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2025 stock "Oh joy, oh rapture! Sweet, sharp noise music by the transcontinental trio, the sound of our men’s small wills writ large. Microscopic made big. I mean, to think it’s been nearly half a decade since we’ve heard from these guys! And is this the end of the road? It's different. While their preceding statement focused on strident bandmember solos, If It Pleases The Court sees Zwangsbeglucktertum finally enjoying each other once again, showcasing an energy that can only manifest through i…
**200 copies** Hazy 2019 recordings from the long running Copenhagen free-rock duo Family Underground. On Glitchblade and Sand Between Us Sara C. Czerny and Nicolas F. Kauffmann goes into a full droning and swampy garage mode that sort of recalls a sunlit yet gloomy Denudes on half-speed. Following up a trio of great releases on Into The Lunar Night, Ba Da Bing! and Joy De Vivre.
200 copies. Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 33rpm. Two new tracks from the Newcastle-based improvisor Joe Murray and his Posset, known from releases on Mantile, Chocolate Monk, No Basement Is Deep Enough and more. 'Fanzine Ink Dries Like Black Blood' was recorded on 9th Jan 2016 at Bookshop in Sunderland City Library. Mainly mainly made up of vocal-jaxx loops, dry breath and child chatter. It's the final four minutes of a longer …
200 copies. Black vinyl, white cardboard sleeve with postcard attached,
stamped white labels, insert. Plays at 33rpm. The duo of Russell Walker and Tom James Scott follows up the Coventry
Campbell CS from 2015 with two new tracks. A splendid, minimalistic
mixture of post-Savoury Days UK DIY slow motion pop through shimmering
organ melodies, sparse drumming, piano and field recordings, with a
sense of melancholia sort of recognizable from Tom James Scott solo
recordings but at the same time…
Untitled two-tracker from Berlin's Krube, following up releases on labels such as Hrönir and Fragment Factory. A step even further into oblivion, exploring unknown territories via daunting everyday life recordings and electronic slices of nothing and everything.