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Stellar duo head on collision bet ween Kaoru Abe and free hitter/ skin mangler Toyozumi. The interaction between the t wo of them creates fire works of improvisational exquisiteness, free rambling seat sniffing combustion that on some occasions instigated Abe to divert his attention from his beloved sax to wards marimba and piano hammerings joined with harmonica blo w-outs. Ferocious, ghastly and kerosene charged head slamming action bet ween t wo of Japan's first wave free jazz terrorists.. Tak…
Mort à Credit shows Kaoru Abe in a fascinating period of transition, moving forth to something complexly and identifiably new, yet intransigently rooted in what had come before. It consists of two alto improvs from a show on October 18, 1975, and five more (three on alto, two on sopranino) from another performance a couple of days earlier. Released by Kojima on 2LP in 1976, it can be said to mark a significant change in Abe's style. Abe is here a little soften from his usual urgency - this can p…
This CD is consisting of 9 tracks mainly his self-made sound object 'Analapos' and 'De Koolmees', and 2 tracks of them are recorded for announce sound of opening and closing of Yokosuka Museum of Art. They are so clear and spacy. Booklet is written by himself, David Toop and others. Text in Japanese and English.ALM Records is well known label that has released many avant-garde LP titles in 70-80's. Especially about Akio Suzuki, two LPs has been released - obscure solo LP (limited 100 copies) and…