coolest points of the movie is the incredibly astonishing soundtrack from outter space provided by master Bernard Herrmann (famous, of course, for his Alfred Hitchcock soundtracks). Composed in July 1951 and recorded in August, Herrmann took advantage of t…
First Moog Quartet
Exact repro reissue of this milestone in live recordings of electronic music, originally released in 1970. Gershom Kingsley had Robert Moog build three more synthesizers just so he could pull this thing off. The Moog Quartet played the first live performance of synthesized music at Carnegie Hall to a confused audience. This record includes a cover of "Eleanor Rigby" and Kingley's own "Miracles," featuring a line-up of children on vocals. Still genuinely removed from normative notions of t…