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2002 release ** "Second solo album by the Roman blues guitarist, released in 1979, a year after his debut. Songs of his own composition, alternating with some covers, such as "Baby please don't go", by Muddy Waters, and "Bottle up and go", by John Lee Hooker. Recorded live, alone on stage, with the only accompaniment of a harmonica player.""
Yellow vinyl / 180 grams, limited and numbered edition 300 copies. Following the tragic passing of the legendary Demetrio Stratos in 1979, the band Area wisely chose to forgo vocals (save for a few backing harmonies) on this album, as no one could ever replace the "maestro della voce". While this instrumental album may not push boundaries like its predecessors, it showcases a commendable blend of talent, with each musician shining brightly, particularly the remarkable bass work by Ares Tavolazzi…
“I was born in the sun of a big country that free maybe never was, a big country of happy people, of big forests and big cities.” This is how Alberto Camerini's second album opens, and it is clear from the outset that one is dealing with something not easy to categorize, wild, but equally enveloping and fascinating. The overall sound, while diverse, retains its own continuity and comes across as a blend of Brazilian sounds, singer-songwriter songwriting, and DIY bedroom electronics, with Camerin…
2024 Restock * First ever vinyl repress. Limited to 500 copies, 180 gr. Transparent Vinyl. Replica of the original, with printed inner * In November 1979, at the Palalido in Milan, the metropolitan response to the famous Bologna Rock, a festival that, a few months earlier, had effectively sanctioned the birth of the new Italian Rock, was staged. A dozen Punk/New Wave bands and the like - almost all of them perfectly unknown, except for the star Skiantos, fresh from a contract with Cramps, Gianni…
* Yellow Vinyl * A great Area 7", quality replica of their L'Abbattimento Dello Zeppelin first single. Kick-ass free-form music recorded in the glorious year of 1973 in Milan, Italy. Blow-out with blasting sax solos played by Victor Edouard Busnello, and a kicking Demetrio Stratos on these two extraordinary tracks
Temporary nicer price * High quality vinyl reissue with remastered sound. Transparent vinyl * Originally released in 1979 on Cramps. This is Arti E Mestieri's second album. More dynamic and inspired than their debut title The sound has not changed much in comparison to the previous album but it is slightly less raw and vocals prevent from getting much focus on instrumental prowess. Arguably there is less space for brass instrument and more vocalized sections. Drums are usually more aggressive …
180 gr. Red Vinyl. Digitally remastered at 192 khz and 24 bit. From the original master tapes * From the original master tapes, 1st time rpressed on LP. Mere words can’t describe the impact of an album where the only instrument is the voice of Demetrio Stratos (actually, there are few synthesizer inserts played by Paolo Tofani). Originally released in 1976: a unique work where Demetrio Stratos makes any kind of experiments and sounds with his voice, reaching and going over the limit of human cap…
At long last, after decades out of print, joining their growing Cramps Records Reissue Series, Dialogo brings us the long-awaited vinyl reissue of Alvin Lucier's "Bird and Person Dyning", the composer's first solo LP. As legendary as they come, and easily among the most important and groundbreaking efforts in experimental music ever recorded, this is Lucier at his most visionary. Issued in a limited edition of 300 copies of black vinyl, with fully remastered audio, housed in a sleeve that beauti…
At long last, after remaining out of print for decades, the Milan based imprint, Dialogo, dives into the legendary catalog of Cramps, bringing forth the first ever vinyl reissue of Steve Lacy’s LP, "Straws", issued as the sixth instalment of the label’s DIVerso series in 1977. Truly singular in the legendary American saxophonist’s discography - featuring stunning solo excursions and dialogs with himself - it remains one of the great documents of 1970s improvisation, and is as engrossing, creativ…