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Frederiksberg Records

Sons of Ethiopia
A sonic time capsule from Washington D.C.’s Ethiopian expat community, Admas’ 1984 album Sons of Ethiopia is being reissued for the first time, via Frederiksberg Records
Goodbyes and Beginnings
Official Frederiksberg Records is proud to announce the first reissue of Suzanne Menzel’s 1981 album “Goodbyes and Beginnings”. This sought-after rarity presents a blend of ambient, new-age, 60’s inspired folk music. The melancholic lyrics of singer-songwriter Suzanne Menzel are transformed by Danish New-Age pioneer, Klaus Schønning’s, futuristic soundscape. Schønning, not only produced “Goodbyes and Beginnings,” Menzel also credits him as giving her the artistic courage to self-release her firs…
Field Days (The Amanda Loops)
14 pieces originally written for dance and other practical situations, here reassigned and reconstructed for choreographer Amanda Miller and the Nederland Dans Theater. These are loop-based, textural, mood pieces, and invocations of spaces and landscapes, with some fine steel guitar playing. Mostly this is Fred multi-instrumenting, with pianist Daan Vanderwalle, percussionist Willie Wynant, the Arte Sax quartet and Lotte Anker, the Arditti Quartet, Kiku Day, occasional shakuhachi, and vio…
Propaganda
Written for theatre in 1987 using a host of avian and mammalian voices, snippets of unidentified musical material and electroacoustic noise- sculpting, as well as invented and real instruments played by Fred Frith. This was a hard time and the mood is intense, lean and not cheerful, though there are some gruesomely cheery inserts. There's no fat but a lot of meat here.
That House We Lived In
It was a long wait, but, 12 years after the fact, Fred Frith put together a live album of his group Keep the Dog, which had previously gone undocumented. Comprised of sax/flute player Jean Derome, guitarist René Lussier, keyboardist/harpist Zeena Parkins, sampling artist Bob Ostertag, and drummer Charles Hayward, Keep the Dog was formed by Frith in 1989 to perform a best-of repertoire of his career and remained his last rock group. By the time of this 1991 European tour, the unit had grown beyon…
Middle of the Moment
Continuing the definitive Fred Frith edition, this is the CD based on Fred’s music for the second film he made with Humbert and Penzel – following nomads – that features, along with Fred’s compositions and re-workings, a restless and gripping unfolding of atmospheric locations, tuareg and other musics, ethongraphic material and times captured. A collage or a soundwork rather than a straightforwardly musical composition, this is a serious and unfairly marginalised piece (because it falls between …
Accidental
Fred Frith has been heard in all possible contexts, from solo improviser to composer of orchestral music, but he remains at his best when trapped in a studio, alone or with a few musicians, building layered pieces. This process previously yielded stunning albums such as the delicate Middle of the Moment or the avant rocking Speechless. Accidental features Frith performing all instruments and voices, mostly guitars, violin, junk percussion, and random radio tuning. This music was commissioned by …
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