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Stockhausen’s early percussion music is among the most visionary of the percussion repertoire. This unique collection features some works which are almost impossible to find elsewhere. Zyklus was not only a novel composition in terms of its treatment of time and structure, it was also the first percussion solo ever performed. Kontakte, a masterpiece for piano and percussion with 4-channel tape, challenges to performers to play together and to make the maximum number of “contacts” with the tape. …
"The first recording of his 32-minute grand cantata 'La Nascita del Verb.' Steeped in chromaticism, with hints of Scriabin and a sea of percussion, 'Nascita' boasts a vast double fugue (one of the most imposing in the history of music) and a forty-seven voice canon in twelve keys. This work, 'truly written in blood,' left Scelsi 'in a deplorable state, afterwards he stopped composing for several years. One of Giacinto Scelsi's infamous pieces are the 'Quattro Pezzi (su una nota sola).' Ear piece…
Between 1983 and 1991 John cage wrote three pieces specifically for saxophones, Four5, Five4 and Hymnkus, which are combined here for the first time on CD. In addition, Cage authorized Ulrich Krieger's arrangement for saxophone of Ryoanji. Krieger also made a saxophone arrangement of Five, one of the few compositions from this period performable on any instruments. This unique disc concentrates on Cage's late works for saxophone. A CAGE OF SAXOPHONES VOL.2 (mode 160), features a combination of…
This is Pape's third monographic CD with Mode Records. Whereas his last Mode CD ("Electro-acoustic Chamber Works", released in 1998) presented his ground breaking works of 1993-1996, this new CD presents a selection of his more recent pieces composed from 1998 to 2004. While Pape continues his fascination with composing with chaotic sound in Le Fleuve du Désir IV and Weaveworld Prologue, it is his new approach to composing with packets of granular time that predominates on this CD. In La Na…
Here, collected for the first time, are all of Morton Feldman's compositions for violin and piano. It is also a kind of walk through his compositional development, from the Webernesque early Piece for Violin and Piano (1950); through the experiments with graphic notation in Projection 4 (1951); followed by an excursion into the jungle-like density of David Tudor's energy in Extensions 1 (1951); to the cryptic notational riddles of Vertical Thoughts 2 (1963); from the dry carpet-dusting Spring …
Written and Directed by IONE Original music and Sound by Pauline Oliveros Traditional Congolese Music by Titos Sompa Set and Costume Design by Valerie Maynard, Dance and Movement by Carol Chappell, Nego Gato, Biza Sompa and Titos Sompa, Traditional Brazilian Music and Dance by Nego Gato.
Njinga the Queen King is a collaborative effort between writer/director Ione and composer Pauline Oliveros, which they refer to as “a play with music and pageantry.” It is based on historica…
In honor of the 40th anniversary of great composer/ conductor Bruno Maderna’s (1920-73) death, Mode is pleased to release the first complete CD of Maderna’s music for flute. The flute played an important part in Maderna’s oeuvre due to his friendship with the exceptional flutist Severino Gazzelloni, who had premiered almost all of the flute compositions. Musica su due dimensioni is among the earliest examples to make live music interact with electro-acoustic sounds recorded on tape. There …
Sarah Maria Sun (soprano) & Jan Philip Schulze (piano) perform works by Heinz Holliger: Sechs Lieder nach Gedichten von Christian Morgenstern (1956/57); Salvatore Sciarrino: Due Melodie; Helmut Lachenmann: Got Lost; György Kurtag: Requiem po drugu op. 26; Wolfgang Rihm: Ophelia Sings; Bernhard Lang: Wenn die Landschaft aufhört.
**CD Edition** Metastaseis A (first recording), Orchestra Sinfonica RAI; Terretektorh for 88 musicians dispersed among the public; Nomos Gamma for 98 musicians dispersed among the public — Residentie Orkest The Hague, Arturo Tamayo, conductor.
Marco Cappelli, guitar. Ken Filiano, double bass. Satoshi Takeishi, percussion. “… La Nuages en France is what happens when you cross one of Europe’s best and brightest new music classical guitarists/composers with the best of New York’s avant jazz/improv scene. The sonics recall the lusciousness of Ralph Towner’s ECM work, but the compositional/improvisational smarts and depth of Marco’s classical chops and background on this recording are unlike anything I’ve heard. Also, Marco has devel…
"Italian Surf Academy has been exploring the sound related to 1960’s cinema since its first record, The American Dream (Mode Avant 13), a collection of music from Italian noir, horror and spaghetti western movies. In 2013 the Italian/French festival “Suona Francese” commissioned us to make a monographic program, but with the concept that it must somehow relate to French culture. We choose Barbarella — the classic 1968 sexual revolution icon directed by Roger Vadim, and starring Jane Fonda — beca…
Swiss musician Roland Dahinden is not your typical trombonist. Equally at home in New Music, Jazz and Improvisation, he is a favorite interpreter of Anthony Braxton, John Cage, Christian Wolff and Alvin Lucier, as well as being acclaimed for performances in the trombone/piano duo with Hildegard Kleeb. On disc, Dahinden is well known for his Hat Art recording devoted to Cage and Wolff. This disc is the first release of his own compositions and interpretations of John Coltrane's classic Nai…
Mode's reissue of Christine Schadeberg's 1995 recital of vocal music by Luciano Berio is a welcome addition to the catalog. While her performances don't make the listener forget the individuality and panache of Cathy Berberian, for whom most of these pieces were written, Schadeberg more than holds her own in her technical and expressive mastery of the music. Her voice is not large, but is remarkably flexible and secure, and her tone is pure. These performances are models of precision and clarity…
The second recording from Margaret Leng-Tan, the "diva of the avant-garde", featuring works by three composers whom she specializes in: John Cage (USA), Somei Satoh (Japan) and Ge Gan-ru (China/USA). With Sonic Encounters: The New Piano, she explores the effect of Asian aestehtics on contemporary American composers and the influence of American composers on their Asian counterparts.The first recordings of two early works by Cage impart a hard-edged brilliance not usually associated with the prep…
**Milestone recordings. Joan La Barbara's controlled experiments into the limits of the human voice took her beyond music** Joan La Barbara is one of great figures in the history of the American musical avant-garde – holding equal standing as an innovator, composer, and performer. She has defined the field of extended vocal technique for the better part of half a century, pushing our understanding of the sonic possibility of the human voice – drawing on its primal root, and thrusting it into the…
Alvin Lucier’s (b.1931) work has been more often described in terms of science than of art and his scores often contain experimental procedures. Lucier perfectly represents the fusion of a scientist with an artist. His pieces arise from an inspection of a pure physical phenomenon. The performers on Mode’s fourth disc of Lucier’s music are the Italian experimental music ensemble Alter Ego — two of the works were written for or dedicated to them — and Alvin Lucier himself. This new recordi…
This album tells stories about wind, ocean and a village feast in the southern France… The listener is led into a poetic journey about freedom and impermanence. It brings together three Ferrari-related works: by Luc Ferrari himself, by Ferrari’s wife Brunhild Meyer-Ferrari and an improvisation by Royer to one of Ferrari’s soundscapes. Luc Ferrari was very interested in collaboration. New music violist Vincent Royer began collaborating with Ferrari following their meeting in 2001.Regardin…
“Incidental Music and Keyboard Miscellany, though both consisting mostly of quite short musical items, have as a whole different origins and different shapes. Keyboard Miscellany is an ongoing collection, a place to deposit occasional pieces which seem to have no place else to go. The earliest is “Variation on Morton Feldman’s Piano Piece 1952” (1988). The piece came about when I was asked to contribute an analysis of a Feldman piece to a collection of essays on Feldman’s music. To do this I tri…