★Buh Records
Alturas
When Acid Mothers Temple and Richard Pinhas visited Lima for the first time, in November 2017, to participate in the experimental music festival "Integraciones", Luis Alvarado, the director of Buh Records and curator of the festival, summoned the Japanese and the French musicians to Manongo Mujica's studio and invited Juan Luis Pereira (El Polen) to join them for a recording session. The result was this album which finally comes to light, and where a variety of instruments and sensibilities are …
Lorca: Lost Tapes (1989-1990) LP
Buh Records present a new album by Peruvian composer and musician Miguel Flores. Lorca: Lost Tapes (1989-1991) recovers unpublished recordings made for stage works inspired by the life and work of the great Spanish playwright, Federico García Lorca. It is an atmospheric and minimalist album, where you'll find flamenco airs, Andean and Afro- Peruvian sounds, vocal experimentation, and various sound effects, all stitched together in a simple but creative studio montage, which turns these pieces in…
Ensayo 1986
Salón Dadá was a Peruvian post-punk band made up of Támira Bassallo, Jaime de Lama, and Juan Huamán Hoover, active in the Lima underground movement of the '80s, known as rock subterráneo. They left no official recordings, but at the end of 1986, they did record a four-track rehearsal which began to circulate as an unofficial demo, becoming a classic of the period. Ensayo 1986 (Rehearsal 1986) is now published for the first time on vinyl. Presented as a 7" EP, this new addition to the Essential S…
Maqui de Hierro
Jardín was made up of Orlando Ramírez and Raúl Gómez, and has been a true cult band of Lima's experimental underground since they made themselves known at the end of the 1990s, when they started playing at electronic music venues as well as in the context of art performances and contemporary dance events. Maqui de Hierro, their fourth published work, defined the sonic universe of the duo, in which electronic cosmic experimentation converges with hypnotic rhythmic patterns inspired by ritual perc…
Grabar y Coagular, A History of Audio Pieces By Peruvian Artists
Buh Records present Grabar y Coagular: A History of Audio Pieces By Peruvian Artists (1972-2018), the first collection that explores the relationship between recording art and conceptual pieces. With a range that goes from experimentation in sound poetry to radio art, eccentric compositions that evoke the Fluxus's spirit, appropriationism, and more. In Peru, the visual arts and sound creation have, in the last years, taken a common path: visual artists have begun to produce sound creations, expe…
Anexo3
Anexo3 (2017-18) was composed by Jaime Oliver La Rosa and Ensemble KLEM over residencies in Bilbao, Lima, and Santiago de Chile, through elaborated processes of sound design, experimentation, improvisation, recording, and reflection. Often processed beyond recognition, violin, flutes, and saxophones are performed along güiros, motors, and a system of aluminum plates, struck and induced into resonance through feedback processes controlled by microphones, transducers, and computer software and joi…
Composiciones Electrónicas Para Los Andes (1967-2006)
Edgar Valcárcel (Puno, 1932-Lima, 2010) was one of the most important composers in Peru. He belonged to a crucial generation centered around the 1950s, which also included César Bolaños, Leopoldo La Rosa, Celso Garrido-Lecca, Enrique Pinilla, and Francisco Pulgar Vidal. These musicians were responsible for introducing locally the new languages of the international musical avant-garde, in a meeting with the legacies of Peruvian native music, where the folkloric material was used under very free a…
Fusión
Fusión is the forth production released by Distorsion Desequilibrada, Alvaro Portales’s industrial noise project. He is one of the most important representatives of industrial noise produced in Lima between 1990 and 1995. Portales by then began his work as a graphic designer and comic artist and he was always present at the hardcore punk underground rock and metal circuits. The radicalism of grindcore and its derivatives, grindnoise and noisecore rooted themselves locally and allowed for …